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MFCO319 Contemporary American Cinema

 

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Details

An examination of a topic or topics pertaining to contemporary American cinema - such as the romantic comedy, the science fiction film, documentary genres, new technologies in American cinema, global Hollywood.

The notion of the film director as author has long been a central theoretical and historical issue within cinema studies. Film authorship has been crucially important both to film studies and the film industry itself in the last several decades. This paper will study the ways authorship has been theorised; its impact on the New Hollywood cinema of the 1970s to the present; and the work of a selection of contemporary American directors as authors. Students will leave the paper with a greater understanding of film history and the work of the film director. It is ideal for MFCO majors, humanities students, students who wish to work in any part of the film industry and any student interested in contemporary cinema.

Paper title Contemporary American Cinema
Paper code MFCO319
Subject Media, Film and Communication
EFTS 0.1500
Points 18 points
Teaching period First Semester
Domestic Tuition Fees (NZD) $851.85
International Tuition Fees (NZD) $3,585.00

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Prerequisite
18 200-level MFCO or FIME points
Restriction
FIME 311
Schedule C
Arts and Music
Notes
Students who have not passed the normal prerequisite may be admitted with approval from the Head of Department.
Contact
mfco@otago.ac.nz
Teaching staff
Convenor and Lecturer: Dr Paul Ramaeker
Paper Structure
This paper covers a history of the New Hollywood, a study of film authorship and the examination of four major New Hollywood directors as authors.

Assessment:
  • Participation 5%
  • Reading Response One 10%
  • Reading Response Two 10%
  • Essay 30%
  • Final Examination 45%
Teaching Arrangements
Lectures, screenings and tutorials
Textbooks
Course reader

Individual readings on Blackboard
Graduate Attributes Emphasised
Scholarship, Communication, Critical thinking, Research.
View more information about Otago's graduate attributes.
Learning Outcomes
Students who successfully complete the paper will
  • Demonstrate knowledge of theories of authorship
  • Demonstrate knowledge of the history of contemporary American cinema
  • Demonstrate critical thinking abilities
  • Demonstrate skill at written communication of ideas
  • Demonstrate ability to conduct and use independent research in writing about film

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Timetable

First Semester

Location
Dunedin
Teaching method
This paper is taught On Campus
Learning management system
Blackboard

Film Screening

Stream Days Times Weeks
Attend
S1 Wednesday 16:00-18:50 9-15, 17-22

Lecture

Stream Days Times Weeks
Attend
L1 Wednesday 15:00-15:50 9-15, 17-22
Thursday 15:00-15:50 9-15, 17-22

Tutorial

Stream Days Times Weeks
Attend
T1 Thursday 16:00-16:50 10-11, 13-15, 18-20, 22

An examination of a topic or topics pertaining to contemporary American cinema - such as the romantic comedy, the science fiction film, documentary genres, new technologies in American cinema, global Hollywood.

The notion of the film director as author has long been a central theoretical and historical issue within cinema studies. Film authorship has been crucially important both to film studies and the film industry itself in the last several decades. This paper will study the ways authorship has been theorised; its impact on the New Hollywood cinema of the 1970s to the present; and the work of a selection of contemporary American directors as authors. Students will leave the paper with a greater understanding of film history and the work of the film director. It is ideal for MFCO majors, humanities students, students who wish to work in any part of the film industry and any student interested in contemporary cinema.

Paper title Contemporary American Cinema
Paper code MFCO319
Subject Media, Film and Communication
EFTS 0.1500
Points 18 points
Teaching period Second Semester
Domestic Tuition Fees (NZD) $868.95
International Tuition Fees (NZD) $3,656.70

^ Top of page

Prerequisite
18 200-level MFCO or FIME points
Restriction
FIME 311
Schedule C
Arts and Music
Notes
Students who have not passed the normal prerequisite may be admitted with approval from the Head of Department.
Contact
mfco@otago.ac.nz
Teaching staff
Convenor and Lecturer: Dr Paul Ramaeker
Paper Structure
This paper covers a history of the New Hollywood, a study of film authorship and the examination of four major New Hollywood directors as authors.

Assessment:
  • Participation 5%
  • Reading Response One 10%
  • Reading Response Two 10%
  • Essay 30%
  • Final Examination 45%
Teaching Arrangements
Lectures, screenings and tutorials.
Textbooks
Course reader

Individual readings on Blackboard.
Graduate Attributes Emphasised
Scholarship, Communication, Critical thinking, Research.
View more information about Otago's graduate attributes.
Learning Outcomes
Students who successfully complete the paper will:
  • Demonstrate knowledge of theories of authorship
  • Demonstrate knowledge of the history of contemporary American cinema
  • Demonstrate critical thinking abilities
  • Demonstrate skill at written communication of ideas
  • Demonstrate ability to conduct and use independent research in writing about film

^ Top of page

Timetable

Second Semester

Location
Dunedin
Teaching method
This paper is taught On Campus
Learning management system
Blackboard

Film Screening

Stream Days Times Weeks
Attend
S1 Wednesday 14:00-16:50 28-34, 36-41

Lecture

Stream Days Times Weeks
Attend
L1 Wednesday 13:00-13:50 28-34, 36-41
Thursday 12:00-12:50 28-34, 36-41

Tutorial

Stream Days Times Weeks
Attend
T1 Thursday 13:00-13:50 29-34, 37-39, 41