MUSI102 Music in Western Culture

The study of European art music from the Middle Ages to the twentieth century in its historical and cultural contexts.

We all know of Beethoven and Mozart and Bach - three composers who have made great and original contributions to the heritage of western art music-but do we know what they were really trying to say? In this paper we explore western art music in context. Why did Bach write music in the way he did, why did Beethoven write music differently, why did renaissance musicians sing madrigals, what was it like to be a medieval musician, why did everyone hate Lully, what secret message was Schumann sending to his fiancée in his songs? Focusing on particular composers at particular times and places, we enable students to understand the history of music in the context of its own times.

Paper title Music in Western Culture
Paper code MUSI102
Subject Music
EFTS 0.1500
Points 18 points
Teaching period First Semester
Domestic Tuition Fees Tuition Fees for 2015 have not yet been set
International Tuition Fees Tuition Fees for international students are elsewhere on this website.

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Schedule C
Arts and Music
Teaching staff
Convenor: Dr Andrew Deruchie
More information link
View further information on the Department of Music's website
Eligibility
Before enrolling in MUSI 102, students are strongly advised to have taken MUSI 191, or have an equivalent music background. NOTE: MUSI 102 is a prerequisite for MUSI 223/323, MUSI 261/361 and MUSI 263/363.
Contact
music@otago.ac.nz

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Course Information

Before enrolling in MUSI 102, students are strongly advised to have taken MUSI 191, or have an equivalent music background.
(first semester) 0.15 EFTS 18 points

We all know of Beethoven and Mozart and Bach—three composers who have made great and original contributions to the heritage of western art music—but do we know what were they really trying to say? In this paper we explore western art music in context. Why did Bach write music in the way he did, why did Beethoven write music differently, why did renaissance musicians sing madrigals, what was it like to be a medieval musician, why did everyone hate Lully, what secret message was Schumann sending to his fiancée in his songs? Focusing on particular composers at particular times and places, we enable students to understand the history of music in the context of its own times.

Assessment: 60% internal, 40% final examination

NOTE: MUSI 102 is a prerequisite for MUSI 223/323, MUSI 261/361 and MUSI 263/363

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Timetable

First Semester

Location
Dunedin
Teaching method
This paper is taught On Campus
Learning management system
Blackboard

Lecture

Weeks: 9-14,16-22 Tues, Thurs : 11:00-11:50
Weeks: 9-14,16-17,19-22 Mon : 11:00-11:50

Tutorial

Weeks: 9-14,16-22 Tues : 09:00-09:50
or Tues : 12:00-12:50
Weeks: 9-14,16-17,19-22 Mon : 09:00-09:50
or Mon : 12:00-12:50
 

© Department of Music
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PO Box 56
Dunedin 9054
New Zealand

Tel 64 3 479 8885
Fax 64 3 479 8885
Email music@otago.ac.nz