The Robert Burns Fellowship

The Robert Burns Fellowship is New Zealand's premier literary residency. It was established in 1958 by a group of anonymous Dunedin citizens to commemorate the bicentenary of the birth of Robert Burns, and to perpetuate the community's appreciation of the part played by the related Dunedin family of Dr Thomas Burns in the early settlement of Otago. The Fellowship aims to encourage and promote imaginative New Zealand literature and to associate writers with the University.

The annual, 12-month Fellowship provides an office in the English Department and not less than the minimum salary of a full-time university lecturer. It is open to writers of poetry, drama, fiction, biography, autobiography, essays or literary criticism who are normally resident in New Zealand, and who, in the opinion of the Selection Committee, have established by their published work, or otherwise, that their writing would benefit from their holding the Fellowship.

Previous Fellowship recipients since 2008

See the list of all previous Fellowship recipients

 

Rhian Gallagher photo

Rhian Gallagher

Robert Burns Fellow 2018

Rhian Gallagher’s work is a moving blend of unique perspectives and poetic craft that creates subtly haunting effects.

Her first book of poems Salt Water Creek, published in London, was shortlisted for the 2003 Forward Prize for First Collection. In New Zealand, she won a Canterbury History Foundation Award in 2007, and wrote Feeling for Daylight: The Photographs of Jack Adamson, a non-fiction biography published by the South Canterbury Museum. She won the New Zealand Post Book Award for Poetry in 2012 for her second poetry collection, Shift.

In 2016, Gallagher collaborated with artist Lynn Taylor and Otakou Press printer-in-residence Sarah Smith to publish poems on the life and activities of Freda Du Faur (1882–1935), the first woman to climb Aoraki/Mount Cook.

She described the Burns Fellowship as an expansive, generous opportunity and a real honour.

“In terms of creative space it is like moving from the backyard to a wide open plateau. Anything could happen! The Fellowship is also an opportunity for conversation and exchange within the humanities and, in this, it exudes possibility. It doesn’t involve a relocation for me but it is a completely new mindset.”

She will primarily be writing poetry.

“One aspect of the work is focussed on the early history of the Seacliff Asylum in relation to Irish migrants. I’m looking to develop a series of letter poems.”

 


Otago Fellows University of Otago