Suzanne Little is a Senior Lecturer in Theatre Studies. Suzanne is an interdisciplinary researcher publishing on political dance, trauma, practice as Research, reflective practice, documentary theatre, and the witness turn in contemporary performance (forthcoming). Suzanne is the vice president of ADSA and a member of FIRT and PSI.
Jennifer Cattermole is a Lecturer in Music. Her research interests include music policy and politics, community music-making, and the role of music in reflecting and constructing place and identity. Her research to date has focused on indigenous musics of Aotearoa/New Zealand and Fiji. She is currently researching the development of Dunedin’s arts and culture strategy, Ara Toi.
Christina Ergler is a Lecturer in the Department of Geography. Christina's research lies at the cross-roads of geography, sociology and public health in the minority and majority world. She focuses on the relationships between wellbeing, place and lived everyday experiences. In her research she traces social and environmental injustices drawing from a wider range of social theories including the work of Bourdieu, Gibson and Sen.
Hilary Halba is an Associate Professor in Theatres Studies. She is a teacher, director, actor, producer and dramaturge with over 20 years' experience in New Zealand theatre and education. Her research interests include bicultural theatre in Aotearoa/New Zealand, acting methodologies, actor training, documentary theatre, and New Zealand post-colonial theatre.
Hazel Tucker is an Associate Professor in Tourism. Her research interests are in heritage tourism, and tourism’s relations to cultural change, emotion, colonialism/postcolonialism, tourist narratives and performance, and tour guiding. Her publications include Living with Tourism (Routledge, 2003), Tourism and Postcolonialism (Routledge, 2004), and recent articles on World Heritage, empathy, and apocalyptic subjectivity in tourism.
Alex Wilson is a MA candidate in Theatre Studies. His thesis looks at how political theatre can react in a post-truth environment, with specific reference to how the Iraq War was dramatised on the British stage. He graduated from the University of Otago with a BA (Hons.) in Theatre Studies.