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MUSI332 Music Technology 3

A detailed introduction to industry-standard sound reinforcement and recording technology. The skills taught will be of use to composers, songwriters, arrangers, and those interested in music production in the context of live sound reinforcement, as well as the professional recording studio environment.

Music Technology 3 continues the study of technical studio and creative skills emphasised in MUSI 232 and moves further into the recording process. Using industry-standard audio recording software ProTools, students create their own recording projects. This is a lab-intensive paper with a hands-on approach to recording, editing and mixing music and sound.

Paper title Music Technology 3
Paper code MUSI332
Subject Music
EFTS 0.1500
Points 18 points
Teaching period Second Semester
Domestic Tuition Fees (NZD) $1,018.05
International Tuition Fees (NZD) $4,050.00

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Prerequisite
MUSI 232
Schedule C
Arts and Music
Contact
music@otago.ac.nz
Teaching staff
Convenor: Dr John Egenes
Paper Structure
Please contact the Department of Music, Theatre and Performing Arts' office for a copy of the most recent paper profile.
Teaching Arrangements
Lectures are in University lecture theatres for one hour. All other classes are held in the Music Computer Lab, and students are streamed into one tutorial per week.
Textbooks
Textbooks are not required for this paper.
Graduate Attributes Emphasised
Lifelong learning, Scholarship, Critical thinking, Information literacy, Research, Self-motivation.
View more information about Otago's graduate attributes.
Learning Outcomes
Students who successfully complete the paper will
  • Explore soundscapes and sonic architectures while completing significant written coursework, including an exegesis of a substantial recording production
  • Have gained advanced knowledge of scholarly works in the area of studio production and will be able to view their recorded works within a greater sphere
  • Be able to write about the subject in an expository manner

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Timetable

Second Semester

Location
Dunedin
Teaching method
This paper is taught On Campus
Learning management system
Blackboard

Computer Lab

Stream Days Times Weeks
Attend
A1 Wednesday 10:00-11:50 28-34, 36-41

Lecture

Stream Days Times Weeks
Attend
L1 Tuesday 11:00-11:50 28-34, 36-41

A detailed introduction to industry-standard sound reinforcement and recording technology. The skills taught will be of use to composers, songwriters, arrangers, and those interested in music production in the context of live sound reinforcement, as well as the professional recording studio environment.

Music Technology 3 continues the study of technical studio and creative skills emphasised in MUSI 232 and moves further into the recording process. Using industry-standard audio recording software ProTools, students create their own recording projects. This is a lab-intensive paper with a hands-on approach to recording, editing and mixing music and sound.

Paper title Music Technology 3
Paper code MUSI332
Subject Music
EFTS 0.1500
Points 18 points
Teaching period First Semester
Domestic Tuition Fees Tuition Fees for 2018 have not yet been set
International Tuition Fees Tuition Fees for international students are elsewhere on this website.

^ Top of page

Prerequisite
MUSI 232
Schedule C
Arts and Music
Contact
mtpa@otago.ac.nz
Teaching staff
Paper Coordinator: Dr John Egenes
Teaching Staff: Dr John Egenes and Mike Holland
Paper Structure
This paper covers Music Technology, Studio Production and Digital Culture. Please contact the Department of Music, Theatre and Performing Arts office for a copy of the most recent paper profile.
Teaching Arrangements
One 1-hour lecture and one 2-hour Music Computer Lab class per week.
Textbooks
Textbooks are not required for this paper.
Graduate Attributes Emphasised
Lifelong learning, Scholarship, Critical thinking, Information literacy, Research, Self-motivation.
View more information about Otago's graduate attributes.
Learning Outcomes
Students who successfully complete the paper will
  • Explore soundscapes and sonic architectures while completing significant written coursework, including an exegesis of a substantial recording production
  • Have gained advanced knowledge of scholarly works in the area of studio production and will be able to view their recorded works within a greater sphere
  • Be able to write about the subject in an expository manner

^ Top of page

Timetable

First Semester

Location
Dunedin
Teaching method
This paper is taught On Campus
Learning management system
Blackboard

Computer Lab

Stream Days Times Weeks
Attend
A1 Wednesday 10:00-11:50 9-13, 15-16, 18-22

Lecture

Stream Days Times Weeks
Attend
L1 Tuesday 11:00-11:50 9-13, 15-22