The process and business of filmmaking, and development of the necessary critiquing skills to differentiate between bad filmmaking and good filmmaking.
This paper focuses on the business of filmmaking, the nature of that business and the skills, attitude and temperament that are needed by those entering the industry.
|Paper title||Business of Filmmaking|
|Teaching period||Second Semester|
|Domestic Tuition Fees (NZD)||$1,282.09|
|International Tuition Fees (NZD)||$5,357.07|
- NHFC 405
- Limited to
- PGCertSciComm, PGDipSciComm, MSciComm, MAppSc
- May be taken only by students enrolled for Science and Natural History Filmmaking options. Other postgraduate students may be admitted with approval from the Head of Department.
- More information link
- View more information on the Centre for Science Communication's website
- Teaching staff
- Ross Johnston
- Paper Structure
- The first hour is usually a seminar conducted by NHNZ staff members with knowledge
and experience in a particular part of the industry.
The second hour usually relates to a specific area of expertise (e.g. script writing, creation of treatments, etc.)
When possible, the third hour is given over to a viewing of and discussion about a film, often made by a previous student on the course.
- Teaching Arrangements
- One 3-hour weekly session, normally at NHNZ.
- Recomended Texts:
- Bernard, S. C. (2011). Documentary Storytelling. Creative Nonfiction on Screen. (Third or Fourth Edition) Focal Press
- Thirkell, R. (2010) C.O.N.F.L.I.C.T. An Insider's Guide to Storytelling in Factual/Reality TV and Film. Bloomsbury
- (Supplied) Babirat, C, and Davis. L.S. The Business of Documentary Filmmaking. Longacre
- Graduate Attributes Emphasised
- Global perspective, Interdisciplinary perspective, Lifelong learning, Communication,
Critical thinking, Self-motivation, Teamwork.
View more information about Otago's graduate attributes.
- Learning Outcomes
- Students will develop competency and/or an understanding of the issues involved in
the following areas:
- Researching for film and television
- Pitching ideas for funding
- Writing shooting scripts
- Writing narration scripts
- Writing programme treatments
- Basic budgeting
- Creation of programme proposals
- Use of musicians and music
- Use of archive libraries
- Ethical decision making in documentary films
- The nature of the international industry
- Course outline
- The course outline will be supplied at the beginning of the semester.