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Dr. Cecilia Novero

Dr Cecilia Novero

Senior Lecturer German Programme

Cecilia Novero has a PhD in German Studies from the University of Chicago (USA). After positions held at the University of Michigan, Vassar College and Penn State University (UP), she joined the University of Otago (NZ) in 2008.

Her book entitled Antidiets of the Avant-Garde: From Futurist Cooking to Eat Art (UMP 2010) examines the temporal relations between the historical Avant-garde and the Neo-Avant-Garde, through the lens of material consumption. She has published essays on the German cultural history of food, Italian Futurism, Dada, Walter Benjamin, Viennese Actionism, artists Daniel Spoerri and Antoni Miralda, Eat Art, travel writing, and German and European film and photography. Most recently Cecilia has co-edited two issues of Antennae (www.antennae.org.uk), devoted to animals and photography, as well as the 28th volume of Otago German Studies, on material ecocriticism. An essay on artist Daniel Spoerri, Natural History Museums and archives is forthcoming in Seminar 53:3 (2017), as is an article on Futurist cooking in G. Berghaus’s Handbook of International Futurism (De Gruyter, 2018).

Research / Supervision Interests:

Cecilia's research and teaching interests are the interdisciplinary fields of Food Studies, Animal Studies and the Environmental Humanities. She pursues these interests by focusing on Visual Culture, mostly 20th and 21st-century European cinema and the art and texts produced by the historical Avant-garde and the Neo-Avant-garde movements. In her scholarship Cecilia has also explored the material role that nature and non-human animals play in literary and philosophical texts, in particular post-humanism. She examines all texts, whether art, film or literature, comparatively and cross-culturally. Cecilia has an abiding interest in the literature and art from the former German Democratic Republic, travel literature, adaptation theory, gender and queer theory, as well as critical theory – especially but not limited to the works of Walter Benjamin, Herbert Marcuse and Theodor W. Adorno. She is an advocate of the public humanities, both as theoretical approach and as practice. Cecilia has co-supervised several theses and dissertations, ranging from the work of individual authors or artists (Christa Wolf, Jean Cocteau, Franz Marc) to periods, genres, and/or theoretical issues (Weimar Republic fairy tales; GDR novels and the mother figure; masculinity and German contemporary novels; space and gender in film; graffiti art in post-1989 Berlin, among others). Cecilia welcomes postgraduate students interested in any of the above fields.

Cecilia's profile can also be found at: http://otago.academia.edu/cecilianovero
Email: cecilia.novero@otago.ac.nz
Phone: +64 3 479 8694
Office: Arts 3N10

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Publications

Novero, C., Obermayer, A., & Barton, P. (Eds.). (2017). Of rocks, mushrooms and animals: Material ecocriticsm in German-speaking cultures. Dunedin, New Zealand: Department of Languages and Cultures, University of Otago, 225p.

Novero, C. (2017). Echoes of ecocriticism: An introduction. In C. Novero, A. Obermayer & P. Barton (Eds.), Of rocks, mushrooms and animals: Material ecocriticism in German-speaking cultures. (pp. 7-40). Dunedin, New Zealand: Department of Languages and Cultures, University of Otago.

Novero, C. (2017). Artists and friends: Daniel Spoerri's eat art gallery. In S. Bottinelli & M. d'Ayala Valva (Eds.), The taste of art: Cooking, food, and counterculture in contemporary practices. (pp. 191-210). Fayetteville, AR: University of Arkansas Press.

Novero, C. (2017). Art in the archives of natural history: The temporalities of Spoerri's Ein Inkompetenter Dialog? Seminar, 53(3), 251-274. doi: 10.3138/seminar.53.3.05

Aloi, G., Brower, M., & Novero, C. (Eds.). (2017). Antennae, 40 [Special issue: Exposing Animals, Part 1]. [Guest Editors].

Authored Book - Research

Novero, C. (2010). Antidiets of the avant-garde: From futurist cooking to eat art. Minneapolis, MN: University of Minnesota Press, 368p.

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Edited Book - Research

Novero, C., Obermayer, A., & Barton, P. (Eds.). (2017). Of rocks, mushrooms and animals: Material ecocriticsm in German-speaking cultures. Dunedin, New Zealand: Department of Languages and Cultures, University of Otago, 225p.

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Chapter in Book - Research

Novero, C. (2017). Echoes of ecocriticism: An introduction. In C. Novero, A. Obermayer & P. Barton (Eds.), Of rocks, mushrooms and animals: Material ecocriticism in German-speaking cultures. (pp. 7-40). Dunedin, New Zealand: Department of Languages and Cultures, University of Otago.

Novero, C. (2015). Eat art and fluxus. In G. Celant (Ed.), Arts & foods: Rituals since 1851. (pp. 596-613). Milan, Italy: Electa.

Novero, C. (2015). Bear images: Human performativity and animal touch in Grizzly Man. In M. Lawrence & L. P. McMahon (Eds.), Animal life & the moving image. (pp. 238-253). London, UK: Palgrave.

Novero, C. (2012). Daniel Spoerri's Carnival of animals. In J. B. Landes, P. Y. Lee & P. Youngquist (Eds.), Gorgeous beasts: Animal bodies in historical perspective. (pp. 151-166). University Park, PA: Pennsylvania State University Press.

Novero, C. (2010). Miralda: Turning the tables. In M. Rodriguez & A. Múgica (Eds.), Miralda: De gustibus non disputandum. (pp. 59-69). Madrid, Spain: La Fábrica Editorial.

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Chapter in Book - Other

Novero, C. (2017). Artists and friends: Daniel Spoerri's eat art gallery. In S. Bottinelli & M. d'Ayala Valva (Eds.), The taste of art: Cooking, food, and counterculture in contemporary practices. (pp. 191-210). Fayetteville, AR: University of Arkansas Press.

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Journal - Research Article

Novero, C. (2017). Art in the archives of natural history: The temporalities of Spoerri's Ein Inkompetenter Dialog? Seminar, 53(3), 251-274. doi: 10.3138/seminar.53.3.05

Novero, C. (2015). Following in the tracks of a dog: "The Beggarwoman of Locarno" revisited. German Studies Review, 38(3), 491-508. doi: 10.1353/gsr.2015.0123

Radner, H., & Novero, C. (2014). From hypnosis to animals by Raymond Bellour: Introduction. Cinema Journal, 53(3), 2-8.

Novero, C. (2013). Posthuman animals and the avant-garde: The case of Daniel Spoerri. Antennae, 26, 59-77.

Novero, C. (2013). Birds on air: Sally Ann McIntyre's radio art. Antennae, 27, 31-44.

Novero, C. (2007). Class and gender anxieties in Weimar nutritional discourse: Max Rubner's Volksernährung. Journal of Popular Culture, 40(1), 109-146.

Novero, C. (2007). Painful painting and brutal ecstasy: The material actions of Günter Brus and Otto Muehl. Seminar, 43(4), 453-468.

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Journal - Research Other

Novero, C. (2016). Interview with Mustafa Sabbagh [Interview]. Antennae, 38(1), 77-93.

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Conference Contribution - Published proceedings: Full paper

Novero, C. (2011). Film adaptation as collective enunciation on post-wall GDR literature and film: The case of the two Willenbrock(s). In E. Todd, C. Da Gama, E. Pullar & H. Radner (Eds.), Creative Imitations and Appropriations: From Cinematic Adaptations to Re-makes Research Colloquium: Selected Refereed Papers. (pp. 31-37). Dunedin, New Zealand: Centre for Research on National Identity. [Full Paper]

Novero, C. (2008). Timeout in post-wall Germany: Christian Petzold's Yella and the phantoms of late capitalism. In C. Miller (Ed.), Proceedings of the Film and History Conference: Film and Science: Fiction, Documentaries, and Beyond. [CD-ROM] Oshkosh, WI: Center for the Study of Film and History, University of Wisconsin Oshkosh. [Full Paper]

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Conference Contribution - Published proceedings: Abstract

Novero, C. (2012). Eat Art Multiples: Daniel Spoerri and friends. Proceedings of the Art & Food Symposium. Retrieved from http://www.otago.ac.nz/foodscience/pdfs/foodandartprogramme.pdf

Novero, C. (2011). Facing animals on screen: Werner Herzog's Grizzly Man (2005). Proceedings of the Screen Cultures Conference. Retrieved from http://www.otago.ac.nz/languagescultures/screencultures.html

Novero, C. (2011). Adaptation as palimpsest of collective memories. In E. Todd (Ed.), Creative Imitations and Appropriations: From Cinematic Adaptations to Re-makes: Research Colloquium: Programme and Refereed Abstracts. (pp. 10-11). Dunedin, New Zealand: Centre for Research on National Identity, University of Otago. [Abstract]

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Conference Contribution - Verbal presentation and other Conference outputs

Novero, C. (2014, January). Zooming in on Accaio: Pirandello and German cinema. Verbal presentation at the Modern Language Association (MLA) Annual Convention, Chicago, IL.

Novero, C. (2012, January). History as eaten by the neo-avant-garde. Verbal presentation at the 127th Modern Language Association (MLA) Annual Convention: Language, Literature, Learning, Seattle, WA.

Novero, C. (2012, January). For the love of animals: Companion-species stories and posthumanist history in Haushofer, Lange-Müller, and Kronauer. Verbal presentation at the 127th Modern Language Association (MLA) Annual Convention: Language, Literature, Learning, Seattle, WA.

Novero, C. (2011, November-December). Bear images: Herzog's Grizzly Man (2005) and animal representation in film. Verbal presentation at the Fourth Biennial Conference of the German Studies Association of Australia (GSAA), Brisbane, Australia.

Novero, C. (2011, July). Reworking the anthropological machine: Herzog's Grizzly Man (2005). Verbal presentation at the 4th Biennial Australian Animal Studies Group Conference, Brisbane, Australia.

Novero, C. (2011, February). Adaptation as palimpsest of collective memories. Verbal presentation at the University of Otago Cultures, Histories and Identities in Film, Media and Literature Research Network Colloquium: Creative Imitations and Appropriations: From Cinematic Adaptations to Re-makes, Dunedin, New Zealand.

Novero, C. (2010, June). The braided colors of Miralda's bread: How food empowers art. Verbal presentation at the Food, Power & Meaning in the Middle East and the Mediterranean International Conference, Beer-Sheva, Israel.

Novero, C. (2010, June). Working through the European map with the cinema. Verbal presentation at the European Network for Cinema & Media Studies Conference: Urban Mediations, Istanbul, Turkey.

Novero, C. (2010, September). Of animals, silence, and noise: The power of powerlessness in Kleist's Other language. Verbal presentation at the Kleist and Modernity International Symposium, Dunedin, New Zealand.

Novero, C. (2009, July). Futurism biting its tail? Cooking and eating with Marinetti and Fillia. Verbal presentation at the Back to the Futurists Conference: Avant-gardes 1909-2009, London, UK.

Novero, C. (2009, April). Walter Benjamin eats Borsch: Figuring the avant-garde. Verbal presentation at the University of Otago Russian Studies Research Cluster Symposium, Dunedin, New Zealand.

Novero, C. (2008, October-November). Timeout in post-wall Germany: Christian Petzoid's Yella and the phantoms of late capitalism. Verbal presentation at the Film & History Conference, Chicago, IL.

Novero, C. (2007, October). Adopting adaptation again: The memory of the cinema. Verbal presentation at the Thirty-First German Studies Association Annual Conference, San Diego, CA.

Novero, C. (2007, December). Benjamin's materialist surrealism: Cannibalizing Breton, Dalí, and others. Verbal presentation at the 123rd Modern Languages Association (MLA) Annual Convention, Chicago, IL.

Novero, C. (2006, September-October). Laboring specters in post-communist European film. Verbal presentation at the Thirtieth German Studies Association Annual Conference, Pittsburgh, PA.

Novero, C. (2006, March). Carnival of animals. Verbal presentation at the American Comparative Literature Association Annual Meeting: The Human and its Others, Princeton, NJ.

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Other Research Output

Novero, C. (2011, November). Facing animals in recent art: An addendum to Jenny Gillam's dog Frank. Blue Oyster Gallery, Dunedin, New Zealand. [Public Lecture].

Novero, C. (2006, September). Bodyanalysis: Violence as vulnerability: Günter Brus's surgical art. Primal Secretions: A Günter Brus Retrospective Lecture, Slought Foundation, Philadelphia, PA. [Public Lecture].

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Other - Edited Journal

Aloi, G., Brower, M., & Novero, C. (Eds.). (2017). Antennae, 40 [Special issue: Exposing Animals, Part 1]. [Guest Editors].

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