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    Overview

    The 'selfie' as a site of critical study, looking at selfies as cultural objects and how researchers understand the selfie as a space for/act of communication.

    This paper explores the idea of the 'selfie' as a popular cultural phenomena, as a digital process and as a space for communication and cultural expression. Through this paper you will learn to think critically about selfies as a discourse, as a cultural practice, as techno-socially enabled and as a rich space for communication and critique. You will also take many selfies!

    About this paper

    Paper title Studying Selfies: Celebrity, Surveillance and Cyberspace
    Subject Media, Film and Communication
    EFTS 0.15
    Points 18 points
    Teaching period Not offered in 2025 (Distance learning)
    Domestic Tuition Fees ( NZD ) $1,040.70
    International Tuition Fees Tuition Fees for international students are elsewhere on this website.
    Prerequisite
    MFCO 101 or MFCO 102 or MFCO 103 or 54 Arts points
    Schedule C
    Arts and Music
    Notes
    May not be credited together with MFCO242 passed in 2017 or 2018.
    Contact
    Department of Media, Film and Communication
    Tel 03 479 3724
    mfco@otago.ac.nz
    Teaching staff

    To be advised when paper next offered.

    Paper Structure
    1. Identity, interpellation and critiques of selfie culture
    2. Branding and celebrity
    3. Dataveillance, biometrics and facial recognition
    4. Sexuality, dating and gender
    5. Subalterns, criminals and others
    6. Space, place and 'appropriateness'

     

    Teaching Arrangements

    The Distance Learning offering of this paper is taught remotely.

    The on-campus occurrence of this paper is delivered in Dunedin.

    Textbooks
    No textbook, but there will be set course materials.
    Graduate Attributes Emphasised
    Global perspective, Interdisciplinary perspective, Communication, Information literacy, Research.
    View more information about Otago's graduate attributes.
    Learning Outcomes
    At the completion of this paper students will:
    • Be able to both communicate and critique popular self-produced visual messages
    • Understand the selfie as an international phenomenon that is subject to and reproduces cultural values and ideals
    • Show an understanding of the ethical implications of engaging with, sharing and studying personal images in social contexts
    • Be able to manage complex forms of information and structure and analyse these visual messages within a cultural, techno-social, political and economic context
    Assessment details

    Assessments:

    • Image Production Tasks (shortened self-reflection blogs) x 4 - 20%
    • Critical essay - 40%
    • Presentation/Diary - 40%

    Timetable

    Not offered in 2025

    Location
    Dunedin
    Teaching method
    This paper is taught through Distance Learning
    Learning management system
    Blackboard
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