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Overview

The 'selfie' as a site of critical study; selfies as cultural objects, and how researchers understand the selfie as a space for/act of communication.

This paper explores the idea of the 'selfie' as a popular cultural phenomenon, as a digital process and as a space for communication and cultural expression. Through this paper, you will learn to think critically about selfies as a discourse, as a cultural practice, as techno-socially enabled and as a rich space for communication and critique. You will also take many selfies!

About this paper

Paper title Special Topic
Subject Media, Film and Communication
EFTS 0.15
Points 18 points
Teaching period Not offered in 2026 (On campus)
Domestic Tuition Fees ( NZD ) $1,103.10
International Tuition Fees Tuition Fees for international students are elsewhere on this website.
Prerequisite
18 points
Schedule C
Arts and Music
Contact

Department of Media, Film and Communication
Tel 03 479 3724
mfco@otago.ac.nz

Teaching staff

To be advised when paper next offered.

Paper Structure
  1. Identity, interpellation and critiques of selfie culture
  2. Branding and celebrity
  3. Dataveillance, biometrics and facial recognition
  4. Sexuality, dating and gender
  5. Subalterns, criminals and others
  6. Space, place and 'appropriateness'

 

Teaching Arrangements

This paper is offered both on campus and as distance paper.

Textbooks

No textbook, but there will be set course materials

Graduate Attributes Emphasised
Global perspective, Interdisciplinary perspective, Communication, Information literacy, Research.
View more information about Otago's graduate attributes.
Learning Outcomes

At the completion of this paper students will:

  • Be able to both communicate and critique popular self-produced visual messages
  • Understand the selfie as an international phenomenon that is subject to and reproduces cultural values and ideals
  • Show an understanding of the ethical implications of engaging with, sharing and studying personal images in social contexts
  • Be able to manage complex forms of information and structure and analyse these visual messages within a cultural, techno-social, political and economic context
Assessment details

Assessments:

  • Weekly image production task, 40%
  • Writing task (four out of six weeks), 40%
  • Discussion/seminar tasks, 20%

Overview

The 'selfie' as a site of critical study; selfies as cultural objects, and how researchers understand the selfie as a space for/act of communication.

This paper explores the idea of the 'selfie' as a popular cultural phenomenon, as a digital process and as a space for communication and cultural expression. Through this paper, you will learn to think critically about selfies as a discourse, as a cultural practice, as techno-socially enabled and as a rich space for communication and critique. You will also take many selfies!

About this paper

Paper title Special Topic
Subject Media, Film and Communication
EFTS 0.15
Points 18 points
Teaching period Not offered in 2027 (On campus)
Domestic Tuition Fees Tuition Fees for 2027 have not yet been set
International Tuition Fees Tuition Fees for international students are elsewhere on this website.
Prerequisite
18 points
Schedule C
Arts and Music
Contact

mfco@otago.ac.nz

Teaching staff

To be advised when paper next offered.

Paper Structure

Topics covered in this paper include:

  1. Identity, interpellation and critiques of selfie culture
  2. Branding and celebrity
  3. Dataveillance, biometrics and facial recognition
  4. Sexuality, dating and gender
  5. Subalterns, criminals and others
  6. Space, place and "appropriateness"
Teaching Arrangements

This paper is offered both on campus and as distance paper.

Textbooks

No textbook, but there will be set course materials

Graduate Attributes Emphasised
Global perspective, Interdisciplinary perspective, Communication, Information literacy, Research.
View more information about Otago's graduate attributes.
Learning Outcomes

At the completion of this paper students will:

  • Be able to both communicate and critique popular self-produced visual messages
  • Understand the selfie as an international phenomenon that is subject to and reproduces cultural values and ideals
  • Show an understanding of the ethical implications of engaging with, sharing and studying personal images in social contexts
  • Be able to manage complex forms of information and structure and analyse these visual messages within a cultural, techno-social, political and economic context
Assessment details

Assessments:

  • Weekly Image Production Task (40%)
  • Writing Task - four out of six weeks (40%)
  • Discussion/Seminar Tasks (20%)
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