Overview
This paper builds on the skills and techniques learned in SCOM 411, with an emphasis on Science and Natural History filmmaking from concept through postproduction. The paper culminates the production of a professionally executed 10-minute film which explores a science and/or natural history subject of the student's choice.
About this paper
Paper title | The Techniques of Natural History and Science Filmmaking 2 |
---|---|
Subject | Science Communication |
EFTS | 0.1667 |
Points | 20 points |
Teaching period | Semester 2 (On campus) |
Domestic Tuition Fees ( NZD ) | $1,409.28 |
International Tuition Fees | Tuition Fees for international students are elsewhere on this website. |
- Prerequisite
- SCOM 411
- Limited to
- PGCertSciComm, PGDipSciComm, MSciComm, MAppSc
- Notes
- May be taken only by students enrolled for Science and Natural History Filmmaking endorsement.
- Contact
- More information link
- View more information on the Centre for Science Communication's website
- Teaching staff
- Paper Structure
This paper is structured as a mix of lecture, field and classroom/edit lab work. Lectures will usually take place on Wednesdays and hands-on fieldwork and/or edit time will take place on Thursdays.
- Textbooks
Textbooks are not required for this paper.
Hardware requirements: Students are required to provide 2x external drives to digitally store their creative projects during the semester
- 1TB SSD (USB-C)
- 1TB HD (USB 3.1)
If you have any enquires about purchasing the appropriate drives, please email sciencecommunication@otago.ac.nz
- Graduate Attributes Emphasised
- Environmental literacy, Self-motivation, Teamwork.
View more information about Otago's graduate attributes. - Learning Outcomes
By the end of the semester, students will have gained proficiency in:
- Operation and use of a professional 4k video camera
- Filming in challenging environments
- Specialty camera and advanced editing techniques
- Creating an efficient and professional post-production workflow
- Colour grading of images
- After Effects basics
- Compositing and the use of Green Screen
- Sound design and audio mixing
- The application of story structure theory to the world of nature and science
Timetable
Overview
This paper builds on the skills and techniques learned in SCOM 413, with an emphasis on Science and Natural History filmmaking from concept through postproduction. The paper culminates the production of a professionally executed 10-minute film which explores a science and/or natural history subject of the student's choice.
About this paper
Paper title | The Techniques of Natural History and Science Filmmaking |
---|---|
Subject | Science Communication |
EFTS | 0.1667 |
Points | 20 points |
Teaching period | Not offered in 2024 (On campus) |
Domestic Tuition Fees ( NZD ) | $1,448.79 |
International Tuition Fees | Tuition Fees for international students are elsewhere on this website. |
- Limited to
- PGCertSciComm, PGDipSciComm, MSciComm, MAppSc
- Notes
- May be taken only by students enrolled for Science and Natural History Filmmaking endorsement.
- Contact
- More information link
- View more information on the Centre for Science Communication's website
- Teaching staff
TBD
- Paper Structure
This paper is structured as a mix of lecture, field and classroom/edit lab work. Lectures will usually take place on Wednesdays and hands-on fieldwork and/or edit time will take place on Thursdays.
- Textbooks
Textbooks are not required for this paper.
Hardware requirements: Students are required to provide 2x external drives to digitally store their creative projects during the semester
- 1TB SSD (USB-C)
- 1TB HD (USB 3.1)
If you have any enquires about purchasing the appropriate drives, please email sciencecommunication@otago.ac.nz
- Graduate Attributes Emphasised
- Environmental literacy, Self-motivation, Teamwork.
View more information about Otago's graduate attributes. - Learning Outcomes
By the end of the semester, students will have gained proficiency in:
- Operation and use of a professional 4k video camera
- Filming in challenging environments
- Specialty camera and advanced editing techniques
- Creating an efficient and professional post-production workflow
- Colour grading of images
- Compositing and the use of Green Screen
- Sound design and audio mixing
- The application of story structure theory to the world of nature and science