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KingcoverThe Handbook of New Zealand Mammals

Carolyn M. King & David M. Forsyth (eds)

The Handbook of New Zealand Mammals is the only definitive reference on all the land-breeding mammals recorded in the New Zealand region (including the New Zealand sector of Antarctica). For this third edition, the text and references have been completely updated and reorganised.

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Shieff websiteLetters of Denis Glover

Selected and edited by Sarah Shieff

In this magnificent volume Sarah Shieff presents around 500 of Denis Glover’s letters to around 110 people, drawn from an archive of nearly 3000 letters to over 430 recipients. Many now recall Glover as little more than a misogynistic old fart, a court jester. These letters should give readers the opportunity to revise – or at least complicate – those dismissive categorisations.


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LANDFALL 240 front cover copyLandfall 240

Editor Emma Neale

Reviews Editor Michelle Elvy

Featuring the winners of the Landfall Essay Competition 2020, the Caselberg Trust International Poetry Prize 2020 and the Frank Sargeson Prize 2020.
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Matt Morris coverCommon Ground

Garden histories of Aotearoa

Matt Morris

Common Ground: Garden histories of Aotearoa takes a loving look at gardens and garden practices in Aotearoa New Zealand over time. From the arrival of the earliest Polynesian settlers carrying precious seeds and cuttings, through early settler gardens to ‘Dig for Victory’ efforts, Matt Morris traces the collapse and renewal of home gardening culture, through the emergence of community initiatives to the recent concept of food sovereignty.

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Farrell front

Nouns, verbs, etc.

(selected poems)

Fiona Farrell

One of New Zealand’s most versatile writers, Fiona Farrell has published four collections of poetry over 25 years, from Cutting Out (1987) to The Broken Book (2011). Nouns, verbs, etc. collects the best work from these books, and intersperses them with other poems thus far ‘uncollected’.

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KAT cover front1 2Ko Aotearoa Tātou | We Are New Zealand

An anthology

Edited by Michelle Elvy, Paula Morris, James Norcliffe
Art editor: David Eggleton

Ko Aotearoa Tātou | We Are New Zealand is bursting with new works of fiction, nonfiction, poetry and visual art created in response to the editors’ questions: What is New Zealand now, in all its rich variety and contradiction, darkness and light? Who are New Zealanders?

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Bus stopsBus Stops on the Moon

Red Mole days 1974–1980

Martin Edmond

Bus Stops on the Moon is a personal and a cultural history. As memoir, it is a sequel to The Dreaming Land (2015). A troubled and restless young Martin Edmond is on his way to becoming the wiser, older man who will sit down and write both narratives. As cultural history, the book gives us a participant’s-eye view of the early years of Alan Brunton and Sally Rodwell’s avant-garde theatre troupe Red Mole

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Sullivan coverwebMap for the Heart

Ida Valley essays

Jillian Sullivan

Map for the Heart is a haunting collection of essays braiding history and memoir with environmentalism, amid an awareness of the seasonal fluctuations of light and wind, heat and snow, plants and creatures, and the lives and work of locals.

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Star Potts cover webThomas Potts of Canterbury

Colonist and conservationist

Paul Star

Thomas Potts of Canterbury will appeal to anyone interested in the early history of Canterbury, in environmental change, and in early efforts in New Zealand towards conservation. It's a story of conflicting goals, magnificently exemplified in the life and writings of a man who strove, 150 years ago, to be both colonist and conservationist.

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Gorbey cover high resTe Papa to Berlin

The making of two museums

Ken Gorbey

Ken Gorbey is a remarkable man who for 15 years was involved with developing and realising the revolutionary cultural concept that became Te Papa Tongarewa Museum of New Zealand. Then in 1999 he was headhunted by W. Michael Blumenthal to salvage the Jewish Museum Berlin, which was failing and fast becoming a national embarrassment. Led by Gorbey, a young, inexperienced staff, facing impossible deadlines, rose to the challenge and the museum, housed in Daniel Libeskind’s lightning-bolt design, opened to acclaim.

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