Originally published in 2001, A City Possessed: The Christchurch Civic Crèche Case is the harrowing account of one of New Zealand’s most high-profile criminal cases – a story of child sexual abuse allegations, gender politics and the law. A penetrating analysis of the social and legal processes by which the conviction of Peter Ellis was obtained, and repeatedly upheld, raises major issues for our justice system and the way we see ourselves.
A Communist in the Family: Searching for Rewi Alley by Elspeth Sandys is a multi-layered narrative centred on New Zealander Rewi Alley and his part in the momentous political events of mid-twentieth-century China.
One of the first Benedictine monks to be sent to New Zealand, Dom Felice Vaggioli arrived in 1879 and returned home in 1887, having worked in Gisborne, Auckland and the Coromandel.
This book about New Zealand's Irish heritage offers the view that colonial New Zealand was more multicultural than we have been led to believe. Eight writers – most of Irish descent – have produced A Distant Shore: Irish Migration and New Zealand Settlement.
Shifen Gong selects and introduces twenty texts about Mansfield and her work, translated into English for the first time.
A Foucault Primer Discourse, Power and the Subject By Alec McHoul and Wendy Grace 'A consistently clear, comprehensive and accessible introduction which carefully sifts Foucault's work for both its strengths and weaknesses. McHoul and Grace show an intimate familiarity with Foucault's writings and a lively, but critical engagement with the relevance of his work. A model primer.' - Tony Bennett, author of Outside Literature
The life stories in this book are by people who, at some point in their lives, have been diagnosed with a mental illness which they have learned to deal with. They have found the courage to speak publicly about their experience in a world which is still prejudiced against people with mental illness.
More than a recipe book, this colourful collection arose from a unique community project and invites us to explore the dishes and food lore of 26 people from Asia, Africa, the Pacific, South America, Europe and The Middle East.
One of New Zealand’s longest-serving Prime Ministers, his political legacy has not always been treated kindly. However, recent work by historians suggests that a reappraisal of Bill Massey – which this book provides – is overdue.
A Name and Word Index to Nga Mahi a Nga Tupuna
Dunedin poet Iain Lonie (1932–1988), a Cambridge scholar who enjoyed an international reputation as a medical historian, died before his poetry was fully appreciated. He published five slim volumes but his style was not the one that dominated New Zealand poetry at the time. And yet, argues Damian Love in an essay in this volume, ‘To read him now is, for most of us, practically to discover a new resource.’ This collection, assembled from sources public and private, is the result of poet David Howard’s determination to rescue a memorable body of work from oblivion. As well as the poems from Lonie’s published volumes, it includes over a hundred unpublished works, two essays and an extensive commentary. While his keen interest in mortality was focused by the premature death of his wife Judith (aged 46), Lonie’s poetry is also an attempt to recover the loved in us all. As he eavesdrops on desire and grief he reports back, often wittily, leaving the most poised body of elegiac poetry New Zealand has. For younger poets, Iain Lonie’s poetry has become ‘a place to go on from’.
During his lifetime, internationally celebrated New Zealand thinker and author Lloyd Geering has published numerous thought-provoking books on the nature of religious belief - and has also been tried for heresy (in 1967). This book critiques Geering's now well-known religious atheism in terms of its philosophical underpinnings.
In New Zealand, evangelical Christianity has always played a significant role. This book explores the fascinating story of the resurgence of evangelical Protestantism in the 1950s and 60s, and its pre-war origins.
David Geraghty taught English and travelled in Japan for three years in the late 1990s. This book is a wonderfully entertaining record of some of his experiences.
The forms of Ted McCoy’s houses can recall the early stone and mud brick buildings of the colonial era in Otago, as this region has been both his locus and his inspiration.
A Strange Beautiful Excitement is a ‘wild ride’ through the Wellington of Katherine Mansfield’s childhood.
For most of the 1960s, Dunedin's Globe Theatre was the most important thing happening in serious New Zealand theatre. In this book, Rosalie Carey tells the story of the theatre in its Carey years.
A Wind Harp features the voice and lyrics of Cilla McQueen, supported by original music from Dunedin musicians, The Blue Neutrinos..
While other British settler societies – Australia, Canada, the US and South Africa – have states or provinces, New Zealand is a unitary state. Yet New Zealanders today hold firm provincial identities, dating from the time when the young colony was divided into provinces: 1853 to 1876. Why were the provinces created? How did settlers shape and change their institutions? And why, just over 20 years later, did New Zealand abolish its provincial governments? 'Acknowledge No Frontier', by André Brett, is a lively and insightful investigation into a crucial and formative part of New Zealand’s history. It examines the flaws within the system and how these allowed the central government to use public works – especially railways – to gain popular support for abolition of the provinces. The provincial period has an enduring legacy. This is the surprising and counterintuitive story of how vociferous parochialism and self-interest brought New Zealanders together.
Across the Pass includes writing from New Zealanders such as trampers Mark Pickering and Geoff Spearpoint, writers John Mulgan, David Hill and Elsie Locke, mountaineer Sir Edmund Hillary, adventurer Graeme Dingle, journalist Elsie K Morton, and poets Blanche Baughan, Sam Hunt and Brian Turner.
The first comprehensive history of the vote and elections in New Zealand, published to mark the 150th anniversary of elections in New Zealand.
Advocating for Children: International perspectives on children's rights
Aftermaths explores the life-changing intergenerational effects of colonial violence in Aotearoa New Zealand, Australia and the Pacific. Ranging from Ōrākau pā in the Waikato to the Kimberleys in northwest Australia, from orphanages in Fiji to the ancestral lands of the Wiyot Tribe in Northern California, this collection of illustrated essays reveals the living legacy of historical events, showing how they have been remembered (and misremembered) within families and communities into the present day.
Always Going Home is the compelling personal story of Frances Edmond’s relationship with her ‘beloved, complicated, difficult’ mother, the award-winning poet Lauris Edmond (1924–2000). Told through memories, family recollections, and the ‘goldmine’ of Lauris’s correspondence and diaries, Frances takes a more intimate look at areas of Lauris’s private life than have been detailed in previous family histories and autobiographies.
Alzheimer's and a Spoon is the highly original first collection of poetry from Liz Breslin, whose writing is described by former New Zealand poet laureate Vincent O'Sullivan as displaying 'sheer brio and linguistic flair.'
Sir George Grey, governor of New Zealand, South Australia and the Cape Colony, was an outstanding British colonial statesman in the nineteenth century. This study sheds light on the genius and magnanimity of an increasingly controversial figure, demonstrating the complex humanity underlying his apparent remoteness.
Climbing entered the world stage in the 1950s: this was the era that produced not only Sir Edmund Hillary but a strong body of world-class New Zealand climbers. In this important and dramatic book Brian Wilkins, who was part of the adventure, shares his experiences of climbing in the Southern Alps and the Himalayas.
This book provides a rare contemplation of the bonds between the United States, Australia and New Zealand.
An Accidental Utopia? investigates a more egalitarian past at a time when New Zealand ranked fourth in the developed world for social inequality.
A one-year reading course in Chinese language, based on twenty-two texts and associated exercises, for advanced-level learners.
What makes a medical school? Certainly not bricks and mortar, essential though they be. People and ever more people, yes. Knowing what to teach and how to teach it, yes. An adjacent hospital, certainly. Partnership with Government, certainly. And, importantly, a host academic institution and a supportive community within which to flourish. The 10,000th graduate of the Otago Medical School was capped in December 2006. Since the 1970s it has in fact been three schools, based in Dunedin, Christchurch and Wellington. Its graduates include many distinguished researchers and practitioners all over the world.
Annie’s War: A New Zealand woman and her family in England 1916–19. The Diaries of Annie Montgomerie
Annie’s War is a remarkable book. There have been many published collections of soldiers’ diaries and letters from the First World War, but never a first-hand account of one New Zealand family’s life in England during these challenging and frightening years.
This book is the outcome of a lifetime’s research by the author. He reveals that there are 37 established species of ants in New Zealand, 11 of which are considered to be endemic. This leaves 26 that are exotic or introduced, 2 of which are recent arrivals. Three of 4 additional recent arrivals pose serious threats to New Zealand’s invertebrate fauna and economy if they ever become established.
In Anzac Nations: The legacy of Gallipoli in New Zealand and Australia, 1965–2015, author Rowan Light examines the myth-making around Anzac and how commemoration has evolved.
With less than 2 per cent of the total Māori population holding a doctorate, the need for Māori leadership planning in academia has never been greater. The purpose of this book is to present the experiences of new and emerging Māori academics as a guide for others aspiring to follow.
Archaeology of the Solomon Islands presents the outcome of 20 years’ research in the Solomon Islands undertaken jointly by Richard Walter and Peter Sheppard, both leaders in the field of Pacific archaeology.
A town born of gold, nestled at the foot of the mountains of western Otago, Arrowtown has retained much of its goldfields character, with historic buildings and goldmining sites. It is also a picturesque place and a popular holiday destination.
The Pacific artefacts and works of art collected during the three voyages of Captain James Cook and the navigators, traders and missionaries who followed him are of foundational importance for the study of art and culture in Oceania. These collections are representative not only of technologies or belief systems but of indigenous cultures at the formative stages of their modern histories, and exemplify Islanders’ institutions, cosmologies and social relationships. Recently, scholars from the Pacific and further afield, working with Pacific artefacts at the Museum of Archaeology and Anthropology in Cambridge (MAA), have set out to challenge and rethink some longstanding assumptions on their significance. The Cook voyage collection at the MAA is among the four or five most important in the world, containing over 200 of the 2000-odd objects with Cook voyage provenance that are dispersed throughout the world. The collection includes some 100 artefacts dating from Cook’s first voyage. This stunning book catalogues this collection, and its cutting-edge scholarship sheds new light on the significance of many artefacts of encounter.
'As the Verb Tenses' is the work of a reflective and sensitive poetic talent: one run with gleaming wires of joy. In poems that gather together the vivid details of childhood memory, the surreal juxtapositions of life in the contemporary West, the wry observations of a temporary expatriate, the deeply lodged pain of historical and personal loss, Lynley Edmeades speaks to us in delicately spun lines that press out ironies, dissonances and profound formative experience.
Asians and the New Multiculturalism in Aotearoa New Zealand presents thought-provoking new research on New Zealand’s fastest-growing demographic – the geographically, nationally and historically diverse Asian communities.
At the Point of Seeing is the extraordinary debut collection from Ōtepoti Dunedin poet Megan Kitching. Poised, richly observant and deftly turned, Kitching’s poems bestow a unique attention upon the world, especially to those weedy, overgrown and pest-infested places where the human impulse to name, control and colonise meet nature’s life force and wild exuberance. These compelling poems urge the reader to slow down and give space to the living, moving, breathing environment that surrounds them.
Cilla McQueen is one of New Zealand's major poets (New Zealand Book Award for Poetry three times). Axis is a selection of her poems from the past twenty years, drawn from five volumes of her published work: Homing In (1982), Anti Gravity (1984), Wild Sweets (1986), Benzina (1988), and Crik'ey (1993). The poems are interspersed with drawings she produced on the same themes or subjects. Also included are Cilla's musical scores: of 'singing landscapes' and 'conversations in crowded rooms', for example.
Beachcombing looks at waves and tides, the connectivity of Southern Hemisphere coastlines, and the life cycles of marine plants and animals. It will help you understand the objects and organisms you find on beaches, and the intriguing reasons they have come to be there.
Sometimes caring for patients can leave clinicians feeling overwhelmed with the daily tasks of doctoring. As an antidote, this book explores principles and assumptions of modern medicine seldom taught in medical school. Starting with the meaning of suffering and how the ‘science’ of medicine has evolved, the authors use many clinical stories to provide a fresh perspective on the work and roles of the modern doctor.
Award-winning novel by Linda Burgess.
Beyond the Breakwater brings together twenty-six outstanding short stories spanning half a century by an acclaimed master of the genre, O.E. Middleton.
What contribution does landscape make to our sense of identity? For Beyond the Scene the editors asked eleven writers to choose a landscape that was important to them and to write it from the perspective of their life experience and knowledge. From farmer to art historian and film critic, geographer and planner to lawyer, from landscape architect to poet and environmentalist – these are diverse voices.
Pacific women’s multiple engagements with work and with sovereignty politics, as well as with their portrayal in film, poetry and tourism, are at the heart of this book. The contributors address the interesting, ongoing questions of representation and identity, as well as their place in the shifting politics of the contemporary Pacific.
A compelling collection of essays on the ‘traffic’ in human bodies in the Pacific from the eighteenth century until today.
Books and Boots: The story of New Zealand publisher, writer and long-distance walker, Alfred Hamish Reed
A.H. Reed's enduring contribution to his adopted homeland was as a publisher, writer and benefactor, but he is also fondly remembered by many as a long-distance walker. This biography offers an engaging portrait of 'Alf', his love of Belle, his ceaseless activity and his many contributions to the wider community. It includes a bibliography of his works and is profusely illustrated.
Defining what is 'orthodox' and what is 'alternative' in primary health care therapies and practice is a difficult task these days. Some alternative therapies may be practiced by general practitioners as well as by alternative therapists, and some therapies are no longer 'alternative'. Kevin Dew argues that terms such as 'science', 'unorthodoxy' and 'incompetence' have tended to change in meaning over time.
Using the extraordinary capacity of music to revive the places and people from our pasts, this poetic memoir springs from over 50 song titles or song lines and spans more than four decades.
Bryan Walpert’s fourth collection of lyric poems ranges in its focus from flowers to infinities, from laundry to eternity, but is founded most fully on what it is to move into middle age – to wait still for life’s promised brass band to arrive.
British Capital, Antipodean Labour is the first book to look at the processes of work on the waterfront. The author focuses on three ports: Auckland, Wellington and Lyttelton, revealing how the work of loading and unloading ships was done, and the conditions in which the 'wharfies' worked.
Although New Zealand historians have tended to pay little attention to the role of religions in this country's past, the essays in this collection show that religious beliefs have had an important historical influence on our society.
Surrounding us in our everyday lives are public buildings we all relate to: post offices, state houses, schools, railway stations, courthouses, office buildings, police stations. Many of these buildings were designed by six men, who held the post of Colonial or Government Architect from the 1860s to 1960s. This book brings together all of their surviving public works, with drawings illustrating the distinctive style of design and particular brilliance of each.
Bus Stops on the Moon is a personal and a cultural history. As memoir, it is a sequel to The Dreaming Land (2015). A troubled and restless young Martin Edmond is on his way to becoming the wiser, older man who will sit down and write both narratives. As cultural history, the book gives us a participant’s-eye view of the early years of Alan Brunton and Sally Rodwell’s avant-garde theatre troupe Red Mole.
It is easy to misjudge butterflies as fragile flying insects: their distribution across a wild and expansive Pacific Ocean proves otherwise. Long ago they colonised by flight isolated and tiny atolls and they continue to claim new territory. Others came by land bridges when sea levels were lower, to mark out their distribution and perhaps establish new species. This book surveys (and discovers) the butterfly inhabitants of the South Pacific.
A collection of short stories from David Lyndon Brown
Can’t Get There from Here traces the expansion and – more commonly – the contraction of New Zealand’s passenger rail network over the last century. What is the historical context of today’s imbalance between rail and road? How far and wide did the passenger rail network once run? Why is there an abject lack of services beyond the North Island’s two main cities, even as demand for passenger transport continues to grow? This book seeks to answer these questions.
Elspeth Sandys’ refreshing honesty and her skill as a writer of ction and drama propel the reader through an absorbing life story that is equally a commentary on the meaning of memoir and the peculiarities of memory.
From the 1860s, the West Coast of New Zealand’s South Island was the scene of two major goldfields, attracting hopefuls from all over the world. Suddenly, where there had been native bush and wide rivers, towns with 400 pubs and accommodation houses had appeared. Amongst the hopefuls were Irish miners, many of whom stayed on after the goldrushes as part of a community with its own distinctive character. This is the first study on the history of those Irish ...
For most of his adult life, Charles Brasch’s most intimate companion was his diary. In these journals, written in London during the Second World War, he is a young man searching for answers. Is he a pacifist? Should he join the army? Is he homosexual? Should he marry? Should he return home to New Zealand when the war ends? Are his poems any good? Some questions are resolved in the course of the journals, others not, but it all makes compelling reading.
This volume of Charles Brasch’s journals covers the years from late 1945 to the end of 1957, when the poet and editor was aged 36 to 48. The journals cover the first decade or so of his distinguished editorship of Landfall, a role that brought Brasch into contact with New Zealand’s leading artists and intelligentsia.
This third and final volume of Charles Brasch’s compelling private journals covers the years from when he was 48 to his death at 64.
Charles Brasch (1909–1973) was the founder and first editor of Landfall, New Zealand’s premier journal of literature and ideas. Born in Dunedin, he grew up to be at home in the literature, art and architecture of Europe, but returned to devote his life to the arts in his own country – as editor, critic, collector and patron. Brasch’s vocation, however, was to be a poet. As he said in his memoir Indirections, in writing poems he ‘discovered New Zealand … because New Zealand lived in me as no other country could live, part of myself as I was part of it, the world I breathed and wore from birth, my seeing and my language.’ This selection shows his journey of discovery, as Charles Brasch learned by reading poets such as Rilke, W.B. Yeats and Robert Graves to find his own voice as ‘a citizen of the English language’. It is presented as a beautifully bound cased edition.
A bibliography on French artist Charles Meryon by R D J Collins.
Some of the worst levels of child poverty and poor health in the OECD, as well as exceptionally high child suicide rates, exist in Aotearoa New Zealand today. More than a quarter of children are experiencing a childhood of hardship and deprivation in a context of high levels of inequality. Maori children face particular challenges. In a country that characterises itself as ‘a good place to bring up children’, this is of major concern. The essays in this book are by leading researchers from several disciplines and focus on all of our children and young people, exploring such topics as the environment (economic, social and natural), social justice, children’s voices and rights, the identity issues they experience and the impact of rapid societal change.
This book reports on research with children and young people in Australia, Brazil, New Zealand, Norway, Palestine and South Africa. There were ideas they held in common – obeying the law, respecting and helping others, working hard – but it was also found that the features of different nations, whether inequality in Brazil, migration and multiculturalism in Australia and New Zealand, or conflict and occupation in Palestine, were reflected in how the children interpreted their rights, responsibilities and citizenship.
From 2003 to 2007 Nairn, Higgins and Sligo investigated what life was like for ninety-three young people coming to adulthood in the wake of Rogernomics. The authors bring the lives, places and hopes of these young people into sharp focus. Their stories reveal the powerful psychic and material impacts of the discourses of neoliberalism, which obscure the structural basis of inequalities and insist that failure to achieve standard transitions is the result of personal inadequacy.
Class and Occupation is the first systematic attempt to identify New Zealand's actual occupational structure from 1893 to 1938, using the information gathered by the Census. The six essays consider how best to construct an occupational structure for both the whole country and for regions/localities within it. Identification of changes in occupational structure occurring across the period casts light on social change in New Zealand and, significantly, women's participation in the paid non-agricultural workforce.
With the rise of the study of social history in the second half of the twentieth century, the focus of many historians shifted from politics, high culture and foreign policy to new areas, including health, demographics, families, crime, women and immigration. But with this new historical work came a problem that threatened coherence in the field: how to deal with the detail of so many different pasts amongst the people of New Zealand?
Author Kristyn Harman offers insights into penal servitude in Van Diemen’s Land as revealed through the lived experiences of the men and sole woman transported from New Zealand.
Cloudboy is a deep-mulling, richly sensitive account of a mother’s adjustments to the needs of an autistic child. This prize-winning suite of poems grows out of extremes of love and frustration, as the poet introduces a bright, unpredictable, markedly individual boy to the rigid, often airless routines of the school system.
To Ruth Dallas, words are as much a part of the natural world as are beech trees, seashells and mountains. It is no accident, therefore, that much of her work should be rooted in the New Zealand landscape, reflecting its rhythms, seasons, its benevolence and its harshness, and its effect on men and women.
In 1855, the government used its own newspaper, Te Karere Māori. Other newspapers were published by government agents, evangelical Pakeha, the Wesleyan Church and the rival Māori government, the Kingitanga. But while the newspapers were used for propaganda, they provided a forum, with many Māori debating the issues of the day. As a result, this book is able to illuminate the whole colonial discourse between Māori and Pakeha as it appeared in the Māori-language newspapers.
Come Back to Mona Vale is a beautifully written, compelling narrative/memoir that sets about unravelling the mysteries and anomalies behind the public history of a wealthy Christchurch business family in the first half of the 20th century.
Common Ground: Garden histories of Aotearoa takes a loving look at gardens and garden practices in Aotearoa New Zealand over time. From the arrival of the earliest Polynesian settlers carrying precious seeds and cuttings, through early settler gardens to ‘Dig for Victory’ efforts, Matt Morris traces the collapse and renewal of home gardening culture, through the emergence of community initiatives to the recent concept of food sovereignty.
New Zealand's first detailed guide to historical and cultural heritage management. It addresses a wide range of heritage issues and is well-illustrated.
Communication and Context is designed specifically for students of Communications English. It examines the social and cultural factors which affect language use and understanding, and provides tools for thinking about language use and language behaviour.
The sense of belonging to a community is real but communities are also necessarily, imagined by the people who belong to them. Communities of Women: Historical Perspectives examines how women have perceived and lived in communities. Communities of Women provides insights on how women's lives have been shaped by communities in vastly different times and places. A series of essays by international contributors range from medieval Swabia to twentieth century Australasia.
Since 1989 there have been four different structures for the New Zealand health sector. The country can now claim to have the 'most restructured' of any of the world's health systems and has captured the attention of researchers and policy-makers worldwide as a result. To review what has been happening and how providers have responded to the successive reforms, Robin Gauld has brought together this volume of essays by people managing and delivering health care.
In 1773, Captain James Cook visited Dusky Sound in the far south of New Zealand. The voyage artist, William Hodges, produced remarkable paintings of the spectacular antipodean environment, and of the Maori people who occupied it. The visit represents one of the beginnings of New Zealand's colonial history. How do we make sense of it today? The authors of this book have revisited the sites of contact between Cook's crews in Dusky Sound and Queen Charlotte Sound.
'Morning' sickness can occur at any time of the day or night and recur for months. For many women it is not the small nuisance of early pregnancy that society in general perceives it to be.
New Zealand has one of the highest rates of pet ownership in the world – in 2011, 68 per cent of all Kiwi households had at least one pet: almost half had a cat and nearly a third had a dog. Yet until now no book has explored how pets came to be such an integral part of the New Zealand way of life. Creature Comforts does just this. By chronicling the major events and ideas that have shaped pet keeping in New Zealand, this fascinating and entertaining book explains the strong relationship we have with our animal friends, and how this has changed over time.
In Crossing the Lines, Brent Coutts brings to light the previously untold history of New Zealand homosexual soldiers in World War II, drawing on the experiences of ordinary men who lived through extraordinary times.
At a time when Brasch, Fairburn, Glover and other spoke bitterly of the lack of support given to New Zealand artists, how did a single woman from Southland live and work as a writer, establishing herself as a poet and author of international regard. In Curved Horizon Dallas recounts her remarkable life with the insight and assurance we expect from this most accomplished poet.
This book is written for a general audience and takes a critical look at policies, problems and prospects for e-government in a series of case studies. Why have ICT failures in the public sector occurred and what lessons do they provide for the future?
Using confiscated mail as a starting point, Dead Letters: Censorship and subversion in New Zealand 1914–1920 reveals the remarkable stories of people caught in the web of wartime surveillance.
Deadpan by James Norcliffe is a new collection of poetry from one of New Zealand’s authors, the work of a mature and technically astute poet
This essential volume explores intersections of imperialism and research - specifically, the ways in which imperialism is embedded in disciplines of knowledge and tradition as 'regimes of truth'. Concepts such as 'discovery' and 'claiming' are discussed and an argument presented that the decolonisation of research methods will help to reclaim control over indigenous ways of knowing and being.
Deep Colour, by acclaimed poet Diana Bridge, is a fiercely sensory and meticulously crafted collection. These prismatic poems, including some exquisite English translations of fifth-century classical Chinese poetry, respond with graceful precision to the immediate physical world, and meditate on time, beauty and the nature of being.
Goodies and baddies take some sorting out in this tale of the siege of Madrid by Franco's right-wing forces supported by the Nazis and the fascist regime of Mussolini (the 'rebels'), against the civilian population and its government representatives, just elected, who happened to be left-wing. Once sorted, Cox's account of the city under attack, in one of the twentieth century's first urban wars, has all too many echoes today. This new edition, with an introduction and selection of historical photographs, as well as samples of Cox's journalism from the front, will confirm its position as one of the classics of twentieth-century reportage.
This book traces the development of New Zealand’s elected health boards, from the 1930s to the present District Health Board structure, analysing the history of democratic governance of health care, how boards have functioned, the politics surrounding their reform, and the idea of local democracy in health care decision-making. Based on extensive primary research, it assesses the capacity of elected boards to effectively govern the allocation of public expenditure on behalf of taxpayers and patients. Are there alternatives to the existing District Health Board model? How might the electoral model be improved upon? The concluding chapter provides some suggestions.
A guide to help dentists improve their writing
Summer, 1981. A youngish Neville Peat set out from Cape Reinga on his imported 10-speed bike ‘Blue’, aiming to cycle through small-town New Zealand from north to south, all the way to Stewart Island. The week before Easter, he reached his destination. He wrote a book about it, Detours: A journey through small-town New Zealand, which sold lots of copies and was broadcast on radio. Many times in the intervening years, usually on anniversaries of the journey – ten years, fifteen years, twenty years – he wished to try a repeat journey, but life held other challenges. Now, as a leading author and in the age of the personal computer and cell phone, a very different world, he has revisited many of the towns and regions, not on a bicycle, but by car. In Detours – A generation on, he reflects once again on how small-town New Zealand is doing.
Every poem in this collection offers a stepping stone or resting place on what is essentially a diasporic odyssey. Mishra's is a poetry of discontinuities, of sojourning, of not staying put; it traces the lines of an eccentric cartography, moving restlessly from Fiji to Scotland, to Australia, to New Zealand, to Malta, to Italy and back. It is similarly unsettled in its approach to motifs and forms: a sequence of sonnets jostles with a terza rima; free verse stands alongside a sufi parable. There are poems about poetry, colonialism, photography, food, Palestine, the Pacific, and most of all about people.
Diplomatic Ladies tells the inside story of New Zealand’s diplomatic wives and daughters over a hundred years of diplomacy. Based on private letters, MFAT archives and personal interviews, it records many unknown episodes in New Zealand’s diplomatic history, including the part played by the spouses in Baghdad during the first Gulf War, and the perils faced by diplomatic wives in Saigon and Tehran. It also gives a unique insight into the workings of diplomatic life and the role of the diplomatic hostess.
Critique of our ‘assessment-obsessed’system by an award-winning educator and high-profile author, inspirational writing
Published by Otago University Press, 'Doctors in Denial' is a gripping inside account of professional arrogance and denial written by one of the doctors who exposed the truth about ‘the unfortunate experiment’ at National Women’s Hospital.
Ross & Glendining Ltd was founded in Dunedin in 1862, during the gold rush, by two contrasting characters: Caithness-born John Ross and Robert Glendining, from Dumfries. Initially a drapery importing business, it opened branches throughout New Zealand and warehouses in all the main centres. Careful management and efficient systems enabled the business to grow, despite strong competition from Australia. After the investment boom of the seventies, R&G began to diversify, investing in sheep runs, a woollen mill, other manufacturing, and even a coal mine. This history offers not only a portrait of a firm but a window on the development of the New Zealand economy and the emergence of a manufacturing sector.
New Zealand dolphins, also known as Hector’s dolphins, are fascinating and beautiful animals. Found only in New Zealand waters, their numbers are now under constant threat – especially from human fishing activities. This book introduces the dolphin to readers of all ages. The authors have devoted the last 30 years – more than a dolphin lifespan – to intensive study of the dolphin’s distribution, behaviour, biology, reproduction and communication, using photography as their principal research tool. They have identified over 100 individuals and recorded their life events.
Explorer Jules-Sébastien-César Dumont d’Urville (1790–1842) is sometimes called France’s Captain Cook. Born less than a year after the beginning of the French Revolution, he lived through turbulent times. He was an erudite polymath: a maritime explorer fascinated by botany, entomology, ethnography and the diverse languages of the world.
Built on mid-Victorian gold and located in a wonderful natural environment, Dunedin is a gracious old lady with a spirit of adventure. Dunedin: History, Heritage and Ecotourism by historian Gavin McLean offers a guide to the city and its immediate environment. McLean gives a potted history and describes walks and trips that can be taken by visitors and residents alike.
The 'Dunedin Sound' of the 1980s is a phenomenon known throughout the world. But what does Dunedin music-making sound like in the 21st century? Dunedin Soundings features writing from musicians, composers and scholar/practitioners. They discuss genres as diverse as brass band, opera, classical, Indonesian gamelan, jazz, rock and more, the intricacies of the composition and lyric-writing processes, digital remixing, and scoring for film and TV. Together, they reveal the ways in which these supposedly separate music fields have the potential to inform and stimulate each other.
This book is for teachers working with the Internet in education. It is useful for professional development and for curriculum and IT planning. Based on very recent research, it provides teachers with answers to many of the questions that arise from using the computer as an educational tool.
In western societies, the growth in use of information and communication technology (ICT) in schools and classrooms - particularly in Internet connectivity - has been rapid. A recent study showed that 82 per cent of primary schools in New Zealand in 2002 and 78 per cent of secondary schools in 2001 had Internet connections. The Web is clearly a vital tool for both teachers and students. This book is for people working in education and explores the dynamics of ICT use and the issues surrounding its implementation.
We are all participants in an increasingly visual culture, yet we rarely give thought to the ways that photographs shape our experience and understanding of the world and historical past. This book looks at a range of New Zealand photographs up to 1918 and analyses them as photo-objects, considering how they were made, who made them, what they show and how our understanding of them can vary or change over time. This emphasis on the materiality of the photograph is a new direction in scholarship on colonial photographs.
Over the past 10 years many communities around the country have launched ambitious projects to bring New Zealand’s native ecologies back to the mainland. By building predatorproof fences around big areas of land the aim is to protect native flora and fauna from introduced predators such as possums, mice, rats and stoats. These projects have faced a difficult balancing act as they try to build and sustain the social and economic support needed.
Edgeland is the dazzling new collection from leading New Zealand poet David Eggleton
Edward Eyre, a mid nineteenth-century explorer, colonial administrator and later colonial governor, is remembered in Australia as the enlightened defender of Aboriginal rights. In New Zealand, it is simply recalled that he did not get on with Governor Grey. In England and the Caribbean, he is the reviled 'butcher of Jamaica'. In 1865, in response to an alleged rebellion in Morant Bay, he declared martial law. Over 600 'floggings', 1000 homes incinerated, and 439 deaths was the result. This book explores Eyre's actions through his perceptions of the colonial encounter with local populations.
Cilla McQueen was New Zealand Poet Laureate 2009–11. One of her writing projects during her time as laureate was Serial, which she described as ‘exploring a space between prose and poetry’. It was published in chapters on the Poet Laureate website. Retitled Edwin’s Egg and other poetic novellas, this work is now published for the first time in hard-copy format, combining McQueen’s evocative text with wonderful images from the collection of the Alexander Turnbull Library.
This comprehensive book describes current practice in industrial relations, using case studies from Australia, the US, the UK and New Zealand. It provides some historical background and introduces key concepts in the field. Discussion includes what is an employee / employer, what are unions and their roles, industrial relations objectives, and the dynamics of interactions such as bargaining. The book examines also addresses issues such as wages, work flexibility, participation and equal employment opportunities.
In the mid-twentieth century Charles Brasch was a major figure in New Zealand's cultural life – a poet, patron and founding editor of Landfall, the country's premier journal of letters and art. Published to coincide with the release of his papers at the Hocken Library from a 30-year embargo, this volume celebrates his life and legacy in a series of essays by writers and critics, including people who knew him.
Every morning, so far, I’m alive is about what it’s like to live in a world where shaking a stranger’s and, catching a taxi or touching a door handle are fraught with fear and dread.\nThis memoir charts the author’s breakdown after migrating from New Zealand to England: what begins as homesickness and career burn-out develops into depression, contamination phobia and OCD.
A mysterious doppelgänger sister, a newborn baby, a boy in a mural, a detective, a former lover, a student stalker ... are they real or imagined? Building on Diane Brown’s tradition of extended poetic narratives, Every Now and Then I Have Another Child is an inventive and heartfelt meditation on motherhood, the creative impulse and the blurred line between imagination and reality. This delightful, evocative poetic narrative wafts between the truly surreal and the ‘everyday’ absurd.
In 1932, Geoffrey Cox travelled to Britain to take up a Rhodes Scholarship. First as a student, then as a journalist, Cox became an eyewitness to events which have since become history: Hitler's rise to power in Germany, the Spanish Civil War, Stalin's brutal collectivisation of agriculture. Rich in detail, Cox's elegantly written prose offers a ringside seat to major 20th century events. This is a memorable memoir by one of the world's premier journalists.
The Triad was founded in 1893 and ran into the late 1920s. For its first twenty-two years it was published in New Zealand, but in 1915 publication was transferred to Sydney where it was re-launched as an Australasian magazine. The magazine offered well-informed coverage of cultural activities in New Zealand, Australia and internationally in a broad mix of critical and original writing. Notoriously outspoken, Baeyertz was feared and respected as a critic. His music criticism was particularly intelligent and rigorous, making no concessions to personality or amateur or professional status. His later co-editor, the self-styled ‘decadent’ Frank Morton, was equally candid. This is an engaging biography of a fascinating man which also throws new light on a long-neglected period of New Zealand’s cultural past.
For almost 200 years, the English have been one of the largest migrant streams to New Zealand (they have been on the move globally since around 1600). Yet relatively little has been written about their experiences in New Zealand, compared with their Irish, Scottish, Indian, Chinese and Pacific counterparts. This book brings together leading international scholars and prominent local researchers to explore a wide range of topics and issues at the very heart of research into human mobility. Why did English-born people decide to emigrate? What factors shaped their migration and adaptation? How might we best describe and explain their experiences? This collection of essays will interest anyone interested in migration and/or family history.
This bumper collection of 60 poems is autobiographical and in it Cooke writes about town, landscape, family and everyday life. 'Feeding the Dogs' is one of the poems in this book. There are other rural poems, such as 'I love this farm so much I could pat it', but Kay Cooke is equally at home writing a well-made poem about lawn bowlers in Queenstown, a family reunion, global warming or biotechnology. Cooke's work is strong and confident. On top of that, she has a particular southern sensibility that is very appealing and recognizable. Cooke writes that her poems come from the 'sense of isolation that I felt living on a farm in Otama Valley, with tussock-covered hills and no shops and bus trips to school.'
Although landscape has dominated New Zealand art, the human form has also been a focus for many artists. The importance of the nude in New Zealand art is explored in FigureWork: The Nude and Life Modelling in New Zealand Art by Sandra Chesterman. The first to take this fresh approach to New Zealand art, FigureWork provides absorbing insights into the wide range of artists who have worked with the nude, the models who posed for them, and the controversies they may have encountered along the way.
The New Zealand Wars were defining events in the nation’s history. Filming the Colonial Past, an engaging new book from Annabel Cooper, tells a story of filmmakers’ fascination with these conflicts over the past 90 years. From silent screen to smartphone, and from Pākehā adventurers to young Māori songwriters, filmmakers have made and remade the stories of this most troubling past. In examining this history, Annabel Cooper illuminates a fascinating path of cultural change through successive generations of filmmakers.
European explorers of the Pacific in the 18th and early 19th centuries faced a problem – how to describe the people they met and report what they had seen and found. From Cook onwards, a serious expedition included artists and scientists in its ship's company. An ambitious journey of the 19th century was the third voyage of the French explorer Dumont d'Urville, from 1837 to 1840. It was just before the invention of photography, when phrenology, the study of people's skulls, was the latest thing. D'Urville chose to take on the voyage an eminent phrenologist, Pierre-Marie Dumoutier, to preserve likenesses of people by making life casts. When the expedition returned to France, the casts were displayed, and later stored in the Musée de l'Homme in Paris, to be joined eventually by other casts from Dumoutier's collection, including those of the d'Urville and Dumoutier families. All were overtaken by photography and history.
Snapshot reconstructions of life on Scotland's remote St Kilda island - ancestral home of the McQueens - open this tenth collection of poetry from Cilla McQueen. The spare life in this place of birds and sea and weather leads into a new set of poems from the poet's Bluff home, quiet observations on friends and animals, memories and dreams, and weather. Many of the reflective poems are conversational in style; one poem is written in the form of a play, and another appears at first to be a dictionary definition. Even the simplest of topics, such as eating cake or meeting a newborn baby, are taken by McQueen and transformed into thoughtful works.
The story of James Edward FitzGerald, whose energy and enthusiasm contributed so much to the early history of Christchurch. Orator, writer, politician and journalist, he was the first Canterbury Pilgrim to set foot in New Zealand, first superintendent of the province of Canterbury, first leader of the general government, and founder of the Press newspaper. From his early years in the Anglo-Irish gentry of England to his old age as auditor-general of the colony, FITZ is a gripping biography that reads like a novel, breathing new life into the extraordinary man who played a major role in public life through fifty years of New Zealand history.
Floating Islanders: Pasifika Theatre in Aotearoa celebrates 30 rich years of Pasifika theatre in Aotearoa/New Zealand. Authors Lisa Warrington and David O’Donnell have interviewed over 30 theatre practitioners – playwrights, directors and performers whose heritage lies in Samoa, Niue, Fiji, Tonga, Tokelau and the Cook Islands.
When a new influenza virus emerges that is able to be transmitted between humans, it spreads globally as a pandemic, often with high mortality. \nGripping account of tenacious scientific detective work. Clear explanation of the science behind the headlines. Insights from a long and celebrated career.
Leaving home to see the world is something that succeeding generations of young New Zealanders have done in ever-increasing numbers. ‘Overseas experience’ or the ‘OE’ has been the topic of countless individual travel accounts, and has provided the subject matter for plays, films and novels. Until now, there hasn’t been a history of the OE. Based on the oral accounts of several hundred travellers, across all seven decades of the OE, this vibrant history shows how the OE has changed over time.
From anorexia to healing, from psychotropic drugs to psychotherapy, this book brings together a wide range of writings on different aspects of women's mental health. Folding Back the Shadows: A Perspective on Women's Mental Health is a collection of current writings by a broad spectrum of people - from researchers, through mental health professionals, to women with personal histories of mental disorder. The book is a synthesis of recent research and commentary, pulling together the biological and psycho-social aspects of womens' lives.
In Fossil Treasures of Foulden Maar, authors Daphne Lee, Uwe Kaulfuss and John Conran share their passion and knowledge for Foulden Maar in Otago, New Zealand, a paleontological site of international significance and home to countless rare, well-preserved fossils. This beautifully illustrated book reveals the unique paleontological discoveries that have been made to-date, taking a snapshot of changing life and ecosystems at the beginning of the Miocene and paying tribute to the scientific researchers who have helped bring Foulden Maar’s scientific marvels to the surface.
Memoir of Syd Cormack, a South Island kaumatua and fisherman
This book presents a sketch of the life and work of this ‘sculptor's sculptor’ (1887–1977) who as a teacher and a practitioner inspired several generations of New Zealand artists but has been neglected by scholars. Mark Stocker traces the development of Shurrock's work from late Victorian-influenced symbolism to stylish, streamlined Art Deco and beyond. This title contains many black-and-white photographs and 13 colour plates showing sculptures and prints by Shurrock, as well as the artist at work. It also includes a bibliography and catalogue of exhibits.
Scots made up nearly 20 per cent of the immigrant population of New Zealand to 1920, yet until the past few years the exact origins of New Zealand’s Scots migrants have remained blurred. From Alba to Aotearoa establishes for the first time key characteristics of the Scottish migrants arriving between 1840 and 1920, addressing five core questions: From where in Scotland did they come? Who came? When? In what numbers? and Where did they settle? In addition, this important study addresses, through statistical analysis, issues of internal migration within Scotland, individual and generational occupational mobility, migration among Shetland migrants, and return migration. From Alba to Aotearoa offers context to the increasing body of studies of the social and cultural history of New Zealand’s Scots, their networks, cultural transfers and identity.
In the past two decades, cuisine and culinary history have attracted increasing attention, with both popular and academic books reflecting the growth of interest. Recipes are both sensitive markers of the socioeconomic conditions of their times and written representations of a culture's culinary repertoire yet, despite the vast number of cookbooks that survive, they have not been the primary focus of research projects. Acknowledgement of their potential contribution to our understanding of culinary history has been slow. This book is a first in its field.
The history of women striving to share in governing the country, a neglected footnote in the nation’s electoral history, is now captured in this essential work by Jenny Coleman. She has drawn on a wide range of sources to create a rich portrayal of a rapidly evolving colonial society in which new ideas and social change were in constant friction with the status quo
Combining 'the gathering of artefacts with the gathering of souls', George Brown was a key figure in the Christian, and especially the Wesleyan Methodist, history of nineteenth-century Oceania. Using his life as a case study, Helen Bethea Gardner examines the role of Christian missionaries in the Pacific Islands. Brown's career (1860–1908) spanned one of the most tumultuous political periods in the South Pacific, as one by one islands were colonised by imperial nations. He was one of the most politically engaged of all missionaries, encouraging colonial rule in the Pacific by America, Britain, Germany and, eventually, Australia and New Zealand.
Much sought after by oil companies, ‘generation kitchens’ are sites where geological forces have combined to create conditions for oil production. By turns brooding and wittily observant, Richard Reeve’s fifth book of poetry meditates on the intrigues of fossil fuel companies and ecological despoliation, but also on personal rites of passage – on relationships, deaths, the turn of the seasons. Comic monologues, spiritual invocations, flung swearwords, elegies, eulogies, wind tunnel diatribes and fanciful phantasmagorias co-exist in this collection. Oracular and bardic, Reeve’s work is also paradoxically down to earth and gritty. He knows that, beyond the geopolitical framework, beyond the anthropocene moment, the landscape endures, as in the poem ‘Warrington Dives’: 'the bright / swell bending around the coast, prodding the dark, / clouds of sediment thrown up by a wave …'
After establishing a poetic presence on the literary scene in the early 1960s, Dunedin’s Alan Roddick published his first collection, 'The Eye Corrects: Poems 1955–1965', in 1967. A mere 49 years later comes the sequel, 'Getting it Right'. Poet C.K. Stead writes in 'Shelf Life' (AUP, 2016) that he has always been 'a great admirer of the economy and the quiet, sharp wit of [Roddick’s] writing ... Alan Roddick is a \
'The air was thick with smog and noise. Kristina pulled her coat closer around herself and tucked her hands down into its pockets. She felt a cold shape against her fingertips – the spare key to Ana's flat.' Ana, a young Czech woman, is spending the southern summer in New Zealand. In the aftermath of the break-up of her marriage, she is visiting her father, whom she has not seen since he left Prague when she was a young child. With her is her own small daughter, Ariel. Back in Prague, her mother, brother, best friend Kristina and her estranged husband, Milan, are wondering if they will return.
Poet Siobhan Harvey’s latest collection is about migration, outcasts, the search for home, and the ghosts we live with, including the ones who occupy our memories, ancestries and stories.
The provincial newspaper columns were the ‘public spheres’ of their time, places for geographically separated individuals to contribute opinions to the debates of an immature democracy. But equally they were the vehicles for the passionately held views of bigots egged on by unscrupulous editors eager for exciting copy. These letters from Colenso, and their replies, show colonial politics to be argumentative, fervent and nasty – and the rants of opinionated, self-styled experts are thrilling in their vehemence.
New Zealand is often portrayed as a secular society, but look at the depth of feeling stirred up in recent years by the 'Virgin in a Condom' controversy, or the Hikoi of Hope. These incidents remind us that religion continues to play a significant and sometimes controversial role in the politics and culture of modern New Zealand. The relationship between religion and politics is the topic of God & Government: The New Zealand Experience, edited by Rex Ahdar and John Stenhouse, both of the University of Otago. Drawing on the expertise of scholars in a number of disciplines, this volume explores church-state relations in contemporary New Zealand, with a glance back to the past.
Contemporary creative writers, intellectuals, photographers, painters and other artists have all contributed to this volume exploring the idea of 'gothic' in New Zealand culture. From Martin Edmond's abandoned houses, to Ian Lochhead's Victorian corrugated iron structures, to Otis Frizzell's tattoos, from Peter Jackson's movie-making to ghost paintings - there's plenty of it. As the editors suggest, gothic is 'endemic to New Zealand's self-representation'.
Dunedin-born artist Grace Joel (1865–1924) exhibited to acclaim in London and Paris, yet she and her art are relatively unknown today. Joel excelled at portraiture and mother and child studies, and was skilled in portraying the nude. She received her artistic training in Melbourne, and lived for the mature years of her career in London, where her work appeared at the prestigious Royal Academy, as well as the Paris Salon and the Royal Scottish Academy. She also held a number of solo exhibitions at prominent venues in Australasian, English and European cities. Today she is claimed by New Zealand, Australia and Britain.
In the language of flowers, the iris signifies 'I have a message for you'. As a symbol it was the fleur-de-lys of the royal family of France, known as the Flower of Chivalry, with a sword for its leaves and a lily for its heart. In this beautiful novel Bronwyn Tate weaves these images through the lives of ten very different people and their experiences of giving birth, of loss and rediscovery.
For the past three years Alastair Grant has travelled the great inland harbours of the west coast of the North Island creating a photographic record of these fascinating and under-appreciated regions, trying to capture their atmosphere and a feel for the people who live and work around them.
John Pule is one of the most significant artists living and working in New Zealand today. From the mid-1990s his powerful, enigmatic and personal paintings attracted great interest, and his work came to be widely shown. Famously inspired by hiapo, the innovative barkcloths of nineteenth-century Niue, Pule has been fascinated by the Polynesian past and present, but his work ranges far more widely, responding both to ancestral culture, and to the global terror and violence of our time.
Once upon a time there was a small settlement, north of Dunedin, where a huge psychiatric hospital sprawled on the hillside and a patchwork of farmland sloped down to the cliffs that edged the sea. Once upon a time there were two women, Irene and Margaret. This is the story of the friendship that ties them together for almost forty years. As their lives unfold, memories twist and shift and fairytales take on a new and frightening slant. It is the story of simple human needs, and a terrible secret.
This book explores contemporary ways of reading some important New Zealand literary works, all produced between 1910 and 1940. Interpretations of these texts have had a significant impact on New Zealanders' ideas of themselves. The author argues that interpretation is a process which can never be completed, although at any one time there will be readings that are more significant than others.
'Hiapo' is the word for barkcloth or tapa in the language of Niue. The aim of this book 'is to reveal the power of a remarkable art, that until now has been obscure to all but a few specialists' - the painted hiapo of Niue island in central Polynesia. Most known pieces of hiapo were produced in the mid to late nineteenth century and are now dispersed, largely in museum collections, all over the world. The authors have worked on this project for a decade, visiting museums, collecting information, travelling to Niue, talking to old people, trying to find out how these paintings were done and who made them.
Histories of Hate explores radical intolerance and extremism in Aotearoa New Zealand, bringing together a wealth of historians, sociologists, political scientists, kaupapa Māori scholars, and experts in religious and media studies to explore the origins of the New Zealand radical right in the late nineteenth century to the present day.
A new edition of a rare and sought-after book. History of New Zealand and its Inhabitants is the English translation of Italian monk Dom Felice Vaggioli’s radical, prescient appraisal of British colonisation in Aotearoa. Vaggioli was one of the first Benedictine priests to be sent to Aotearoa NZ, and while working in Auckland, the Coromandel and Gisborne during the years 1879–1887, he observed lifestyles and customs and gathered information about the country’s history, including first-hand accounts of the signing of Te Tiriti and the conflicts in Taranaki and Waikato. The Italian version of his book about Aotearoa was destroyed in Europe due to its anti-Protestant and anti-British views but was later discovered and translated into English in Aotearoa by John Crockett in 2000. This 2023 edition brings Vaggioli’s unique document into the public eye once more.
An extraordinary new book reveals sympathy for Maori from an unusual supporter – an Italian priest. The book, History of New Zealand and its Inhabitants, has waited over a century to be translated into English, but sits comfortably alongside the contemporary Maori renaissance and claims to the Waitangi Tribunal. The book was originally published in Italy in 1896. Its author, Dom Felice Vaggioli, was one of the first Benedictine priests to be sent to New Zealand. He worked in Gisborne, Auckland and the Coromandel from 1879 to 1887. While in New Zealand, he gathered information, including first-hand accounts of Treaty of Waitangi signings, and of the Taranaki and Waikato wars.
Dr Thomas Morland Hocken (1836–1910) arrived in Dunedin in 1862, aged 26. Throughout his busy life as a medical practitioner he amassed books, manuscripts, sketches, maps and photographs of early New Zealand. Much of his initial collecting focused on the early discovery narratives of James Cook; along with the writings of Rev. Samuel Marsden and his contemporaries; Edward Gibbon Wakefield and the New Zealand Company; and Māori, especially in the south. He gifted his collection to the University of Otago in 1910. Hocken was a contemporary of New Zealand’s other two notable early book collectors, Sir George Grey and Alexander Turnbull. In this magnificent piece of research, a companion volume to his Amassing Treasures for All Times: Sir George Grey, colonial bookman and collector, Donald Kerr examines Hocken’s collecting activities and his vital contribution to preserving the history of New Zealand’s early post-contact period.
Local historians, church and institutional historians, genealogists, thesis-writers, and the people who commission them will welcome How To Do Local History. It is a brief and lively introduction to historical research, writing and publishing by a leading historian. This book explains how to use books and archives, and is full of practical tips on 'reading' the landscape, on oral history and on using illustrations effectively. The last chapter takes historians and their clients through the intricacies of internet and conventional publishing, using case studies of real books to explain terminology, scheduling, design, costing and selling.
This text has been written for the student advancing into the study of literature at university, and is designed to give basic information on the concepts and methods of literary criticism. While pitched at Stage 1 students, it should prove equally useful for senior high school students, as well as for those who are pursuing a degree in English literature at higher undergraduate stages. Specifically, it bridges the gap between coursebooks relating to the Year 12 and 13 syllabus and the more specialised texts prescribed in university courses. For this reason, high school teachers will also find it an invaluable resource.
A riveting account of legendary New Zealand TV chefs in 1970s and 1980s who were a groundbreaking gay duo in socially conservative era, by internationally acclaimed author Joanne Drayton.
The twentieth century was a time of great change in early years education. As the century opened, the use of Froebel's kindergarten methods infiltrated more infant classrooms. The emergence of psychology as a discipline, and especially its work on child development, was beginning to influence thinking about how infants learn through play. While there were many teachers who maintained Victorian approaches in their classrooms, some others experimented, were widely read and a few even travelled to the US and Europe and brought new ideas home. As well, there was increasing political support for new approaches to the 'new education' ideas at the turn of the century. All was not plain sailing, however, and this book charts both the progress made and the obstacles overcome in the course of the century, as the nation battled its way through world wars and depressions.
Natanahira Waruwarutu was a child at the time of the capture of Kaiapoi Pa by Te Rauparaha's Ngati Toa warriors in 1832. The early years of his life, recounted here in the original Maori text and an accompanying translation, saw great change in the Maori communities of Waitaha (Canterbury) and Akaora. Otako leaders set aside Moeraki, further south, for Kaiapoi refugees and Waruwarutu moved between the two places until he died in 1895. Before his death, he passed on to scribe Thomas Green, himself a Ngai Tahu elder, a substantial body of material that now defines modern understanding of the traditional history of Ngai Tahu. This manuscript was part of that material and, as Te Maire Tau describes in his introduction, has a history of its own.
In this absorbing poetic memoir of her early life, Cilla McQueen, one of New Zealand’s major women poets, leads us over the stepping stones of childhood memory, some half submerged, some strong and glinting in the light of her wit. With humour and openness, clarity and grace, the memoir continues through her teenage years and the excitement and turbulence, the expansion and vulnerability, of university days and early motherhood in the 1960s and 1970s ... raising a young child alone, falling in love with Ralph Hotere and witnessing his deeply immersive artistic practice ... This account of the life of an extraordinary verbal artist is immensely warm and welcoming: time falls away as we read. The lightness of Cilla’s touch coupled with the grit of her endurance through challenging personal circumstances makes the reader feel privileged to be invited in to the quiet wisdom worn here with both integrity and modesty. From the sweet shocks of her imagery to the joy of recognition of many shared experiences of a New Zealand childhood, this memoir brings a honeyed, sensitive yet utterly resilient voice in our local literature as close as the voice of a good friend. This is a book not only for those who love Cilla McQueen’s poetry, but for anyone fascinated by the social, artistic and literary history of New Zealand.
A detailed look at the New Zealand economy in the twentieth century, and in particular its course since World War II. This is not just a history but a 'narrative about a problem', defining, analysing and 'hopefully contributing to an understanding that will aid in its solutions'.
The prominence of the rural world in New Zealand’s social, cultural and economic history is long established and undisputed. For decades, the country was termed ‘Britain’s overseas farm’ or ‘the Empire’s dairy farm’. This is the first book to explore the rich heritage of language the rural sector has generated.
Indian people in 'bi-cultural' New Zealand have long been an invisible minority, rarely mentioned in our history books. This volume is a second contribution to remedying this historical silence, following the publication of Indian Settlers: The Story of a New Zealand South Asian Community by Jacqueline Leckie. The first section introduces the context, briefly tracing the history of Empire and migration, which saw a few hundred adventurers from Gujarat and Punjab braving the seas and settling here in the late 19th century. Now Indians constitute the second-largest Asian-Kiwi group in our population (having more than doubled in number between 1991 and 2001).
Indians have been present in New Zealand for over a hundred years, yet few New Zealanders would know their story. Who were these people, where did they come from, and what role have they played in the making of Aotearoa as it is in the twenty-first century? This book seeks to provide some answers.
Indigenous Identity and Resistance brings together the work of Indigenous Studies scholars working in Canada, New Zealand and the Pacific in research conversations that transcend the imperial boundaries of the colonial nations in which they are located. Their lucid, accessible, and thought-provoking essays provide a critical understanding of the ways in which Indigenous peoples are rearticulating their histories, knowledges, and the Indigenous self.
'A medical student or non-ophthalmologist seeking a brief but coherent discussion of ophthalmology can do no better than Parr's Introduction to Ophthalmology. American-written texts are pre-eminent in their accounts of current therapies and technologies. In an introductory textbook, organization and clarity of expression - characteristics of some English authors - may be more important. A New Zealander, Parr combines American currency and English clarity.' The New England Journal of Medicine
The story of invasive species in New Zealand is unlike any other in the world. By the mid-thirteenth century, the main islands of the country were the last large landmasses on Earth to remain uninhabited by humans, or any other land mammals. Carolyn M. King brings together the necessary historical analysis and recent ecological research to understand this long, slow tragedy.
Between 1920 and 1963, New Zealand author James Courage confided his innermost thoughts to a private diary. He wrote about leaving New Zealand, the men he met in London’s streets, and forging friendships in the literary scene. He was an evocative chronicler of landscapes and indoor settings: life on long ocean voyages, air raid shelters during the war, and the psychiatrist’s clinic at a time when society was deeply ambivalent about homosexuality.
New Zealand writer Janet Frame became world-famous through An Angel at My Table, the film based on her autobiographical trilogy. Here, Gina Mercer presents a dynamic discussion of all of Frame's works, beginning with her controversial debut in 1951 with The Lagoon & Other Stories.
The definitive biography of a much-beloved and respected colonial activist. Born in Bengal in 1810 but educated in England, Richardson spent his early career in India in the military, achieving the rank of major. He served in the Afghanistan campaign in 1842 and was ADC to Sir Harry Smith throughout the Sikh Wars. On his retirement from the army in the 1850s he spent four months in New Zealand and subsequently decided to migrate permanently, settling in Otago in 1856.
In 1800, te reo Māori was the only language spoken in New Zealand. By 1899, it was on the verge of disappearing altogether. In 'Ka Ngaro Te Reo', Paul Moon traces the spiralling decline of the language during an era of prolonged colonisation that saw political, economic, cultural and linguistic power shifting steadily into the hands of the European core. In this revelatory and hard-hitting account, Moon draws on a vast range of published and archival material, as well as oral histories and contemporary Māori accounts, to chart the tortuous journey of a language under siege in a relentless European campaign to ‘save and civilize the remnant of the Maori Race’. He also chronicles the growing commitment among many Māori towards the end of the nineteenth century to ensure that the language would survive.
In 1907 Dr T.M. Hocken of Dunedin – historian, bibliographer and collector – undertook to gift to the University of Otago his magnificent collection of books, manuscripts, paintings and other historical documents relating to New Zealand and the Pacific.
In the early 20th century, 130 young Anglo-Indians were sent to New Zealand in an organised immigration scheme from Kalimpong, in the Darjeeling district of India. They were the mixed-race children of British tea planters and local women, and were placed as workers with New Zealand families from the Far North to Southland.
In 1877, Kate Edger became the first woman to graduate from a New Zealand university. The New Zealand Herald enthusiastically hailed her achievement as ‘the first rays of the rising sun of female intellectual advancement’.
Beautifully written and illustrated with maps and stunning photography, Katherine Mansfield’s Europe is part travelogue, part literary biography, part detective story and part ghost story. Guided by Mansfield’s journals and letters, author Redmer Yska pursues the traces of her restless journeying in Europe, seeking out the places where she lived, worked and – a century ago this year – died.
A concise guide to the Kerikeri mission from its inception in 1819 until 1845, when it became a secular settlement and the Stone Store was sold to private owners. It includes a discussion of missionaries and Māori who were involved with the mission, including people such as Hongi Hika, Rewa and Moka.
This engrossing history of the domestic kitchen covers 10 decades that saw our culinary traditions accommodate extraordinary changes in technology and the irresistible process of globalisation. Each chapter surveys the external influences on households and their kitchens, samples the dishes prepared during the decade, and discusses the structure of meals. A study of kitchen equipment and design then closes each chapter, cumulatively revealing more innovation in these aspects than in what we ate.
In this book, the author describes the kiwi from every point of view, from wild bird to national emblem. What is this biological oddity called the kiwi? Exactly how many species of kiwi are there? Where do they live? What do they eat? How are people helping them to survive? Why does this bird have such a major place in the Kiwi nation's life?
Located on the east coast of New Zealand’s South Island, Oamaru harbour struggled to become a safe haven. Yet it became an example of the ‘progress industry’ that reshaped the country’s destiny in the pivotal 1860s and 1870s, an archetypal rural servicing town, manufacturing centre and port. Today viticulture, dairy farms and farm stays characterise its region but the tides still roll in and out of the harbour, which in turn has become a heritage centre, recreation space and tourist venue.
In the aftermath of the Christchurch terrorist attacks of 15 March 2019, Prime Minister Jacinda Ardern declared: ‘We are all New Zealanders.’ These words resonated, an instant meme that asserted our national diversity and inclusiveness and, at the same time, issued a rebuke to hatred and divisiveness. Ko Aotearoa Tātou | We Are New Zealand is bursting with new works of fiction, nonfiction, poetry and visual art created in response to the editors’ questions: What is New Zealand now, in all its rich variety and contradiction, darkness and light? Who are New Zealanders?
'Landfall 226: Heaven and Hell', edited by David Eggleton
'Landfall 227: Vital Signs', edited by David Eggleton
'Landfall 228' (Spring 2014), edited by David Eggleton
'Landfall 229' (Autumn 2015), edited by David Eggleton
Still at the very centre of local culture, New Zealand’s liveliest and most important literary magazine returns in 2015 with Landfall 229, showcasing the best of our contemporary writing across a breadth of styles and themes.
'Landfall 230' (Spring 2015), edited by David Eggleton
'Landfall 231' (Autumn 2016), edited by David Eggleton
'Landfall 232' (Spring 2016), edited by David Eggleton
Landfall is New Zealand's foremost and longest-running arts and literary journal. It showcases new fiction and poetry, as well as biographical and critical essays, and cultural commentary.
Landfall is New Zealand's foremost and longest-running arts and literary journal. It showcases new fiction and poetry, as well as biographical and critical essays, and cultural commentary.
Landfall is New Zealand's foremost and longest-running arts and literary journal. It showcases new fiction and poetry, as well as biographical and critical essays, and cultural commentary.
Landfall 239 announces winners of the 2020 Charles Brasch Young Writers’ Essay Competition. Exciting contemporary art and writing. Reviews.
Landfall 240; Featuring the winners of the Landfall Essay Competition 2020, Caselberg Trust International Poetry Prize 2020 and the Frank Sargeson Prize 2020.
Results from the 2021 Charles Brasch Young Writers’ Essay Competition
Landfall is New Zealand’s foremost and longest-running arts and literary journal. It showcases new fiction and poetry, as well as biographical and critical essays, and cultural commentary. Edited by Lynley Edmeades.
Announcing the winner of the 2022 Charles Brasch Young Writers’ Essay Competition. Exciting contemporary art and writing
Landfall is New Zealand’s foremost and longest-running arts and literary journal. Published twice a year, each volume showcases two full-colour art portfolios and brims with vital new fiction, poetry, cultural commentary, reviews, and biographical and critical essays. In the 2022 Spring edition, Landfall 244, Lynley Edmeades brings together a range of voices and perspectives, from established practitioners to emerging voices.
Landfall is Aotearoa’s foremost and longest-running arts and literary journal. Each volume showcases two full-colour art portfolios and brims with vital new fiction, poetry, cultural commentary, reviews, and biographical and critical essays. Landfall 245, Autumn 2023 edition, announces the winner of the 2023 Charles Brasch Young Writers’ Essay Competition and features exciting new literature and art.
Edited by Lynley Edmeades Announces the winner of the 2023 Landfall Essay Competition, Kathleen Grattan Poetry Award and 2023 Caselberg Trust International Poetry Prize Aotearoa’s longest-running arts and literary journal Showcases exciting new contemporary art and writing Paperback, 230 x 150mm, 208pp ISBN 9781990048647, RRP $30 Release date: 27 November 2023
An enlightening political biography of the Minister of Lands and Agriculture in the 1890s. John McKenzie was the legislator who 'burst up' the great pastoral estates and assisted the establishment of the small family farm in New Zealand.
New Zealanders have a strong affinity with the land and firm connections are drawn between the land and cultural identity in the economy, in politics and in art. Histories of migration, settlement and environmental adaptation ensure the subject of communities and landscapes is increasingly important in New Zealand studies.
This is a novel in which you will meet some extraordinary characters – the Moxon sisters, Max Bloody Tapper – and find at least three layers of story. Outwardly, it's all quite simple – Rick has a bit of a mid-life crisis and Hazel carries on coping. But as the two work through their break-up and its fall-out – Rick in Australia and Hazel in New Zealand – events at a country swimming-hole one summer long ago begin to haunt them both.
Although described by Lenin as 'the country at the end of the world', like other western countries New Zealand was a participant in the defining ideological conflict of the twentieth century and there are stories to be told as a result. Lenin's Legacy Down Under: New Zealand's Cold War uses the once-classified archives of the Cold War protagonists to reassess that conflict. It draws upon New Zealand, Russian, Chinese, American and Australian sources to re-evaluate the impact of the Cold War on New Zealand's foreign policy and domestic affairs from 1917 to the early 1990s.
In Letter to ‘Oumuamua, James Norcliffe applies a cool, clear eye to human life on Earth and makes succinct observations that traverse the personal and political. Grounded in the local but encompassing the global, they range through subjects such as commuting, insomnia and faltering health to the contemplation of current events and issues such as gun violence and climate change.
In this magnificent volume Sarah Shieff presents around 500 of Glover’s letters to around 110 people, drawn from an archive of nearly 3000 letters to over 430 recipients.
As a writer Hyde was not afraid to draw on her own experience of the dangers of new-found freedoms for women. This first critical study of the diverse writings of Robin Hyde includes new information on her life and work and studies that enlarge our understanding of a courageous yet vulnerable figure and the vitality, richness and wit of her writing.
This gentle and imaginative novel is the story of Lily, an elderly woman reflecting on her life and family in letters to the other side of the world. She writes about her grandson who has come to stay, with grandiose dreams of building a cupola in her garden; about her husband and son, and their mid-life move from England to New Zealand; and about her passion for quilting, which radiates through the pages. And as she explores the past, the reader is drawn into a rich and surprising story
Listening In by Lynley Edmeades is the second collection of poetry from a significant new writer.
This book was one of the first to explore the concept of sustainability and its application to New Zealand settlements. Upon their arrival in New Zealand from the UK, the editors of this volume noted that the concept of sustainability and its application to the built environment had been relatively underdeveloped in New Zealand's academic environment. By bringing together eleven theoretic and pragmatic contributions from those who have been working on the issue, they hope to jump-start the debate in the island country.
In this book experts in community planning review some of the challenges, strategies and solutions, using New Zealand case studies. The needs of specific groups - whether migrant, the young, elderly or indigenous - and community ties with local and central government are explored. The Treaty of Waitangi, the influence of feminism and the development of online communities are other aspects that are considered.
Amy Bock's life has been the inspiration for plays, books, a TV programme, music, poems, an exhibition and more, but Mad or Bad? is the first comprehensive biography. And while Amy gained notoriety as a daring, duplicitous and talked-about con artist who impersonated a man and married an unsuspecting woman, in this book the author shows how her story was not a straightforward case of fraud and misrepresentation.
Cooke's theme, like Robin Hyde's, is one of finding 'a home in this world': hers is an authentic poetry of place, with a fidelity to experience comparable to that of other more established poets such as Bernadette Hall or Brian Turner. Poems contain an array of striking images, developed from Cooke's exposure as a child and adolescent to the wind-whipped coastline of Orepuki, now a ghost town on the eastern fringe of Te WaewaeBay, near Fiordland.
Making a New Land presents an interdisciplinary perspective on one of the most rapid and extensive transformations in human history: that which followed Maori and then European colonisation of New Zealand's temperate islands. This is a new edition of Environmental Histories of New Zealand, first published in 2002, brimming with new content and fresh insights into the causes and nature of this transformation, and the new landscapes and places that it produced.
Fascination with the interplay of people and place inspired the editors to bring together New Zealanders from differing backgrounds and disciplines to explore some of the stories and sites of conflict and change to be found amongst our sacred, historic, rural, urban and coastal landscapes. All engage with the underlying question: are there better ways to reconcile the tensions inherent in our struggles with the land and each other?
New cases of malaria affect more than one hundred million people each year, most of them in sub-Saharan Africa. But with global warming the distribution of mosquito vectors is changing and whole populations are at increasing risk.
Developed in collaboration with Malaysian educators, the material offers a window on life in their country, with a child focus, as well as accurate and up-to-date information. Malaysian Stopover offers a range of learning activities – music-making, artwork, dance, language, writing.
Explosive new poems for election year from David Eggleton, Cilla McQueen, Vincent O’Sullivan, Tusiata Avia, Frankie McMillan, Brian Turner, Paula Green, Ian Wedde, Vaughan Rapatahana, Ria Masae, Peter Bland, Louise Wallace, Bernadette Hall, Airini Beautrais and 84 others, featuring original artwork by Nigel Brown
Map for the Heart is a haunting collection of essays braiding history and memoir with environmentalism, amid an awareness of the seasonal fluctuations of light and wind, heat and snow, plants and creatures, and the lives and work of locals.
An outstanding artist and art educator, Marilynn Webb gained international stature as a print-maker early in her career. Working as an art adviser in Northland and Auckland she created memorable images that were instantly recognisable as coming from her hand. Less well-known are her pastel drawings, a development in her work after she moved to Dunedin in 1974 to take up a Frances Hodgkin Fellowship. She has created several brilliant series based on New Zealand's southern wilderness areas: Lake Mahinerangi, the Ida Valley, Fiordland and Stewart Island in particular. Her work makes us aware that we are always in the landscape, and draws us into the environmental and social issues surrounding it.
In this fine collection of poems and drawings Cilla McQueen traces the lives and voyages of her ancestors, and the living history of her husband’s people. She herself travels through the fire that destroys her home at Otakou, the autoclave of the central poem, tying together the separate threads of her journey and moving from one harbour to another. The sea is a constant element and balancing this are the poet’s precisely observed images of domestic life and her fascination with the forms and inhabitants of the land.
Maurice Gee’s fiction for younger readers blends exciting stories with serious issues. Told through a range of genres, from fantasy to realism, adventure to science fiction, mysteries, psychological thrillers and gangster stories, they offer a distinctive body of work that shows New Zealand to children and young adults.
Migration, Ethnicity, and Madness: New Zealand, 1860–1910, by Angela McCarthy, Otago University Press
Millionaire's Shortbread is both book and cake. Meeting at a cafe table in downtown Wellington, sustained by their favourite treat and gathering in an illustrator along the way, the poets put together this selection of their work over three years. It seemed inevitable that the book should be named after the cake, and the distinctive voices of the poets become its flavoursome ingredients.
An essential reference for voters or anyone working in politics, journalism, research or education, this book records all the ministers and members of the New Zealand Parliament since 1911. The first section lists ministers, their dates of office and ministerial responsibilities. In the second there is an alphabetical listing of names, dates of service, party affiliation, electorate and whether a minister. MPs currently in office are listed in bold type. Appendices include information such as general elections, by-elections and parliamentary sessions, referenda, women MPs and ministers, independents and third party MPs and MPs' honoraria, salaries and allowances, and leaders of major political parties.
The Solomons are a group of islands in the west Pacific where most villages have no road access and no electricity and the modern material world has not fully arrived. In the travel book with a difference, the author visits five communities and listens to people's stories of how they are responding to the temptations of the money from logging, fishing and tourism contracts. In a microcosm, their experience represents the ways in which Western business is affecting traditional ways of life worldwide.
Immediately after the Second World War, the New Zealand Police were in a sorry state: short on resources, antiquated in their systems and with too many elderly and infirm staff. The period covered by this book saw major change and modernisation. The author explores the ways in which the police have overhauled their management structure repeatedly since the 1940s and shows how they have often struggled to position themselves within the modern public sector. These issues lift the history into the wider context of government and management in the second half of the twentieth century.
Mothers’ Darlings of the South Pacific The children of indigenous women and US servicemen, World War II
Like a human tsunami, World War II brought two million American servicemen to the South Pacific where they left a human legacy of some thousands of children. 'Mothers’ Darlings of the South Pacific' traces the intimate relationships that existed in the wartime Pacific between US servicemen and indigenous women, and considers the fate of the resulting children. The American military command carefully managed such intimate relationships, applying US immigration law based on race to prevent marriage ‘across the colour line’. For indigenous women and their American servicemen sweethearts, legal marriage was impossible, giving rise to a generation of children known as ‘GI babies’. Among these Pacific war children, one thing common to almost all is the longing to know more about their American father. 'Mothers’ Darlings of the South Pacific' traces these children’s stories of loss, emotion, longing and identity, and of lives lived in the shadow of global war. It considers the way these relationships developed in the major US bases of the South Pacific Command from Bora Bora in the east across to Solomon Islands in the west, and from the Gilbert Islands in the north to New Zealand. The writers interviewed many of the children of the Americans and some of the few surviving mothers, as well as others who recalled the wartime presence in their islands. Oral histories reveal what the records of colonial governments and the military largely have ignored, providing a perspective on the effects of the US occupation that until now has been disregarded by historians of the Pacific war.
This book tells the story of the case of George Gwaze, twice charged and twice acquitted of the rape and murder of his ten-year-old adopted niece, Charlene Makaza. When Charlene is found unconscious one morning, gasping for breath, with a high fever and lying in a pool of diarrhoea, her family rush her to the Christchurch 24-hour clinic. She is treated for overwhelming sepsis and transferred to hospital. Sadly her life cannot be saved and at 1.00am she dies. During the course of Charlene’s short illness the diagnosis shifts from infection to sexual assault and homicide, and her grieving family find themselves publicly engulfed in a criminal investigation. What unfolds next is a surreal set of events so improbable that they seem fictitious. Murder that Wasn’t meticulously explores the facts surrounding this case, based on scientific, medical and court records and individual interviews, to tell this family’s extraordinary story.
In My Body, My Business, 11 former and current New Zealand sex workers speak frankly, in their own voices, about their lives in and out of the sex industry. Their stories are by turns eye-opening, poignant, heartening, disturbing and compelling.
Naming the Beasts is a menagerie of poems about the gnarlier aspects of being a creature of this world. Hoof and hide, fang and gut, these images and insights are those of an artist in a war zone intent on chronicling beauty in a world that’s falling apart. Morton’s poems take a bite out of the world around us, as they explore reality through the vitality and immersiveness of their imaginative powers.
Author Pamela Wood’s New Zealand Nurses draws on a wealth of nurses’ personal stories to identify the values, traditions, community and folklore of the nursing culture from 1880 – when hospital reforms began to formally introduce ‘modern nursing’ into New Zealand – to 1950, three years after New Zealand severed its final tie as part of the British Empire.
A visual history of New Zealand domestic interiors, as seen through contemporary photographs, drawings and paintings. The book is divided into four periods, taking the reader from the interior of a whare through the homes of missionaries and settlers to the turn-of-the-century villas of Auckland and twentieth-century bungalows of suburban Christchurch.
Written in the eighth and ninth decades of his life, Alan Roddick’s third collection of poetry, Next, examines the past, observes the present and speculates on the future.
In this beautiful and transformative book, 24 Māori academics share their personal journeys, revealing what being Māori has meant for them in their work. Their perspectives provide insight for all New Zealanders into how mātauranga is positively influencing the Western-dominated disciplines of knowledge in the research sector.
Winner of the Kathleen Grattan Poetry Award 2021, poet Michael Steven’s Night School explores the gap between fathers and sons, the effects of toxic masculinity, how power corrupts and corrodes, and whether weed, art and aroha can save us in a godless world.
Niue 1774–1974: 200 years of contact and change, by Margaret Pointer, Otago University Press
Tragic story of Niue’s sacrifice in WW1. Captivating, richly illustrated account. By a leading author on Niue history.
Wealth and power in a colonial society is the subject of No Idle Rich: The Wealthy in Canterbury & Otago 1840–1914. It is a detailed study of the richest settlers in southern New Zealand, where the country's earliest fortunes were made, mostly by pastoral farmers and financiers.
The line from the Anzac verse provides the title of this novel, in which Hyde shows the predicament of returned servicemen and women after the First World War. Through the story of Douglas Stark, we see the many ways in which New Zealand was failing their expectations. It was not the 'and fit for heroes' they had fought for, but a changing society moving through the tough times of the twenties and thirties.
After Sarah Jane Barnett had a hysterectomy in her forties, a comment by her doctor that she wouldn’t be “less of a woman” prompted her to investigate what the concept of womanhood meant to her. Part memoir, part feminist manifesto, part coming-of-middle-age story, Notes on Womanhood is the result.
Michael Harlow’s poems are small detonations that release deeply complex stories of psychological separations and attractions, of memory and desire. Frequently they slip into the alluring spaces just at the edges of language, dream and gesture, as they carefully lower, like measuring gauges, into the ineffable: intimations of mortality, the slippery nature of identity, longing, fear ... Harlow is a poet with such a command of music, the dart and turn of movement in language, that he can get away with words that make us squirm in apprentice workshops or bad pop songs – heart, soul – and make them seem newly shone and psychically right. The work is sequined by sound, rather than running its meaning along the rigid rails of metre and end rhyme. The sway and surge of various meanings in the phrasing, and the way sense trails and winds over line breaks: this movement itself often evokes the alternating dark and electric energy of feelings like love, loss and the pain of absence. This is a beautifully honed new collection.
Poetry; NZ author; Fiona Farrell; Collection
This book illustrates the contribution made to New Zealand letters by our oldest and most prestigious literary fellowship. Edited and introduced by Professor Lawrence Jones, the anthology, by turns playful and serious, celebrates the Fellowship’s golden jubilee. Beginning with novelist Ian Cross in 1959 and ending with the 2008 Burns Fellow, poet Sue Wootton, Nurse to the Imagination showcases the output of leading New Zealand literary figures such as James K. Baxter, Michael King and Janet Frame alongside newer voices, with pieces written at the time of the Fellow’s tenure. There are lots of interesting trends here, of which the shift from male-dominated literature up to 1980 to the rich representation of women writers since then is just one.
In O me voy o te vas / One of us must go, love is a powerful magnet that attracts and repels in equal measure. In this lyrical collection, Rogelio Guedea (with English translations by Roger Hickin) examines what it means to share one’s life with another person and questions whether – and how – love can survive reality’s steady tap-drip repetitions.
Oamaru is a town built on nineteenth-century gold and grain booms, and the birthplace of the frozen meat. Nestling around its old port fringes is New Zealand's most intact Victorian architectural landscape. Using a 'Victorian Town at Work' theme to promote these unique features, Oamaru is now a major heritage centre.
Oceanian Journeys and Sojourns focuses on how Pacific Island peoples – Oceanians – think about a range of journeys near and far: their meanings, motives and implications. In addition to addressing human mobility in various island locales, these essays deal with the interconnections of culture, identity and academic research among indigenous Pacific peoples that have emerged from the contributors’ personal observations and fieldwork encounters. Firmly grounded in the human experience, this edited work offers insights into the development of new knowledge in and of the Pacific. More than half the authors are themselves Oceanians and five of twelve essays are by island women.
Another great read from the author of Between Friends.
On the Left is the first comprehensive study of socialist thought and practice from the late nineteenth through the twentieth centuy. The essays examine the ideas, political organisations and social actions adopted by the left - from early syndicalism to feminist and unemployed movements - and their impact on society. The result is a book that brings the left back in to New Zealand's historical consciousness - and opens up a whole new field of historical enquiry.
Jan Kemp is a traveller. In this volume she brings together widely disparate experiences – intellectual, artistic, spiritual, sensual – with clarity, honesty and wit. The illustrations are by Claudia Pond Eyley.
The First New Zealand Himalayan Expedition, in 1951, was initiated by Earle Riddiford, who with Ed Cotter and Pasang Dawa Lama made the first ascent of Mukut Parbat, their target peak in the Garhwal Himalaya. Accompanying them on that expedition, though not to that summit, were two other New Zealand climbers, Edmund Hillary and George Lowe. Hearing of the success on Mukut Parbat, the New Zealand Alpine Club suggested to the Alpine Club in London that acclimatised New Zealanders would be a valuable asset on the forthcoming 1951 British Reconnaissance of Mt Everest, to be led by Eric Shipton. This resulted in an invitation for two New Zealanders to join the party: thrilling news the four climbers received while they were ensconced in the hill-country village of Ranikhet. A day and a half of bitter dispute rent the party asunder. Which two should go to Everest?In this enthralling narrative, journalist Lyn McKinnon tells the stories of Earle Riddiford and Ed Cotter, two extraordinary New Zealanders whose climbing achievements were forever eclipsed by the exploits of others. She draws on private papers as well as published work, and extensively interviews Cotter himself, and the families of both men, as well as many other contemporary climbers, to set the record straight.
New Zealand has a long and honourable record of sending health service personnel to trouble spots around the world. Michael Shackleton was an energetic and determined pioneer. In 1963 he established and led a New Zealand surgical team in Qui Nhon, Vietnam. Until East Timor, this was New Zealand's biggest ever overseas medical operation and was sustained until 1975.
The University of Otago has always taken pride in its status as New Zealand’s first university. This history is arranged thematically, looking at the university’s foundation and administration; the evolving student body; the staff; the changing academic structure and the development of research; the Christchurch and Wellington campuses and the university’s presence in Auckland and Invercargill; key support services – libraries, press, student health and counselling, disability services, Māori Centre and Pacific Islands Centre; the changing styles of teaching; the university’s built environment; and finally, the university’s place in the world – its relationship with the city of Dunedin, its interaction with mana whenua and its importance to New Zealand and to the Pacific.
Outspoken presents the narratives of eleven people who have come out in the Anglican Church in New Zealand, including two ordained church members. The author has written a general introduction, plus an introduction to each individual story and reflections on it. The book closes with a Postscript that discusses truth and the Church; community, belonging and rejection; ideas about hell and damnation; the theology of denial; and the implications and ramifications of the 'Don't ask, don't tell' approach.
This anthology addresses the mental health and therapeutic needs of Polynesian and Melanesian people and the scarcity of resources for those working with them. It is divided into four parts – Identity, Therapeutic Practice, Death and Dying, Reflexive Practice – that approach the concerns of Maori, Samoans, Tongans, Fijians and people from Tuvalu and Tokelau. Contributors include a wide range of writers, most of who are Maori or Pasifika. Poems by Serie Barford, Selina Tusitala Marsh and Tracey Tawhiao introduce each section. As Pasifika populations expand, so do the issues generated by colonisation, intermarriage, assimilation, socioeconomic insecurity and international migration. The stresses of adolescence, identity, families, death and spirituality are all explored here in innovative research that offers a wealth of inspiration and ideas to supportive family, friends and practitioners.
Expressing oneself through creativity can be an immensely challenging and satisfying experience. Nina Mariette, a survivor of childhood abuse, uses painting to make sense of her past, and tells her story with pictures and words in this book.
Pasifika Styles is about a groundbreaking experiment in the display of contemporary Pacific art. The artists flung open the stores of the museum and installed their works in cases next to taonga collected on the voyages of Cook and Vancouver. This heralds a new era of collaborative curatorship in ethnographic museums.
The author’s eight great grandparents all arrived in New Zealand between 1858 and 1868. Their family names were Harrop, Sales, Campbell, Brown, Valentine, Maxwell, Jefcoate and Oliver. She looks at their reasons for migration, how they fared once settled, and at their participation in gold-digging, farming, road-making, school-teaching and surveying. Both of her parents were graduates of Canterbury University and A.J. Harrop was a respected New Zealand historian.
Past Caring? Women, work and emotion Edited by Barbara Brookes, Jane McCabe and Angela Wanhalla Otago University Press. Are women past caring? Care is essential to social relationships and individual well-being. It is woven into New Zealand’s key social institutions, such as the family, and is also embedded in societal expectations around state provision of health and welfare. Care is so vital, in fact, that it is often taken for granted and goes unnoticed and unrewarded.
Appreciating New Zealand's distinctive social policy history is important in formulating future social policies. This is one of the premises in Past Judgement: Social Policy in New Zealand History, which brings together recent research on a range of social policy contexts.
This is a story of how ordinary people created a movement that changed New Zealand's foreign policy and our identity as a nation. The story of peace activism from our pre-recorded history to 1975 was told in Peace People: A history of peace activities in New Zealand (1992) by Elsie Locke. In this new book her daughter Maire Leadbeater takes the story up to the 1990s in an account of the dramatic stories of the colourful and courageous activist campaigns that led the New Zealand government to enact nuclear-free legislation in 1987. Politicians took the credit, but they were responding to a powerful groundswell of public opinion.
An intriguing literary delight that features a poet and a motorway. Peat starts out as Lynn Jenner’s study of the Kāpiti Expressway and a quest to find a fellow writer with different sensibilities to help her think about the natural world the road traverses. New Zealand-born poet, editor, art collector and philanthropist Charles Brasch is her choice.
When a small group of three English families were landed in the bay below Rangihoua pa in 1814, under the protection of its chief and inhabitants, the story told in Pewhairangi began. It is the story of New Zealand’s first permanent European settlement, at Hohi, and the church mission that it represented, and of the other mission communities subsequently established in the Bay of Islands, at Kerikeri, Paihia, Te Puna and Waimate. It is a story of Ngapuhi and Pakeha engagement, as neighbours, over four decades.
Phoney Wars: New Zealand Society in the Second World War, a new book from Stevan Eldred-Grigg, argues that we had no business going to war against either Germany in 1939 or Japan in 1941. Our motives for doing so were muddled and contradictory.
Piano Forte focuses on the era in which the piano became of central significance in the private, social and cultural lives of many New Zealanders. It is a book composed of many voices, being based on memoirs, diaries, letters, concert programmes, company records and other accounts. The stories begin in 1827, with the arrival of what was probably the first piano to be brought to New Zealand, and end in 1930, when the increasing popularity of the phonograph, the radio and the introduction of talkie movies were beginning to have a profound impact on people's leisure activities.
The first biography of Henry Percy Pickerill, a pioneer in plastic surgery, dental education and dental research.
In this fascinating and by turns alarming book, Claire Le Couteur has researched the background to some of the popular medical remedies in New Zealand’s medical history, based on items found in the collection of the Cotter Medical History Trust. The Cotter Trust was established in Christchurch by retired surgeon Pat Cotter, with the aim ‘to collect, preserve and display artefacts of a medical nature’.
First published in 1996 and now updated, this book contains plays by established New Zealand writers that were written for lunchtime theatre.
Born in 1949, Bluff-based Cilla McQueen is one of New Zealand’s best-loved poets. Poeta: Selected and New Poems brings together a definitive selection of her poetry spanning five decades.
Politics in the Playground is a lively account of early childhood education and care in postwar New Zealand, following on from the author’s study Discovery of Early Childhood (1997), which traced the origins of institutional care for young children in Europe and New Zealand.
Politics in the Playground: The world of early childhood education in Aotearoa New Zealand (updated edition)
Freshly updated in 2019, the third edition of Politics in the Playground: The world of early childhood in Aotearoa New Zealand is a lively history of early childhood education and care\nin Aotearoa New Zealand in the postwar era.
Polly Plum is a biography of one of New Zealand’s earliest feminists, Mary Ann Colclough, whose publicly voiced opinions saw her described in the nineteenth century as ‘our own little stray strap of a modern female fanatic’.
Promised New Zealand is the true tale of refugees who fled Nazi terror in Europe for a safe haven on the opposite side of the world – New Zealand.
'Promoting Health in Aotearoa New Zealand' provides a rich scan of the health promotion landscape in New Zealand. It explores ways in which Māori, and other, perspectives have been melded with Western ideas to produce distinctly New Zealand approaches. In doing so it addresses the need for locally written material for use in teaching and practice, and provides direction for all those wanting to solve complex public health problems.
The essays in this book bring together research from the social sciences (psychology in particular) that bears upon the trends contributing to family law policy and practice as it is now in New Zealand. Anyone interested in theses areas will find the book useful. It will be especially valuable for judges hearing and deciding cases, for counsel representing children, for professionals who work with children, and for those formulating government policy.
A compact but comprehensive study of the role, during the Roman Republic, of the publicani who may be variously described as capitalists, contractors, revenue collectors, entrepreneurs, or simply 'big business'.
'Pushing Boundaries' is the first book-length attempt to tell the story of the evolution of overseas missionary activity by New Zealand’s Protestant churches from the early nineteenth century up to World War II. In this thought-provoking book, Hugh Morrison outlines how and why missions became important to colonial churches – the theological and social reasons churches supported missions, how their ideas were shaped, and what motivated individual New Zealanders to leave these shores to devote their lives elsewhere. Secondly, he connects this local story to some larger historical themes – of gender, culture, empire, childhood and education. This book argues that understanding the overseas missionary activity of Protestant churches and groups can contribute to a more general understanding of how New Zealand has developed as a society and nation.
Every day, all over the world, quarantine officials screen international passengers and cargo and every week a border protection story is in the news. As a group of islands for which biosecurity is vital, New Zealand provides an ideal focus for this book, the world's first national history of quarantine.
Queenstown is unlike anywhere else in New Zealand. It is the country's tourism mecca, for lots of good reasons: mountains, rivers, lakes, climate, snow sports, tramping, fishing, bungy jumping, whitewater-rafting - the list goes on and on.
Queer lives give rise to a vast array of objects: the things we fill our houses with the gifts we share with our friends, the commodities we consume at work and at play, the clothes and accessories we wear, various reminders of state power, as well as the analogue and digital technologies we use to communicate with one another. But what makes an object queer?
Australia and New Zealand are closely connected by both geography and history. One cultural quality they share is a fixation on what lies to the north, and a 'reciprocal amnesia' about their near neighbours. Few historians in either country have examined the shared history. In this book, James Bennett looks at the labour movement in the two countries during the period when it was emerging.
Tene Waitere of Ngati Tarawhai (1854-1931) was the most innovative Maori carver of his time; his works reached global audiences decades before the globalisation of culture became a fashionable topic. Rauru is the highlight of a famous anthropological museum in Germany. Hinemihi, the carved house featured in one section of this book, sheltered survivors of the Tarawera eruption in 1886 before being removed to the park of an English country house. The magnificent His carved Ta Moko panel is one of Te Papa the Museum of New Zealandís icons.
The two world wars played an important role in the evolution of plastic and maxillofacial surgery in the first half of the 20th century. This book is about four of the key figures involved. Sir Harold Gillies and Sir Archibald McIndoe were born in Dunedin; McIndoe and Rainsford Mowlem studied medicine at the University of Otago Medical School, and Henry Pickerill was foundation Dean of the University of Otago Dental School. The author describes how these surgeons revolutionised plastic surgery and the treatment of facial trauma, working on soldiers, fighter pilots and civilians disfigured by bombs, shrapnel and burns.
Refocusing Ethnographic Museums through Oceanic Lenses offers a collaborative ethnographic investigation of Indigenous museum practices in three Pacific museums located at the corners of the so-called Polynesian triangle: Bernice Pauahi Bishop Museum, Hawai‘i; Museum of New Zealand Te Papa Tongarewa; and Museo Antropológico Padre Sebastián Englert, Rapa Nui.
Unlike people who choose to migrate in search of new opportunities, refugees are compelled to leave their homeland. Typically, they are escaping war and persecution because of their ethnicity, their religion or their political beliefs. Since 1840, New Zealand has given refuge to thousands of people from Europe, South America, Asia, the Middle East and Africa. Refuge New Zealand examines New Zealand's response to refugees and asylum seekers in an historical context. Which groups and categories have been chosen, and why? Who has been kept out and why? How has public policy governing refugee immigration changed over time?
Collection of short stories from author Linda Burgess
Respirator is a sumptuous celebration of David Eggleton’s tenure as the nation’s poet-at-large during his time as Aotearoa NZ Poet Laureate (2019–22). In this collection of probing, kaleidoscopic and richly sensuous poems, Eggleton explores how the social changes and upheavals of the past four extraordinary years manifested in Aotearoa New Zealand, from the impact of living through a pandemic to ecological concerns, technological changes, and shifting viewpoints about identity and global consumerism.
M E Andrew explores the Book of Ezekiel
Modern Kapiti Island is best known as a sanctuary for wildlife. It is one of New Zealand's longest and most exciting conservation stories, beginning in 1897. Projects here to eradicate possums and rats, and to increase or establish populations of endangered birds such as the little spotted kiwi, have put the country on the world map for conservation management and provided models to follow in other parts of the country. Animal pests are eradicated, weeds controlled, and the forests are returning.
Remember the days when working for the public service was for life, with the reward of superannuation at the end? Things have changed in recent years and 'super' has become one of New Zealand's most contentious social and political issues. This book traces the controversial and often colourful history of public service superannuation. Rewarding Service: A History of the Government Superannuation Fund, by Neill Atkinson, is published by the University of Otago Press in association with the Ministry of Culture and Heritage.
Robert Lord (1945–1992) is an important figure in the history of literature and theatre in Aotearoa New Zealand. Co-founder of Playmarket and author of Well Hung, Bert and Maisy and Joyful and Triumphant, Robert Lord wrote incisive and often satiric radio and stage plays, experimenting with traditional theatre forms and incorporating queer characters at a time when almost nobody else did. His diaries, which record his life from 1974, when he first moved to New York, until his death in Dunedin in 1992, capture the highs and lows of his writing practice, the theatre world and his social life. Revealing the dramatic contrast between life as a gay man in 1970s and 80s New York – a world of sex, drugs and socialising – and provincial New Zealand, with its respectable living rooms, fields of carrots and the occasional homoerotic demonstration of sheep shearing, his diary entries tell of torn loyalties and reveal the intense creative momentum Lord forged from his dislocated, outsider status.
'Culture’ is often seen as somehow elevated above daily life (set in a rarefied realm) or set apart from it (e.g. the anthropological study of cultures other than our own). But for contemporary sociologists and media theorists, culture is better seen as the matter-of-fact practice and taken-for-granted nature of everyday life. Culture is inherent to how the world is made to mean something, how knowledge is produced and how society functions. As a result, we need to interrogate what we take as ‘given’.
'Rushing for Gold' is the first book to take a trans-Tasman look at the nineteenth-century phenomenon that was the gold rushes in Australia and New Zealand. It explores links between the rushes, particularly those in Victoria and Otago, to show that they were strongly intertwined affairs. The book brings together contributions from both experienced and newly emergent researchers, who together provide a close examination of miners’ migration patterns, ethnicities and merchant networks. The contributors’ insightful analyses and narrative accounts of the places, commerce and heritage of the rushes reveal a pantheon of characters, from merchants, hoteliers, financiers and policemen to vagrants, sly-groggers and entertainers, not to mention women, all of whom prompted and populate the mythology of the era, which this book does much to unravel and rewrite.
This is a novel about a woman of today uncovering the tale of her maiden great aunt and a soldier in World War I. In her search, Isla finds other family stories against which her own experience since she left home stormily at the age of seventeen reverberates.
Sanctuary: The discovery of wonder is an engaging and moving book full of spiritual insight, wisdom and warmth. It is the result of a decade of exploration and contemplation of the concept of sanctuary by Julie Leibrich, a poet and writer, formerly a research psychologist and Mental Health Commissioner. Sanctuary is written in a way that happily combines reason and imagination, poetry and critical thinking, knowledge and originality, producing a highly readable and rewarding book. Sanctuary cuts across genres: at once a spiritual memoir; a collection of personal journal entries and brief discourses; and a window into the views of influential writers, thinkers and poets, and of the author’s friends and acquaintances. Julie Leibrich’s life journey has led her to discover through ‘wondering, wandering and wonderment’ the elements of the world and self that are most sacred.
The first biography of Lance Richdale, who achieved international fame as the father of Otago's albatross colony from 1936 and for his research on the behaviour of the Yellow-eyed Penguin – Time magazine dubbed him 'The Dr Kinsey of the penguin world' – and the sooty shearwater, or muttonbird. Richdale grew up in Wanganui, took a tertiary course in agriculture in New South Wales, and returned to New Zealand to teach mainly in rural schools in the North Island for several years, eventually taking up a position with the Otago Education Board in 1928 as an inspiring itinerant agricultural instructor and nature study teacher.
Seabirds beyond the Mountain Crest: The history, natural history and conservation of Hutton’s shearwater
Seabirds Beyond the Mountain Crest tells the fascinating story of New Zealand’s endemic Hutton’s shearwater, a species that breeds only at two remote locations, high in the Kaikoura Mountains.
Discursive, entertaining and provocative, Secular Sermons contains fourteen essays by celebrated philosopher Professor Alan Musgrave, examining the basic assumptions of science, religion and mathematics. Can we decide what to believe? Why do scientists do experiments and wat can their experiments show? Is evolution a scientific theory? Such apparently simple questions are brilliantly investigated by Musgrave in order to interrogate the worldviews we inhabit – and their consequences. He brings to these questions an expansive historical knowledge, provoking his readers to enter the now-discredited belief-systems of earlier ages in order to compare these with their own.
Powerful, shocking account of New Zealand’s ‘selective diplomacy’ over West Papua by a leading author on peace and Pacific issues, Maire Leadbeater
Aotearoa New Zealand was recently rated by the Lonely Planet travel guide as the second most ‘gay friendly’ country in the world, with some of the most advanced human rights legislation. Research suggests, however, that New Zealand’s relatively ‘inclusive’ social climate is not always reflected in our educational settings. This book explores how the assumption that heterosexuality is the norm operates in education, and the discriminatory effects of this for teachers, for students, and for parents, in early childhood education, schools, tertiary and alternative settings. How can education settings become more socially just sites of inclusion for sexual and gender diversity? Contributors from a wide range of sectors discuss their research and invite others to join them in resisting the many injustices perpetuated by the unchecked discriminatory discourses that have shaped New Zealand education historically, and which continue to do so today.
The study of sexuality is both important and controversial. It permeates most aspects of everyday life and is both a hot topic and a taboo subject at the same time. The 'Virgin in a condom' art work that attracted protests wherever it was exhibited features in the book's final essay and many more mundane aspects of sexualtity are also covered: teenage motherhood, sexuality in advertising, sexuality and Pacific peoples, homosexual law reform, the difference between sex and rape, prostitution, the impact of viagra, and lesbian doctors.
This is the story of a spirited and courageous woman who was driven by a concern for the welfare of ordinary people. Written by her daughter, it has a liveliness and immediacy which would be difficult for an outsider to achieve. Connie Birchfield grew up in Lancashire – working in a cotton mill from the age of thirteen – and emigrated to New Zealand in the 1920s. She became involved in unions and the Labour Party as a hotel worker, and joined the Communist Party as an unemployed worker in the 1930s.
New Zealand is an immigrant society, but little has been written about the diverse migrant experiences of women to and within New Zealand. Shifting Centres: Women and Migration in New Zealand History, edited by Lyndon Fraser and Katie Pickles, links the lives of very different women through their experiences of migration. This is a multicultural study. It includes migration from north to south, from country to country and from rural areas to town. Much of the material is from the twentieth century. Subjects range from Maori urban migration, to refugees from Nazism, and recent Chinese migration. Some of the essays are life stories.
Photographs by Wayne Barrar accompanied by an essay by Geoff Park
Shifting Nature: Photographs by Wayne Barrar, with an essay by Geoff Park
The poems in Sinking Lessons portray the vitality of a world full of things and beings we too often disregard, using language that vibrates in harmony with the lively tales it tells – from small, everyday events to stories of shipwrecks and strandings, resurrections and reanimations, arctic adventures and descents into the underworld.
This is a biography of one of New Zealand’s most colourful and persuasive politicians, James Macandrew – a devoted family man, a staunch Presbyterian and a consummate politician. It examines the numerous local institutions that benefited from Macandrew’s touch – the University of Otago, the Art School (now Otago Polytechnic School of Art), the Normal School (later the College of Education) – along with his contributions to the building of roads, railways, wharves, harbours, schools and churches. Macandrew made plenty of enemies along the way, and has been severely judged by history. This re-examination of his life and political work reveals a man who both inspired and infuriated the citizens of Otago, and New Zealand, for almost four decades.
Snark: Being a true history of the expedition that discovered the Snark and the Jabberwock ... and its tragic aftermath
Winner of the 2017 New Zealand Book Awards for Children and Young Adults Margaret Mahy Book of the Year, the delightfully dark Snark is a tumultuous romp through worlds created by Lewis Carroll and here brought to life through the vivid imaginings and fabulous art of award-winning author and illustrator David Elliot.
Soundings is another landmark in the development of an important and widely read New Zealand poet. This collection continues and develops the themes of homeland and loss, colonisation and displacement that have been constantly important to McQueen.
Essential guide to the many tracks and trails of the beautiful inland regions of the lower half of the South Island, with an emphasis on foothills and forests.
This book celebrates Otago Museum's major new Southern Land, Southern People gallery, opened at the end of August 2002. It offers a comprehensive insight into the character of the region - its astonishing landforms, lost fauna and flora, fossil record and boisterous climate - and the way people have explored this challenging landscape and utilised its natural resources.
New Zealand sits in a very watery part of the world. The Pacific stretches out to the north and east, while to the south is continuous ocean. It has the fourth largest Exclusive Economic Zone, with a band 200 nautical miles wide around the country, including its offshore islands. Only a fraction of this vast area has been explored. From what is known already, it is clear that these seas harbour a fascinating diversity of marine life.
Spiders colonised the Earth long before Gondwanaland began to drift into separate continents. New Zealand spiders have links with spiders worldwide. The authors of this book have pioneered discoveries that have been found to apply to spiders in other parts of Australasia, southern America and southern Africa.
Stained glass is a public art form of immense visual appeal. The region of Canterbury contains a collection of nineteenth and twentieth century windows of international significance, including works by Arts and Crafts Movement artists.
For more than five decades, Alan Mark has been a voice for conservation in New Zealand. From his call in the 1960s for the establishment of tussock-grassland reserves in the South Island high country to his involvement in the 2011–13 campaign to save the Denniston Plateau from mining, he has been a passionate and effective advocate for the preservation of areas of ecological importance. In 'Standing My Ground', Alan describes the challenges and achievements, the frustrations and successes that have made up his remarkable life, now in its ninth decade. As well as providing an important record of New Zealand’s conservation battles and documenting the life of an outstanding New Zealander, 'Standing My Ground' is an inspiring reminder of the power of individuals to make a difference.
Stewart Island is an increasingly popular holiday destination for eco-tourism and outdoor recreation, with many bush walks and a wealth of natural features to enjoy. Neville Peat introduces the attractions of the island – what to see and do, its walks and tramps, its national park, wildlife, history and magnificent scenery.
Revised and Updated 2019 Edition. Stewart Island is an increasingly popular holiday destination for eco-tourism and outdoor recreation, with many bush walks and a wealth of natural features to enjoy. Neville Peat introduces the attractions of the island – what to see and do, its walks and tramps, its national park, wildlife, history and magnificent scenery.
The best of the Landfall essay competition
21 striking essays by new and seasoned New Zealand authors from the Landfall Essay Competition 2018, Strong Words shows what Virginia Woolf once described as the art that can at once ‘sting us wide awake’ and yet also ‘fix us in a trance which is not sleep but rather an intensification of life’. It celebrates an extraordinary year in New Zealand writing.
Strong Words 3 showcases the best of the best of Aotearoa New Zealand’s contemporary essays from 2021 and 2022, selected from entries into the Landfall Essay Competition. Strong Words 3 is packed with Aotearoa New Zealand’s most compelling new writing on contemporary issues, tackling topics such as grief, lost language, poetic childhood recollections, gender, the long aftermath of colonisation, the nature of traumatic memory, and working as a comedian while solo parenting.
Who made Lane's Emulsion? Where should we look to find out? No matter how obscure your question, if it's about a New Zealand topic, there's a new book to help you find the answers.
SIMPLE BROKEN BEAUTIFUL is the title on a notebook of poetry written by Leigh Davis in 2008. This was during radiotherapy treatment following surgery for a brain tumour, which was affecting his ability to express himself in words. The notebook writing was the beginning of a work that developed into a long poem called 'Stunning debut of the repairing of a life'. The resulting manuscript won The Kathleen Grattan Award for Poetry 2009, judged by Ian Wedde.
Sydney's first self-sufficient house offers a blueprint for future urban living. The house gets energy from the sun, water from the rain, and takes care of its waste disposal needs. It is off mains water supply, puts solar electricity back into the main electricity grid, recycles all water on the property, and processes all sewage on site.
Queen Sālote ascended the throne of Tonga in 1918, at the age of 18, to lead this Pacific nation through the hazards of the 20th century until her death in 1965. She led this Pacific nation through the hazards of the twentieth century until her death in 1965. An outstanding figure of her time, she was dubbed 'Queen of Paradise' by the British press during her visit to London for the coronation of Queen Elizabeth II.
The All Blacks' 'failure' to win the 2003 Rugby World Cup led many devotees to question old certainties and the current direction of the 'national game' in the age of professionalism. Central to these debates has been a sense that the continuity and invincibility of New Zealand rugby has been somehow eroded, mirroring similar changes within society as a whole.
Piquant, frank, open, wistful, tender, funny ... this personal memoir by Diane Brown is deftly ‘marbled’ throughout with social history. From carefully chosen anecdotes it slowly unfolds a vivid and compelling sense of character and the psychological dynamics within the family. Many readers will recognise the New Zealand so vividly portrayed here, as Brown marshals deeply personal events and childhood memories in a delightfully astute, understated poetic form.
At the turn of the twentieth century, Croatians were migrating from Dalmatia, then part of the Austro-Hungarian Empire, and Maori, having become part of the British Empire, were losing much of their land. All were looking for work. They came together on the gumfields of the far north, digging up kauri gum resin for export.
Ken Gorbey is a remarkable man who for 15 years was involved with developing and realising the revolutionary cultural concept that became Te Papa Tongarewa Museum of New Zealand. Then in 1999 he was headhunted by W. Michael Blumenthal to salvage the Jewish Museum Berlin, which was failing and fast becoming a national embarrassment. Led by Gorbey, a young, inexperienced staff, facing impossible deadlines, rose to the challenge and the museum, housed in Daniel Libeskind’s lightning-bolt design, opened to acclaim. As Blumenthal writes in the foreword: ‘I can no longer remember what possessed me to seriously consider actually reaching out to this fabled Kiwi as a possible answer to my increasingly serious dilemma ...’ but the notion paid off and today the JMB is one of Germany’s premier cultural institutions.
In this follow-up collection to the award-winning The Truth Garden , Emma Neale asks where exactly do the personal and the political drop hands? In poems that are engaged, compelling, witty and moving, she looks at how we navigate a true line through the psychological, environmental, social and economic anxieties of our times. The book examines love in its many guises, and also energetically responds to the distractions and delights of the digital age.
Twelve short stories by one of New Zealand's best-loved poets. Set in the south, they are spare pieces of prose, showing an eye for detail and for the ironies of life.
The Braided River explores contemporary migration to New Zealand through an examination of 200 personal essays written by 37 migrants from 20 different countries, spanning all ages and life stages.
The Depression of the 1930s was a defining period in New Zealand history. It had its own vocabulary – swaggers and sugarbags, relief work and sustenance, the Queen Street riots and special constables – that was all too familiar to those who lived through that tumultuous decade. But one generation’s reality is another’s history. The desperate struggles experienced by many for work, food and shelter during the 1930s eventually gave way to the sunny postwar years, when the Depression was no more than an uncomfortable memory. And now, for the children of the twenty-first century, it’s just a word. While the lives of those most affected by the Depression have been admirably documented in oral histories in various forms, the political and economic context, and the manoeuvrings and responses to the unprecedented conditions have not, until now, been given the extensive analysis they deserve. 'The Broken Decade', Malcolm McKinnon’s detailed and absorbing history of this period, unpicks the Depression year by year. It begins by introducing the prosperous world of New Zealand in the late 1920s before focusing on the sudden onset of the Depression in 1930–31, the catastrophic months that followed and, finally, on the attempt to find a way back to that pre-Depression prosperity. Informed by exhaustive research, relevant statistics and fascinating personal accounts, and made accessible and meaningful by insightful analysis, this important book will become New Zealand’s definitive study of the 1930s Depression.
'The Case of the Missing Body' is the true and unusual story of Lily, who has no sense of her body. She has struggled with the effects of this her whole life. Desperate to try anything to ‘be normal’, a nevertheless sceptical Lily agrees to begin work with her physiotherapist in a gymnasium. One extraordinary day, working in the gym, Lily discovers she has shoulder blades. All her life she has thought people only felt their heads, with thoughts trailing along in and behind them. Now she has shoulder blades. There is nothing easy about what is to follow. Neither Patrick (the physiotherapist) nor Lily could have predicted it. But with help from professionals, the writer of this beautiful, moving memoir becomes her own detective, searching for clues to help her find her own body.
Neville Peat introduces the Catlins region – its flora, wildlife, bush walks, caves and waterfalls – before tracing the journey along the stunning Southern Scenic Route linking Otago, Southland and Fiordland.
An out-of-the-way corner in the south-east of the South Island, The Catlins is now gaining the recognition it deserves as a beautiful, relatively unspoilt area with many natural attractions, including that rare thing on the east coast, native forest. Neville Peat introduces the history, geology and attractions of the region – its flora, wildlife, bush walks, caves and waterfalls – before tracing the journey along the stunning Southern Scenic Route linking Otago, Southland and Fiordland.
This is the first complete edition of Katherine Mansfield’s poetry, including 26 poems, dating from 1909–10, discovered by Gerri Kimber in the Newberry Library in Chicago in 2015. This edition is made up of 217 poems, ordered chronologically, so that the reader can follow Mansfield’s development as a poet and her experiments with different forms, as well as tracing the themes – love and death, the natural world and the seasons, childhood and friendship, music and song – that preoccupied her throughout her writing life. The comprehensive annotations provide illuminating biographical information as well as explaining the rich contexts of the European poetic tradition, including fin-de-siècle decadence within which Mansfield’s artistry is steeped. The inclusion of a collection of newly discovered poems highlights Mansfield’s desire to be taken seriously as a poet from her earliest beginnings as a writer. The poems as a whole point to a poet who varied her craft as she perfected it, often witty and ironic yet always enchanted by the sound of words.
The Conch Trumpet calls to the scattered tribes of contemporary New Zealand. It sounds the signal to listen close, critically and ‘in alert reverie’. David Eggleton’s reach of references, the marriage of high and low, the grasp of popular and classical allusion, his eye both for cultural trash and epiphanic beauty, make it seem as if here Shakespeare shakes down in the Pacific. In this latest collection David Eggleton is court jester/philosopher/lyricist, and a kind of male Cassandra, roving warningly from primeval swampland to gritty cityscape to the information and disinformation cybercloud.
New Zealanders enjoy a good yarn – and here are some of the liveliest tales told in magazines and newspapers of the 1880s and 1890s. In turn salty, ironic, mildly naughty, exotic and realistic, they are as engaging today as they were to readers a century ago.
This book is a history of the British Enderby settlement on the Auckland Islands 1849–52 and its associated whaling venture. Isolation, a stormswept climate, unproductive soil, inexperienced crews, drunkenness and above all an unexpected shortage of whales meant the raw colony ran into trouble and the parent company found itself facing disaster.
Many New Zealand writers in the late nineteenth and early twentieth century travelled extensively or lived overseas for a time, and they often led very interesting lives. The received wisdom is that they were forced to leave these colonial backblocks in search of literary inspiration and publishing opportunities. In The Expatriate Myth, Helen Bones presents a challenge to this conventional understanding, based on detailed historical and empirical research.
An important new book by Jonathan West, The Face of Nature: An environmental history of the Otago Peninsula, explores what people and place made of one another from the arrival of the first Polynesians until the end of the nineteenth century.
At the end of the road on the southwest coast of the South Island, Jackson Bay is today a fishing village. In 1874, it was established as a special settlement for European immigrants, some of whom refused to disembark from their ships, such were the harsh and isolated conditions of life they saw before them. Those who remained were a feisty lot, living a pioneering life while elsewhere in New Zealand people went to the movies, listened to the radio and drove cars. No road link to the area existed until 1960. This book introduces the reader to the Maori and European history of the Haast district, and shares the life stories of nine people who grew up there in the first half of the twentieth century.
Pushing against the boundaries of what poetry might be, Alison Glenny’s The Farewell Tourist is haunting, many-layered and slightly surreal.
Dan Davin was the author of the only substantial body of war fiction written by a New Zealand soldier during any of the wars of the 20th century in which the nation was engaged. The General and the Nightingale brings together Davin’s 20 war stories.
Dan Davin, Rhodes scholar, for many years Academic Publisher at the Clarendon Press in Oxford, and one of New Zealand’s acknowledged masters of the short story, was born in Invercargill in 1913. The Gorse Blooms Pale gathers together twenty-six stories and a selection of poems reflecting his experiences while growing up in an Irish-New Zealand family in Southland.
The Gorse Blooms Pale gathers together twenty-six stories and a selection of poems reflecting his experiences while growing up in an Irish–New Zealand family in Southland.
Grey, Jervois, Fergusson, Bledisloe – their names adorn buildings, streets, entire towns, even hills and rivers. But little has been written about the occupants of Government House. The Governors tracks the evolution of an office that says much about New Zealand's constitutional journey. In Crown colony days, governors ruled personally; with responsible government came uneasy adjustment and, from the late 1880s, a new breed of aristocratic governors who presided ceremonially. Since 1972, all governors-general have been New Zealand residents, two have been female and more recently the office has acquired a new international dimension.
The Handbook of New Zealand Mammals is the only definitive reference on all the land-breeding mammals recorded in the New Zealand region (including the New Zealand sector of Antarctica).
A vibrant, engrossing collection, where satisfying storytelling meets a very modern sensibility. Caren Wilton is funny and engaging. Her characters find themselves in unfamiliar landscapes: sometimes physical - a Bangkok flat, a youth hostel in Edinburgh, a Wellington massage parlour - and sometimes personal. Wherever they are, she takes a vivid, compassionate look at human strengths and vulnerabilities, and people's skewed attempts at finding happiness. Unsatisfactory sex, coin-flipping doctors and an elephant with a wooden leg - Caren Wilton writes page-turning stories whose characters always ring true.
This book brings together essays on many aspects of Scottish settlement in New Zealand, including individual stories. It covers both nineteenth and twentieth-century migration, and includes chapters on the Scottish diaspora, bagpipes and Burns.
Since the 1990s, the Hong Kong public health sector has been under constant review: there has been increasing emphasis on the need for major changes in its structure and funding, and traditional Chinese medicine has received formal recognition. This book covers the period from British colonisation of Hong Kong in 1841 through to the present day. It looks at the way in which the health sector developed, the structural arrangements that resulted, and the manner in which the heath system functions today. For those involved in the sector, this will be essential reading. With the system's colonial origins, and the presence of complementary therapies, the book makes an interesting case study for anyone working in public health.
As American critic Tom Disch quipped of many vintage poets: 'friends and pets die, the garden takes on a new significance.' There are poems in this collection about Dutch Masters, the remembered voice of a deceased soprano, a waterfall, ancient Chinese artefacts, victims of the World Wars, kites and flowers; but each piece is sensitively imbued not only with the poet's awareness of impending death but also with the incorrigible fragility of life. While Dallas is at home in a number of different modes, her high regard for literary tradition as a form of spiritual realism makes her eminently readable as a disciplined watcher of the seasons.
This book tells the story of New Zealand's land girls during the Second World War. Drawing on the oral histories of 130 women and the written interviews of 90 others, it uncovers what has been a hidden history, overlooked in most surveys of New Zealand's war experience.
Responding to a growing need for legal advice for researchers, this book provides a guide to the law of research. It will be useful to anyone working in New Zealand's research community, whether in public sector research organisations, administering reserach enterprises or working with human research subjects.
The notion of masculinity is universal but its embodiment is specific to the culture and historical moment to which it belongs. Experiences of masculinity are intersected and defined by class, ethnicity, race and sexualities, and are therefore diverse. The concept exists only in contrast to 'femininity': there is nothing inherent to 'what it is to be a man'. If this quality of masculinity means that we cannot speak or assume a universal experience of being male in New Zealand, the much-loved idea of the 'Kiwi bloke' is really a construction of ideals based on nostalgia. It is unrealistic, out-of-date and limiting. The contributors to this book explore ideas about and experiences of being masculine in the twenty-first century, and their implications for men's health and sexuality.
From Sean Macgregor’s lounge occupied by stoned youths, to three bank robbers en route to the Penrose ANZ, Michael Steven’s second collection presents his clear, clean vision of ‘the lifers’ who inhabit these islands and beyond. A generation’s subterranean memories of post-Rogernomics New Zealand are a linking thread, in the decades straddling the millennium, while other poems echo with the ghostly voices of the dead, disappeared and forgotten.
Subtle, witty, linguistically adept and internationally well travelled, Sudesh Mishra is a poet whose range of reference traverses global culture. An ambitious and accomplished writer, one able to brilliantly reinvent language, myth and metaphor, his fifth collection 'The Lives of Coat Hangers' confirms him as a major poetic voice in the South Pacific.
The Lives of Colonial Objects is a sumptuously illustrated and highly readable book about things, and the stories that unfold when we start to investigate them. In this collection of 50 essays the authors, including historians, archivists, curators and Māori scholars, have each chosen an object from New Zealand’s colonial past, and their examinations open up our history in astonishingly varied ways.
Bound together by myth and music, Michael Harlow’s The Moon in a Bowl of Water is a stunning new collection from a poet in complete control of his craft.
The Mosses of New Zealand describes in detail the life and structure of these fascinating plants, enabling both the enthusiastic amateur and the professional botanist to identify their many and diverse forms.
Bringing together this environment and the scientists who study it, The Natural History of Southern New Zealand is a major new book published by Otago University Press in association with the Otago Museum. Fifty-three authors, most from scientific disciplines and leaders in their specialist fields, combine hundreds of years of collective expertise and research to describe the nature of the region in thirteen chapters.
Exciting new work from a runner-up in the Kathleen Grattan Poetry Award
Strong, fresh and honest writing, The Paper Nautilus is about loss – the forms it takes, how we go on living in the face of it, and the mysterious ways that new life and new beginnings are born of brokenness. This partly autobiographical work is a mesmerising and engaging experience.
While Australians and New Zealanders have long debated which country invented the pavlova (a large meringue dessert cake said to emulate the lightness of the famous ballerina, Anna Pavlova), the real story of the ballerina’s visit to the Antipodes and the emergence of three different pavlovas was neglected.
The Pistils is a dispatch from the cusp of change. It appears at the severing of a 40-year relationship following the illness and death of poet Janet Charman’s partner during the Covid restrictions.
The Politics and Government of New Zealand: Robust, Innovative and Challenged is an up-to-date and comprehensive overview of the New Zealand political system. This book is a useful source for understanding current political controversies, such as the role of the Treaty of Waitangi, republicanism and coalition politics.
The period 1995 to 2004 was the UN's International Decade of World Indigenous Peoples. This reflected the increasing organisation of indigenous peoples around a commonality of concerns, needs and ambitions. In both New Zealand and Canada, these politics challenge the colonial structures that social and political systems are built upon.
The flowering of New Zealand children's fiction in the 1980s was exciting and unprecedented, culminating in international acclaim for the work of Margaret Mahy, Tessa Duder and others. Critic Diane Hebley discusses the books and writers published between 1970 and 1989. She argues that the New Zealand seascape and landscape have been powerful forces in our childern's literature. Inherently dangerous, they have given rise to stories of challenge and adventure. She also shows how a sense of place has given writers a way of exploring characters and their points of view, as well as the concerns of contemporary society.
The Iraq war found Australia and New Zealand in deep disagreement. It was not the first such serious strategic difference and is unlikely to be the last. Despite having so much in common and intertwined interests, the two are often at odds. In this highly readable book, Denis McLean draws the stories of the two countries together. Rifts in the ANZAC relationship, the political and economic disconnects, even the sporting rivalry, are explained in the light of nationalism. He suggests that a more concerted, shared approach is needed. Might New Zealand merge with Australia? Or are there other ways to work together in a globalising world?
A.C. (Archie) Barrington was a leading New Zealand pacifist during World War 2. Incarcerated in Mount Crawford Prison for his beliefs in 1941, he kept an illicit diary, scrawled in the margins of books. Many years later his son John happened across the diary and painstakingly reconstructed it. Barrington vividly and compellingly recorded the squalid, rundown conditions, monotonous and exhausting labour, the intense cold from which there was little protection, and the strategies he and his fellow pacifists adopted to enable them to cope with prison life. John Pratt has edited the diary and provides a fascinating commentary on the issues it raises in relation to prison life then and now.
In The Radio Room, Poet Laureate Cilla McQueen travels space and time, throwing 'thought-lines' from her present-day corner of the world to the ancient Celtic islands of her ancestors ('On a cliff-top above screeching gulls I stand still thinking backwards, antipodean poet grafted from ancient taproot in this bedrock' ... 'if they spoke, what would they say? Could I understand that language at the root of my tongue?'
The Scot Alexander McKay arrived in New Zealand in 1863 at the age of twenty-six with just two full years of schooling. Seeking his fortune on the goldfields of the South Island, he developed an eye for the structure and history of the land. Ten years later, he attracted the interest of the pioneer geologist Julius Haast, founder of the Canterbury Museum, who offered him his first job in geology, as a field assistant and collector of fossils for the displays of the fledgling museum.
The Sets returns again and again to the ever-present sea – as a metaphor, a mirror, a companion and an otherworld that contains our dreams and nightmares. Dunedin poet Victor Billot finds in the South Pacific Ocean an oracle of the future and a keeper of our histories
Notoriously self-contained and private, Kiwi men are often reluctant to talk about their personal feelings and embarrassed at the thought that any private emotional difficulties could be exposed to critical examination. One must go to their imaginative literature to make contact with the reality that underlies the (often calculatedly deceptive) surface. In his investigation of these issues, Fox demonstrates the crucial importance of Pakeha and Maori cultural predispositions influencing masculine identity in this country – often at the cost of great psychic pain for the men involved.
Who was Jane Mander? Why did she write The Story of a New Zealand River? Many people know the book, but few know anything of the writer. Rae McGregor has drawn a rich absorbing portrair of Mander – from her early years in the north, to Sydney socialist, New York intellectual, London writer, and home again as Auckland critic and literary personality.
The Summer King tells stories, exploring the world we inhabit and our relationships with the other. Myth, catastrophe, family, strangers, sex, sport – all feature in this ‘fine and fierce first collection’ (Gillian Clark). The book contains two sequences: ‘Cowarral’, about Preston’s family farm in the Forbes Valley of NSW, and ‘Venery’, which was inspired by the collective nouns that first appeared in the Book of St Albans.
Polynesian settlement of the islands of New Zealand about 1000 years ago and large-scale European colonisation in the 19th century caused massive environmental changes for indigenous animals. Fifty-five species of endemic birds, or 41 per cent of land and freshwater species, were lost. In response to these extinctions and the marked population decline of many extant species, national government agencies supported conservation initiatives throughout the 20th century.
This is the fourth book in the series arising from the Kathleen Grattan Award for Poetry. Each book is produced with attention to the traditional qualities of fine book production, in typography, illustration, design, paper and binding. The Truth Garden is illustrated by Kathryn Madill and designed by Fiona Moffat.
Festive cakes have been made in December for at least two thousand years. Using archaeological evidence and ancient books, the authors define the key ingredients of the cakes that would eventually be served on Twelfth Night, at the end of the Christmas season.
Appointed New Zealand’s first state nutritionist in 1940, a position she held for almost a quarter-century, Muriel Bell was behind ground-breaking public health schemes such as milk in schools, iodised salt and water fluoridation.
It is not widely known that Charles Brasch, poet and editor, was also a prose writer and lecturer of considerable critical acumen and wide-ranging interest. As a poet responding poetically to other poets, artists and thinkers, Brasch was that rare being, an idealist who bore witness to his ideals without faltering.
The Urewera Notebook, by Katherine Mansfield, edited by Anna Plumridge
In a global economic climate troubled by the consequences of a dearth of fiscal accountability and transparency, the importance of independent auditing bodies, whether in the public or private sector, is not to be underestimated.
Two hundred years ago Maori in the south of New Zealand had a lifestyle quite distinct from that of their northern cousins, and different experiences of contact with Europeans. This book provides an insight into those times. While it ranges from Marlborough to Stewart Island, its emphasis is on the far south.
A stunning new collection of poetry from one of New Zealand’s most eminent authors
Beaches, food, magic ... ten quirky and enjoyable stories from Wellington writer Vivienne Plumb
David Eggleton, Poet Laureate of Aotearoa 2019–21, has published nine poetry collections, and now, finally, comes a ‘Best Of ’. The Wilder Years: Selected Poems is a hardback compendium of the poet’s own selection from 35 years of published work, together with a handful of new poems.
Powerful historical poems about nineteenth-century Irish emigration to New Zealand, the colonial wars, Von Tempsky and Te Kooti, moving elegies for poet/painter Joanna Margaret Paul, the artist Reiko Kunimatsu and the poet's late father, love poems, and meditations on the nature of spiritual existence in the intellectual pressure-cooker of the twenty-first century. Howard's poems are accompanied by a selection of haunting images by the painter Garry Currin, produced to accompany the long title-poem which is the central feature of the book.
The arrival of radical new audio technology from overseas in the late 19th century led to a 'sonic revolution' that changed New Zealanders lives forever, says author Peter Hoar.
Into this volume C.K. Stead gathers a selection of his essays from the past decade, mixing literary criticism with autobiography. He reviews the work of other writers, meditates on the teaching of literature, revisits some controversies and explores literary history. Always interesting, the essays travel through time and space - from Janet Frame, to Barry Humphries' birthday, to Paul Theroux and telling the truth, to Shelley's Constantia - on a brilliant carpet of scholarship and wit.
The fifth poetry collection from multi-award-winning poet Sue Wootton, the editor of Otago Daily Times Weekend Poem column and author of the novel Strip
This City circles the globe from Florence to Palmerston North but the resulting volume is far more than so-called armchair travel. Topography and public space are a preoccupation (buses and trains, roads and houses, even Google Earth’s Street View all get a mention), but it is her evocation of the transient grounded in these spaces – snippets overheard on an Italian strada, scenes on a bus on Moxham Ave, imaginings of lives from long ago (Jane Austen, Emily Dickenson) – that leaves a taut and exciting impression of lives lived here, in this place, in This City.
The second collection of poetry by Elizabeth Morton
Thomas Potts of Canterbury will appeal to anyone interested in the early history of Canterbury, in environmental change, and in early efforts in New Zealand towards conservation. It is a story of conflicting goals, magnificently exemplified in the life and writings of a man who strove, 150 years ago, to be both colonist and conservationist.
Much of Time of the Icebergs was written while David Eggleton was a Writer-in-Residence at the Michael King Writers Centre in Auckland in 2009. These are poems about the world we live in, tracing a dystopian present 'hurtling globalisation's highway' where 'Google tells Google that Google saves'. As he says 'I think of it as a collection for browsing and discovering things: soundscapes, seascapes, landscapes, contemporary politics and contemporary people, histories, traditions, and other things besides.'
The memoir of mathematician A C Aitken
Drawing on 150 years of published and unpublished material, Laurence Fearnley and Paul Hersey, two top contemporary authors, have compiled a wide-ranging, fascinating and moving glimpse into New Zealand’s mountaineering culture and the people who write about it.
To the Occupant by Emma Neale is an innovative and astounding collection from one of New Zealand’s leading poets of her generation.
An interesting and disturbing cultural shift is at work in the relationship between children and their teachers. 'Teachers touching children' has become the site of a new social taboo, one about which there is much confusion and anxiety amongst teachers, as well as parents and children. The authors of this book are from several countries including the UK, US, Samoa, Australia and New Zealand. They share a research interest in the effects of the anxieties about child abuse now commonplace in Western countries.
Journalist Herries Beattie recorded southern Maori history for almost fifty years and produced many popular books and pamphlets. This is his single most important work, based on a major field project for the Otago Museum in 1920 and published here for the first time.
First published in Paris as Journal d’un balenier, this translation focuses on Dr Thiercelin’s travels and does not include chapters on whaling operations. It takes the reader to New Caledonia, the Chatham Islands, the South Island of New Zealand, Tahiti and Hawaii. Thiercelin made two voyages in the Pacific, twenty years apart, on the Ville de Bordeaux 1837–41 and the Gustave 1861–64. He provides a rare point of view – that of a well informed, educated European who was neither a missionary nor a government official. While his ideas were limited by the ethnocentricity of the time, his commentary on the French and English colonisation of the Pacific is insightful and often critical.
What are the implications of tertiary education providers committing to the Treaty of Waitangi? Treaty-Based Guidelines and Protocols for Tertiary Education Institutions seeks to clarify what exactly a Treaty relationship means for tertiary institutions. It is written by Te Maire Tau, David Ormsby, Marjorie Manthei and Tahu Potiki.
Tsugaru is located in the northwest corner of Japan's main island, Honshu. With a rugged landscape and challenging weather, it was bypassed by Japan's industrial development after World War II. It has remained relatively rustic, with its countryside dotted with rice paddies and apple orchards. As a result, it is rich in culture and diversity, with people of many different dialects and traditions.
This study of the art of William Hodges opens fresh theoretical perspectives on the representational problems raised by these early paintings produced in the South Pacific. Following Pacific Island historians of the 1960s, it argues that it is possible to read the texts and visual material produced from early South Seas encounters against the grain, as moments of cross-cultural exchange that challenge postcolonial complacencies.
This remarkable second collection by award-winning poet Joanna Preston charts a course for the journey from child to woman. Her bold and original voice swoops the reader from the ocean depths to the roof of the world, from nascent saints, Viking raids and fallen angels to talking cameras and an astronaut in space. Always, the human heartbeat is at stake, as Preston explores love, loss, longing and lust – how we stumble, how we soar.
Tung is the keenly anticipated debut collection from award-winning Ōtepoti-Dunedin poet, Robyn Maree Pickens. Pickens is an eco-pioneer of words, attuned to the fine murmurings of the earth and to the louder sound and content of human languages (English, Spanish, Japanese and Finnish). These poems offer sustenance and repair to a planet in the grips of a socio-ecological crisis.
Two or More Islands is the seventh collection of poetry by award-winning New Zealand poet Diana Bridge.
From electro-convulsive therapy to epilepsy, from criminal lunacy to community care, 'Unfortunate Folk': Essays on Mental Health Treatment, 1863-1992, opens windows on to the history of mental health treatment in New Zealand. 'Unfortunate Folk' is edited by Professor Barbara Brookes of the University of Otago's history department, and independent editor Jane Thomson. It is one of the few books available on the history of mental health in New Zealand.
Cradled between bush-covered hills and sea, the city of Dunedin inspires a strong sense of heritage and place - and fabulous poetry. Under Flagstaff: An Anthology of Dunedin Poetry brings together for the first time a selection from the extraordinarily rich resource of poems, published and unpublished, written about the city and its environs.
Quick-fix solutions to health inequalities are unlikely to be found in complex modern societies. Class or socio-economic status, gender, ethnicity and physical location all play their part in determining our chances of maintaining good health and securing good health care. This book uses a variety of approaches from different disciplines to explore the issues in four sections: Ethnic and Socio-economic Inequalities in Health, Understanding Inequalities, Intervention Strategies, and Intervention Experiences.
This sumptuous book brings together the art and the stories of half a century of Frances Hodgkins fellows.
By the nineteenth century the ancient urban churchyards of Britain, burdened with generations of dead, were unable to cope with rising numbers of corpses. Partially decomposed bodies were regularly disinterred and dumped in pits to free up room for the newly dead. Fears about the danger to public health eventually put an end to the urban churchyard burial grounds, and by the time settlers set sail for New Zealand large ‘modern’ cemeteries were being established on the edges of towns and cities. Migrants therefore brought with them a range of burial practices. The land they arrived in already had a long tradition of Māori burial ritual and places, which would be transformed by this contact with the European world. The migrants’ own traditions were adapted to their new environment and society, creating burial places unique to New Zealand. Today, old cemeteries dot the countryside, but are often ignored. Yet the resting places of the dead are a reflection of the life of the surrounding community, and New Zealand’s early cemeteries have fascinating stories to tell. In this beautifully written and illustrated book, Stephen Deed sets out to reconnect the historic cemeteries we see today with the history of this country and its people.
Historians have suggested that Scottish influences are more pervasive in New Zealand than in any other country outside Scotland, yet curiously New Zealand’s Scots migrants have previously attracted only limited attention. A thorough and interdisciplinary work, Unpacking the Kists is the first in-depth study of New Zealand’s Scots migrants and their impact on an evolving settler society.
Unseasoned Campaigner is a layered collection exploring the complexities of farming life in Horowhenua. Poet Janet Newman uncovers territory ripe for exploration as she juxtaposes the often troubled aspects of commercial farming – the life and death of animals – with loving family relationships.
Reflecting in 1769 on the manners and customs of the South Sea islands, Joseph Banks remarked that ‘in every expedient for taking fish they are vastly ingenious.’ Hence the title of this book on Pacific material culture, past and present, with broad themes of origins, the movement of peoples and the development of their technologies.
In this beautifully written and stunningly illustrated book, David Young focuses on the increasingly endangered resource of freshwater, and what so-called developed societies can\nlearn from the Indigenous voices of the Pacific.
Walking to Jutland Street is the debut poetry collection of Michael Steven, an Auckland poet with strong connections to Dunedin, published by Otago University Press.
Wanaka is a gem. In summer, visitors outnumber the resident population by as many as ten to one as boating, fishing, climbing, walking and cycling absorb large numbers of holiday makers into the terrain. In winter, snowboarders and skiers gather to take advantage of snow capped peaks.
Neville Peat describes the scenic splendour of Wanaka and the myriad activities and attractions for visitors in this updated edition of a book that serves as both a guide to one of New Zealand’s tourism hotspots, and as a souvenir. The book covers the history of the Wanaka area and its progress into a contemporary centre renowned for an exciting range of outdoor activities and regular events, including the internationally recognised Warbirds Over Wanaka air show. Further material offers a guide to local walking and cycling tracks, local flora and fauna, and Mt Aspiring National Park.
We Will Not Cease is the unflinching account of New Zealander Archibald Baxter’s brutal treatment as a conscientious objector during World War I.
Wellington is a great place for a holiday, whether for a weekend or two weeks. The city has energy, as the home of many of New Zealand's cultural institutions, and a wonderful location on high hills around a dramatic harbour.
Five notable twentieth-century New Zealanders who made their lives in Australia are the subject of this fascinating biographical investigation by award-winning author Stephanie Johnson.
Writer Elspeth Sandys was born during the Second World War, spent the first nine months of her life in the Truby King Karitane Hospital in Dunedin, and was adopted into the Somerville family at the age of nine months. What Lies Beneath: A Memoir is the story of her search for her birth parents. What she discovered provided answers that were both disturbing and, ultimately, rewarding. This is a searing, amusing, and never less than gripping tale of a difficult life, beautifully told.
In this electrifying debut, Rushi Vyas untangles slippery personal and political histories in the wake of a parent’s suicide. In this tough and tender, gently powerful collection, grief returns us to elemental silence. This language listens as much as it sings, asking if it is possible to recover from the muting effects of British colonialism, American imperialism, patriarchy and caste hierarchies. Which cultural legacies do we release in order to heal? Which do we keep alive, and which keep us alive?
The economic reforms launched by the 1984 David Lange-led Labour government changed New Zealand forever. Agriculture bore the brunt of those changes and Rogernomics, the name by which the era came to be known, became an historical reference point for the primary sector: a defining and pivotal moment when financial subsidies abruptly ended and farming learned to live without government influence, interference or protection.
Published simultaneously in Ireland by Salmon Poetry, Majella Cullinane’s remarkable second collection, Whisper of a Crow’s Wing, is the work of a poet with a distinct and powerful voice.
White Ghosts, Yellow Peril is the first book ever to explore all sides of the relationship between China and New Zealand, and the peoples of China and New Zealand, during the whole of the seven or so generations after they initially came into contact. The Qing Empire and its successor states from 1790 to 1950 were vast, complex and torn by conflict. New Zealand, meanwhile, grew into a small, prosperous, orderly province of Europe. Not until now has anyone told the story of the links and tensions between the two countries during those years so broadly and so thoroughly.
For the people who know it, 'Central' Otago conjures up images of a diverse landscape - snow-clad peaks, rocky outcrops in a parched terrain, the mighty Clutha River carving its way through the land to the sea, and the wide, windswept Maniototo. Goldrush history, high country farms, Roxburgh apricots, skiing and bungy-jumping and the burgeoning wine industry all combine to give the region a unique flavour. While the region provides many attractions, its natural history has often taken a back seat.
Dunedin city and its environs are home to an amazing range of habitats and landscapes, of plants, animals, birds, insects and geological features. From the ocean, with its albatrosses and penguins, to the high alpine zone of inland ranges, this book introduces a magnificent natural environment.
Dunedin city and its environs are home to an amazing range of habitats and landscapes, of plants, animals, birds, insects and geological features. From the ocean, with its albatrosses and penguins, to the high alpine zone of inland ranges, this book introduces a magnificent natural environment.
This is a paperback edition of this book, which was shortlisted for the Montana NZ Book Awards in 1997. It is a major work of regional natural history introducing a New Zealand World Heritage Area, Fiordland National Park.
Images of pristine forests, mountain ranges, untameable rivers and empty expanses of coastline are the key attraction in how we promote Aotearoa New Zealand internationally: '100% Pure' no less. Such wildness is at this nation's psychological and physical core.
The story of the ever-changing landscape of the area bounded by the Waitaki River in the south and the Rangitata in the north, stretching from the Alps to the east coast. This is the first book to describe in detail the natural history of this large region. A main focus is the braided rivers, which in world terms are rare and remarkable. They occur only in New Zealand, northern India, Tibet, Siberia and Argentina. Two things make these rivers remarkable: their ever-changing nature, and their nurturing of a diverse and unique community of plants, birds, fish, lizards and invertebrate life.
Born in Penzance in 1811, Colenso was perhaps the most interesting of New Zealand's early missionaries. A Church Missionary Society printer, he established the first printing press, was our first printer and printed the first book, 5000 copies of the New Testament in Maori, 365 pages in extent, in 1837. Next came 27,000 copies of the Book of Common Prayer in Maori.
In this moving and beautifully written book, author Susannah Grant chronicles the astonishing transformation of the New Zealand Dominican sisters from a strictly enclosed body of religious teachers to a congregation of religious women working in the wider community
Witi Ihimaera is one of New Zealand's best-known and most loved writers. Author of seven volumes of fiction – including the award-winning Pounamu, Pounamu, Tangi and The Matriarch – he has also written essays, editorials, and an opera, Waituhi.
A sea voyage in the nineteenth century was not for the faint-hearted. The hazards were many and accidents commonplace. Of the ways a ship might meet its end, destruction by fire was perhaps the most feared. Wooden sailing vessels were particularly vulnerable and without breathing apparatus it was next to impossible to fight a fire below decks.
New Zealand’s nineteenth-century towns were full of entrepreneurial women. A surprising number ran their own businesses.
A haunting, off-the-beaten-track destination, the little-known Catlins region of New Zealand is as mysterious today as it ever was. In this first in-depth look at the lives of its inhabitants, award-winning writer Diana Noonan and photographer Cris Antona collaborate to capture the thoughts and feelings of 26 women from this remote outpost. As the subjects speak for themselves on topics as diverse as family, work, isolation and their relationship with the environment, there is, at last, an opportunity for readers to enter into the heart of this rugged, unknown landscape where few venture and only the strongest make it home.
For the men and women of the skilled trades in the early 20th century, the skills and knowledge of their respective crafts were a source of identity and pride. Together with the so-called unskilled, who built the infrastructure for the new society, these workers laid the cultural and social foundations of a new and fairer society. This book uses photographs to show two processes fundamental to creating a new society: the transformation of swamp into farmland then cityscape, and the transplantation of the knowledge and skill acquired in the Old World that were essential to building a new world.
The two-drawer dishwasher, a revolution in graphic modelling of yacht races and other sports events on television, collectable dolls that are sought after worldwide, specialised engineering products – Dunedin has a long list of international business success stories.
Robin Hyde’s extraordinary but short life (1906–1939) included a precocious early career as poet and parliamentary reporter. As a journalist, she juggled writing for the social pages with highly political reporting on unemployment, prison conditions and the alienation of Maori land. She struggled with drug addiction and depression, single motherhood twice over, and a lengthy period as a voluntary patient in a residential clinic (The Lodge) attached to Auckland Mental Hospital in Avondale. Her life culminated in brilliant reporting on the Sino/Japanese War following a journey into China in 1938.
Innovative new collection from award-winning New Zealand poet Janet Charman