Edited by Philip Temple and Emma Neale
A poem is a vote. It chooses freedom of imagination, freedom of critical thought, freedom of speech. A collection of political poems in its very essence argues for the power of the democratic voice. Here New Zealand poets from diverse cultures, young and old, new and seasoned, from the Bay of Islands to Bluff, rally for justice on everything from a degraded environment to systemically embedded poverty; from the long, painful legacy of colonialism to explosive issues of sexual consent.
Communally these writers show that political poems can be the most vivid and eloquent calls for empathy, for action and revolution, even for a simple calling to account. American poet Mark Leidner tweeted in mid-2016 that ‘A vote is a prayer with no poetry’. Here, then, are 101 secular prayers to take to the ballot box in an election year. But we think this book will continue to express the nation’s hopes every political cycle: the hope for equality and justice.
Two small but potent words. 101 potent poems.
Stand up, write back!
The first 10 Dominican sisters arrived in Dunedin in 1871. The congregation expanded rapidly, establishing schools throughout Otago and Southland, and eventually reaching as far north as Auckland. For most of their first century in New Zealand the Dominican sisters were teaching nuns, living in large enclosed convents cut off from the outside world. In the mid-1960s the Second Vatican Council ushered in a period of radical change. The sisters moved out of their convents and into small homes in their local neighbourhoods; out of their schools and into new roles in education, social justice, pastoral care and spirituality. Today they are an ageing congregation that is diminishing in size.
Susannah Grant was given full access to the congregation’s rich archives in order to write this book, from the point of view of an ‘outsider’. She has also completed a large number of oral histories with the sisters. In this moving and beautifully written book she chronicles the astonishing transformation of the New Zealand Dominican sisters from a strictly enclosed body of religious teachers to a congregation of religious women who are integrated in the wider community and engaged in a range of active ministries, while still remaining deeply committed to shared Dominican ideals.
This book is about disobedience. Positive disobedience. Disobedience as a kind of professional behaviour. It shows how teachers can survive and even influence an education system that does staggering damage to potential. More importantly it is an arm around the shoulder of disobedient teachers who transform people’s lives, not by climbing promotion ladders but by operating at the grassroots.
Disobedient Teaching tells stories from the chalk face. Some are funny and some are heartbreaking, but they all happen in New Zealand schools.
This book says you can reform things in a system that has become obsessed with assessment and tick-box reporting. It shows how the essence of what makes a great teacher is the ability to change educational practices that have been shaped by anxiety, ritual and convention.
Disobedient Teaching argues the transformative power of teachers who think and act.
The Yield is the vivid and lyrical new collection from award-winning poet Sue Wootton. These poems are sensorially alive, deeply attentive to language, the body, and the world around us.
Down in the bone the word-strands glimmer and ascend
often disordered, often in dreams,
bone-knowledge beating a path through the body to the throat
labouring to enter the alphabet.
– ‘Lingua Incognita’
Wootton addresses subjects as various as the fraught relationship between medical institutions and individual suffering, the disintegration of the polar icecaps, the energising power of solitude and the rewarding demands of creativity and love.
This is a collection about give and take, loss and gain; about sowing, tending and reaping.
Sue Wootton brings her characteristic linguistic dexterity, exuberance and versatility to every page.
The Yield is rich harvest.
Ronald W Jones
When Dr Ron Jones joined the staff of National Women’s Hospital in Auckland in 1973 as a junior obstetrician and gynaecologist, Professor Herbert Green’s study into the natural history of carcinoma in-situ of the cervix (CIS) – later called ‘the unfortunate experiment’ – had been in progress for seven years.
By the mid-1960s there was almost universal agreement among gynaecologists and pathologists worldwide that CIS was a precursor of cancer, requiring complete removal. Green, however, believed otherwise, and embarked on a study of women with CIS, without their consent, that involved merely observing, rather than definitively treating them. Many women subsequently developed cancer and some died.
In 1984 Jones and senior colleagues Dr Bill McIndoe and Dr Jock McLean published a scientific paperthat exposed the truth, and the disastrous outcome of Green’s experiment. In a public inquiry in 1987 Judge Silvia Cartwright observed that an unethical experiment had been carried out in large numbers of women for over 20 years.
Since that time there have been attempts to cast Green’s work in a more generous light. This rewriting of history has spurred Ron Jones to set the record straight by telling his personal story: a story of the unnecessary suffering of countless women, a story of professional arrogance and misplaced loyalties, and a story of doctors in denial of the truth.
Being a true history of the expedition that discovered the Snark and the Jabberwock ... and its tragic aftermath
David Elliot after Lewis Carroll
Gabriel Clutch was a thief and a liar but he was right about one thing. He told me he had a great secret in his collection that would shake the literary world to its roots if it ever got out ...
So begins the delightfully dark Snark, a tumultuous romp through worlds created by Lewis Carroll and here brought to life through the vivid imaginings and fabulous art of award-winning author and illustrator David Elliot.
What exactly did happen to the Snark expedition? Did his dagger-proof coat protect the Beaver from the Butcher? What befell the Boots in the Tulgey Wood? Who fell foul of the Jabberwock? The Bandersnatch? The Jub-Jub Bird? And, finally, the big question: what precisely is a SNARK ...?
David Elliot’s hero, the Boots, here reveals the whole truth for the first time, from his recruitment to the Snark expedition, to his return from a journey of unimaginable, death-defying adventure ...
In this charming book for grown-up children of all ages, David Elliot is at his spellbinding and artistic best.
Edited by Gerri Kimber and Claire Davison
This is the first complete edition of Katherine Mansfield’s poetry, including 26 poems, dating from 1909–10, discovered by Gerri Kimber in the Newberry Library in Chicago in 2015.
This edition is made up of 217 poems, ordered chronologically, so that the reader can follow Mansfield’s development as a poet and her experiments with different forms, as well as tracing the themes – love and death, the natural world and the seasons, childhood and friendship, music and song – that preoccupied her throughout her writing life. The comprehensive annotations provide illuminating biographical information as well as explaining the rich contexts of the European poetic tradition, including fin-de-siècle decadence within which Mansfield’s artistry is steeped.
The inclusion of a collection of newly discovered poems highlights Mansfield’s desire to be taken seriously as a poet from her earliest beginnings as a writer. The poems as a whole point to a poet who varied her craft as she perfected it, often witty and ironic yet always enchanted by the sound of words.
The First New Zealand Himalayan Expedition, in 1951, was initiated by Earle Riddiford, who with Ed Cotter and Pasang Dawa Lama made the first ascent of Mukut Parbat, their target peak in the Garhwal Himalaya. Accompanying them on that expedition, though not to that summit, were two other New Zealand climbers, Edmund Hillary and George Lowe.
Hearing of the success on Mukut Parbat, the New Zealand Alpine Club suggested to the Alpine Club in London that acclimatised New Zealanders would be a valuable asset on the forthcoming 1951 British Reconnaissance of Mt Everest, to be led by Eric Shipton. This resulted in an invitation for two New Zealanders to join the party: thrilling news the four climbers received while they were ensconced in the hill-country village of Ranikhet. A day and a half of bitter dispute rent the party asunder. Which two should go to Everest?
In this enthralling narrative, journalist Lyn McKinnon tells the stories of Earle Riddiford and Ed Cotter, two extraordinary New Zealanders whose climbing achievements were forever eclipsed by the exploits of others. She draws on private papers as well as published work, and extensively interviews Cotter himself, and the families of both men, as well as many other contemporary climbers, to set the record straight.