I have a background in secondary school art and art history teaching, and have contributed to curriculum courses for the Graduate Diploma of Education: Secondary since 1986, as well as a range of other art education courses at the College of Education. I continue to teach in this area, and take an active role in secondary art education curriculum review, and in the development of assessment for art history with the Ministry of Education and the New Zealand Qualifications Authority. I also have a long term interest in the aesthetic sensibilities of Japan, an area in which I continue to research and publish, with some teaching.
Bell, D. (2022, September).
Chinese print media arts since 2000: Moving forward, looking back. Verbal presentation at the Changing Arts, Changing China Research Symposium, Dunedin, New Zealand.
Conference Contribution - Verbal presentation and other Conference outputs
Bell, D., & Smith, J. (2020). Learning beyond museum walls: Virtual excursions at Te Papa Tongarewa. In C. Koh (Ed.),
Diversifying learner experience: A kaleidoscope of instructional approaches and strategies. (pp. 121-135). Singapore: Springer.
doi: 10.1007/978-981-15-9861-6_7
Chapter in Book - Research
Bell, D. R., & Smith, J. K. (2020). Inside the digital learning laboratory: New directions in museum education.
Curator,
63(3), 371-386.
doi: 10.1111/cura.12376
Journal - Research Article
Bell, D. (2020). A new vision: Modern Japanese prints from the Heriot collection.
Tuhinga,
31, 91-112.
Journal - Research Article
Bell, D. (2019). [Review of the book
Painting the floating world: Ukiyo-e masterpieces from the Weston Collection].
New Zealand Journal of Asian Studies,
21(2), 85-87. [Book Review].
Journal - Research Other
Bell, D. (2007).
Hokusai's project: The articulation of pictorial space. Folkestone, UK: Global Oriental, 188p.
Authored Book - Research
Bell, D. (2004).
Ukiyo-e explained. Folkestone, UK: Global Oriental, 322p.
Authored Book - Research
Bell, D. R. (2001).
Chushingura and the Floating World: The Representation of Kanadehon Chushingura in Ukiyo-e Prints. Surrey: Japan Library, 170p.
Authored Book - Research
Bell, D. (2000).
Art in education: An essay celebrating one hundred and twenty-five years of art education at the Dunedin College of Education [Bulletin of New Zealand Art History: Special Series No. 5]. Dunedin, New Zealand: Hocken Library, 76p.
Authored Book - Research
Bell, D., & Smith, J. (2020). Learning beyond museum walls: Virtual excursions at Te Papa Tongarewa. In C. Koh (Ed.),
Diversifying learner experience: A kaleidoscope of instructional approaches and strategies. (pp. 121-135). Singapore: Springer.
doi: 10.1007/978-981-15-9861-6_7
Chapter in Book - Research
Bell, D. (2019). White Rabbit, contemporary Chinese arts and soft power in Sydney's Chippendale. In J. Beattie, R. Bullen & M. Galikowski (Eds.),
China in Australasia: Cultural diplomacy and Chinese arts since the Cold War. (pp. 133-150). Abingdon, UK: Routledge.
Chapter in Book - Research
Bell, D. (2018). Finding Iki: Iki and the floating world. In M. Nguyen (Ed.),
New essays in Japanese aesthetics. (pp. 369-381). Lanham, MD: Lexington Books.
Chapter in Book - Research
Bell, D. (2018). Katsushika Hokusai and a poetics of nostalgia. In E. M. Grierson (Ed.),
Activating aesthetics. (pp. 75-91). Abingdon, UK: Routledge.
Chapter in Book - Research
Bell, D. (2014). Hokusai and Fuji: Cognition, convention and pictorial invention in Japanese pictorial arts. In P. P. L. Tinio & J. K. Smith (Eds.),
The Cambridge handbook of the psychology of aesthetics and the arts. (pp. 562-588). Cambridge, UK: Cambridge University Press.
Chapter in Book - Research
Bell, D. (2012).
Chūshinguraand
Ukiyo-e. Representing
Kanadehon Chūshingura in
Ukiyo-e woodblock prints. In A. Görlich (Ed.),
Treasury of loyal retainers: The drama of the 47 Ronin. (pp. 25-33). Kraków, Poland: Manggha.
Chapter in Book - Research
Bell, D. (2011). Representing cultures: Seeing East Asian art in New Zealand. In P. Voci & J. Leckie (Eds.),
Localizing Asia in Aotearoa. (pp. 116-133). Wellington, New Zealand: Dunmore.
Chapter in Book - Research
Bell, D. (2009). Ando Hiroshige [
Shono-hakuu (Driving rain at Shono station)]. In R. Notman & L. Cullen (Eds.),
Beloved: Works from the Dunedin Public Art Gallery. (pp. 96). Dunedin, New Zealand: Dunedin Public Art Gallery.
Chapter in Book - Research
Bell, D. (2009). attrib. Katsushika Hokusai (1760-1849)
Flayed bonito. In R. Bullen (Ed.),
Pleasure and play in Edo Japan. (pp. 58). Christchurch, New Zealand: Canterbury Museum & College of Arts, University of Canterbury.
Chapter in Book - Research
Bell, D. (2009). Katsushika Hokusai (1760-1849)
Mt. Fuji from a cave (Dōchū no Fuji) 1834: From Series 'One hundred views of Mt. Fuji' (
Fugaku Hyakkei). In R. Bullen (Ed.),
Pleasure and play in Edo Japan. (pp. 60). Christchurch, New Zealand: Canterbury Museum & College of Arts, University of Canterbury.
Chapter in Book - Research
Bell, D. (2009). Katsushika Hokusai [
Sanku hakuu (Rainstorm beneath the summit)]. In R. Notman & L. Cullen (Eds.),
Beloved: Works from the Dunedin Public Art Gallery. (pp. 95). Dunedin, New Zealand: Dunedin Public Art Gallery.
Chapter in Book - Research
Bell, D. (2009). Kitagawa Utamaro [
Orian and Kamuro (A courtesan and her maid)]. In R. Notman & L. Cullen (Eds.),
Beloved: Works from the Dunedin Public Art Gallery. (pp. 87). Dunedin, New Zealand: Dunedin Public Art Gallery.
Chapter in Book - Research
Bell, D. (2009). Suzuki Harunobu [
Settsu Kinuta-no Tamagawa (Kinuta Crystal River in Settsu Province)]. In R. Notman & L. Cullen (Eds.),
Beloved: Works from the Dunedin Public Art Gallery. (pp. 86). Dunedin, New Zealand: Dunedin Public Art Gallery.
Chapter in Book - Research
Bell, D. (2009). Urbane Pleasures. In
Pleasure and play in Edo Japan. (pp. 39-43). Christchurch, New Zealand: Canterbury Museum & College of Arts, University of Canterbury.
Chapter in Book - Research
Bell, D. (2009). Utagawa Kunisada (Toyokuni III, 1786-1864): From series: 'A mirror of modern make-up trends' (
Imafū keshō kagami):
Woman removing her eyebrows; Woman blackening her teeth. In R. Bullen (Ed.),
Pleasure and play in Edo Japan. (pp. 66). Christchurch, New Zealand: Canterbury Museum & College of Arts, University of Canterbury.
Chapter in Book - Research
Bell, D. (2009). Utagawa Kuniyoshi (1791-1861): From series: 'Woman in waterfall-striped fashions whose earnest prayers would be answered' (
Daigan jōju arigataki-jima):
Woman praying, and umbrella under her arm; Woman passing through a curtain; Woman holding a ring of Hozuki. In R. Bullen (Ed.),
Pleasure and play in Edo Japan. (pp. 68). Christchurch, New Zealand: Canterbury Museum & College of Arts, University of Canterbury.
Chapter in Book - Research
Bell, D., & Bullen, R. (2009). Play. In
Pleasure and play in Edo Japan. (pp. 33-38). Christchurch, New Zealand: Canterbury Museum & College of Arts, University of Canterbury.
Chapter in Book - Research
Bell, D. (2020). A new vision: Modern Japanese prints from the Heriot collection.
Tuhinga,
31, 91-112.
Journal - Research Article
Bell, D. R., & Smith, J. K. (2020). Inside the digital learning laboratory: New directions in museum education.
Curator,
63(3), 371-386.
doi: 10.1111/cura.12376
Journal - Research Article
Bell, D. (2019). China in Dunedin: Contemporary Chinese art at Dunedin Public Art Gallery.
New Zealand Journal of Asian Studies,
21(2), 71-81.
Journal - Research Article
Bell, D. (2019). Floating world at Te Papa: the Heriot collection.
Tuhinga,
30, 56-81.
Journal - Research Article