Te Wiki o te Reo Māori, 9-15 Mahuru | Māori Language Week, 9-15 September
All are welcome to celebrate Te Wiki o te Reo Māori at the Hocken Collections, 90 Anzac Avenue, Dunedin. Free. No bookings necessary.
Te Hau Kāinga during World War Two: reaching out to whānau
Rāapa 11 Mahuru | Wednesday 11 September
5.45 - 6.45pm | Hocken Seminar Room, 90 Anzac Avenue
Māori research talk by Professor Lachy Paterson (Te Tumu, School of Māori, Pacific & Indigenous Studies) and Associate Professor Angela Wanhalla (History).
He rangahau, he whakaaro, he kōrero
Rāmere 13 Mahuru | Friday 13 September
12 - 1pm | Hocken Seminar Room, 90 Anzac Avenue
5-minute lightning talks from Postgraduate students on their research.
Regular Events at the Hocken
A rear view: Behind the scenes tours
Every Wednesday at 11am and 2pm (tours are 50 mins).
Join one of our friendly guides and learn about the Hocken. Check out the amazing materials in our archives, ephemera, maps, music/AV, photographs, pictures and published collections. Bookings not required. Limit of 10 people per tour. Tours start at Hocken reception.
What’s in store? Art!
First Saturday of each month at 11am-12pm.
Did you know that the Hocken has one of this country’s most important collections of modern and historic New Zealand art including works by leading artists such as Rita Angus, Ralph Hotere, Robin White and Colin McCahon? Hocken staff will take you into the pictures store-rooms to see some of these art treasures. Bookings are required: Tel 03 479 8868. Limit of 10 people per tour. Tour starts at Hocken reception.
Hocken Kupu Tohutohu
Third Thursday of the month 10.30am – 12pm.
A free service in which you can seek advice from our various collection specialists about aspects such as the maker, age, media, significance, handling, presentation and care of your own collection items. (Please note - we do not give valuations.) Meet in the Hocken foyer with your items. Bookings not required.
Tuia - Southern Encounters
Monday 9 September, 10 a.m. – Saturday 9 November 2019
Curated by Hocken Librarian Sharon Dell.
When James Cook sailed down the Otago coast in 1770 he observed what he thought to be a barren uninhabited land. This exhibition weaves together taonga, images, maps, and knowledge handed down from ancestors to tell the story of how fifty generations had been living in southern New Zealand when the first explorers from another world visited these shores. The names of lakes and rivers, mountains, settlements and foodgathering sites remind us that long before Cook claimed Te Waipounamu for Great Britain, this land was the dearest possession of another people.
Ayesha Green, Kurawaka (2018)
New work by Imogen Taylor, 2019 Frances Hodgkins Fellow
Saturday 30 November 2019 - Saturday 8 February 2020
Having primarily based her practice in Auckland until recently, 2019 Frances Hodgkins Fellow Imogen Taylor plans to use her residency in Dunedin to develop a substantial body of work towards her first significant solo exhibition in the South Island. Since graduating from Elam in 2010 she has primarily been interested in balancing abstraction and representation, referencing Modernist art movements such as Cubism, Bauhaus, New Zealand regionalism and exploring the collision between modernism and queer theory. She is also intending to complete the third and fourth issues of her feminist zine project ‘Femisphere’ while in Dunedin in 2019.
Imogen Taylor, Ripe (2019), courtesty of the artist and Michael Lett, Auckland
Colin McCahon: A Constant Flow of Light
Saturday 29 February – Saturday 6 June 2020
Focusing on the period between the mid-1930s and mid-1970s, ‘A Constant Flow of Light’ will include key works from the Hocken Collections that illustrate McCahon’s ideas and influences during this forty year period. The exhibition will also demonstrate how the Hocken’s significant holdings of Modernist New Zealand art were strategically developed from the 1950s onwards by enlightened professionals such as former Hocken Librarian Michael Hitchings and Hocken Art Curators Gordon Brown and Tim Garrity, cultural patrons such as Charles Brasch, Rodney Kennedy, Patricia France, poet John Caselberg and the McCahon family.
‘A Constant Flow of Light’ will coincide with a companion exhibition at the Dunedin Public Art Gallery, as both institutions wish to acknowledge the artist’s significant relationship with Dunedin. Both exhibitions will share, investigate and interpret McCahon’s career for new and current audiences. The curation of ‘A Constant Flow of Light’ is led by Robyn Notman, Head Curator Hocken Pictures.
Colin McCahon, The Virgin and Child compared (1948), Hocken Collections 20,924, courtesy of the Colin McCahon Research and Publication Trust