Russian drama, in particular Chekhov, and its reception abroad
Translation Studies and translation for the theatre
Modern British drama and theatre
New Zealand drama and theatre
Gay and queer drama
Theatre directing
In recent years Stuart has been engaged in practice-led research on verbatim theatre, undertaken in collaboration with colleague Hilary Halba and other professional theatre-makers in Dunedin. That work has resulted in the creation of Hush: A Verbatim Play about Family Violence, which played in various parts of New Zealand from 2009 to 2011, and Be | Longing, which explores immigrants' experiences of settling in New Zealand. Be | Longing premièred at the New Performance Festival in Auckland in February 2012 before playing for a season in Dunedin.
Stuart has published articles in Modern Drama, Theatre Journal, New Theatre Quarterly, Australasian Drama Studies, New Zealand Slavonic Journal, and Journal of Dramatic Theory And Criticism as well as in other serials and books.
Stuart is also a director, translator, and performance reviewer, and he is member of the community arts group Talking House and on the board of trustees of the Fortune Theatre. He has translated plays by Chekhov, Pushkin, and Simon Gantillon. Circa Theatre, Wellington, has produced his translations of The Cherry Orchard and Uncle Vanya.
He is a member of the International Federation of Theatre Research (IFTR), where he belongs to the Translation, Adaptation and Dramaturgy Working Group and the Queer Futures Working Group, and the Australasian Association for Theatre, Drama and Performance Studies (ADSA).
Productions
As a director, Stuart's productions include:
Chekhov's Three Sisters
Timberlake Wertenbaker's The Love of the Nightingale
David Hare's The Secret Rapture
Beth Henley's Crimes of the Heart
with Murray Edmond:
Caryl Churchill's Cloud Nine
Shakespeare's The Tempest
Mysteries, Miracles and Mayhem, based on Tony Harrison's The Nativity
Vanya on Shortland St, based on Chekhov's Uncle Vanya
Translations
◦ Chekhov's The Cherry Orchard (produced at Circa Theatre, Wellington, 2005) ◦ Uncle Vanya (Circa Theatre, Wellington, 2007) ◦ Three Sisters ◦ The Bear, The Proposal, and The Anniversary ◦ Pushkin's Mozart and Salieri ◦ Maya by Simon Gantillon
Conferences
Stuart regularly attends and contributes papers at international conferences, in particular those held by the International Federation of Theatre Research. In 2010, Stuart and colleague Hilary Halba were keynote speakers at the "Acting with Facts" conference at the University of Reading, UK.
Supervisions
PhD - Alison Stone, “Film Adaptations of Shakespeare” (with Prof. Lyn Tribble), 2012 -
PhD - Emily Duncan, “Orangapai: A Historical Theatre Project about the Tuberculosis Sanatorium and Waipiata Borstal site and its inhabitants at Waipiata” (with Dr Jonathan Marshall), 2013-
MA - Francis Kewene, “Verbatim theatre techniques as a tool for documenting and examining stories of health” (with Hilary Halba), part-time 2013-
Publications
Young, S. (2021). The state of the British garden: Mike Bartlett's Albion and its Chekhovian scions. Journal of Adaptation in Film & Performance, 14(2), 209-232. doi: 10.1386/jafp_00054_1
Journal - Research Article
du Plessis, H. (cello), Halba, H. (writer, curator, director), O'Connor, S. (writer, curator, director), Young, S. (writer, curator, director), & Kalogeropoulou, S. (choreographer) (2021, 2-10 July). Struggling with Lentils, an immersive theatre installation, presented by Talking House in association with the School of Performing Arts, Allen Hall Theatre, Dunedin, New Zealand. [Performance].
Performance
Young, S. (2021). Making the representation real: The actor and the spectator in Milo Rau's 'theatrical essays' Mitleid and La Reprise. New Theatre Quarterly, 37(3), 223-245. doi: 10.1017/S0266464X21000130
Journal - Research Article
Young, S. (2019). The state of the British garden: Mike Bartlett's Albion and its Chekhovian scions. Proceedings of the International Federation for Theatre Research (IFTR) Conference: Theatre, Performance and Urbanism. (pp. 328). Retrieved from https://www.iftr.org
Conference Contribution - Published proceedings: Abstract
Halba, H., Ridley, N., & Young, S. (2019, June). Running a festival: Student-centred and industry-based pedagogies. Verbal presentation at the Australasian Association for Theatre, Drama and Performance Studies (ADSA) Conference: Festivals and Performance, Launceston, Australia.
Conference Contribution - Verbal presentation and other Conference outputs
Young, S. (2019). [Review of the book I have loved me a man: The life and times of mika]. Australasian Drama Studies, (74), 331-336. [Book Review].
Journal - Research Other
Halba, H., & Young, S. (2018, June). Acting in verbatim theatre in the twenty-first century. Verbal presentation at the Australasian Association for Theatre, Drama & Performance Studies (ADSA) Conference: Actors & Acting in the Twenty-First Century, Melbourne, Australia.
Conference Contribution - Verbal presentation and other Conference outputs
Young, S. (2018). Migrant, theatre of the real, dramaturgy. Proceedings of the International Federation for Theatre Research (IFTR) World Congress: Theatre & Migration. (pp. 704). Retrieved from https://www.iftr.org
Conference Contribution - Published proceedings: Abstract
Young, S. (2018, May). Encountering the foreign(er) in theatre of the real. Department of Languages & Cultures Seminar Series, University of Otago, Dunedin, New Zealand. [Department Seminar].
Other Research Output
Young, S. (2017, July). Translating a libretto: Seamus Heaney's Diary of One Who Vanished [Traduzindo um Livreto: "Diário de Um que Desapareceu", de Seamus Heaney]. Verbal presentation at the International Federation for Theatre Research (IFTR) Annual Conference: Unstable geographies, multiple theatricalities, São Paulo, Brazil.
Conference Contribution - Verbal presentation and other Conference outputs
Young, S., & O'Toole, E. (2017). Ethical exchanges in translation, adaptation and dramaturgy: A round table. Proceedings of the International Federation for Theatre Research (IFTR) Annual Conference: Unstable geographies, multiple theatricalities. (pp. 441-442). Retrieved from https://www.iftr.org
Conference Contribution - Published proceedings: Abstract
Young, S. (2017). [Review of the play Mitleid. Der Geschichte des Maschinengewehrs (Compassion: The history of the machine gun)]. Theatre Journal, 69(3), 427-429. doi: 10.1353/tj.2017.0053
Journal - Research Other
Halba, H., & Young, S. (2017). The performance of belonging in Be | Longing: A Verbatim Play. Proceedings of the Australasian Association for Theatre, Drama and Performance Studies (ADSA) Conference: Performing Belonging in the 21st Century. Retrieved from http://www.adsaconference2017.co.nz/
Conference Contribution - Published proceedings: Abstract
O'Toole, E., Pelegrí Kristić, A., & Young, S. (Eds.). (2017). Ethical exchanges in translation, adaptation and dramaturgy. Leiden, The Netherlands: Brill, 220p. doi: 10.1163/9789004346376
Edited Book - Research
Young, S. (2017). The ethics of the representation of the real people and their stories in verbatim theatre. In E. O'Toole, A. Pelegrí Kristić & S. Young (Eds.), Ethical exchanges in translation, adaptation and dramaturgy. (pp. 21-42). Leiden, The Netherlands: Brill. doi: 10.1163/9789004346376_003
Chapter in Book - Research
Young, S. (2016, November). Encountering the refugee: Mitleid/Compassion: The History of the Machine gun. Verbal presentation at the Performing Precarity: Refugee Representation, Determination and Discourses: Performance of the Real Research Theme Conference, Dunedin, New Zealand.
Conference Contribution - Verbal presentation and other Conference outputs
Young, S. (2016, July). Creating theatre of the real: A particular form of verbatim theatre. International UNESCO Creative Cities' Short Play Festival, Heidelberg, Germany. [Research Presentation].
Other Research Output
Young, S. (2016). From exploring identity to facing the world: Drama since 1990. In M. Williams (Ed.), A history of New Zealand literature. (pp. 330-346). New York, NY: Cambridge University Press.
Chapter in Book - Research
Young, S. (2016, March). "We need new forms": Playful adventures from Chekhov to verbatim theatre. University of Otago, Dunedin, New Zealand. [Inaugural Professorial Lecture].
Other Research Output
Young, S. (co-director), & Roberts, M. (designer) (2015, 21 August-14 November). The Keys are in the Margarine: A Verbatim Play About Dementia: New Zealand Tour, Herald Theatre, Meteor Theatre, Repertory Theatre, The Playhouse, Lake Wanaka Centre, Community Hall, Fortune Theatre, BATS, Auckland, Hamilton, Invercargill, Timaru, Wanaka, Alexandra, Dunedin, Wellington, New Zealand. [Performance].
Performance
Young, S. (co-director), Halba, H. (co-director), & Roberts, M. (designer, lighting & sound operator) (2015, 15 September-21 November). Be | Longing: A Verbatim Play: New Zealand Tour, Repertory Theatre, The Playhouse, Lake Wanaka Centre, Community Hall, Fortune Theatre, BATS, Invercargill, Timaru, Wanaka, Alexandra, Dunedin, Wellington, New Zealand. [Performance].
Performance
Young, S. (2015). 'Speaking through another's voice' in the modern British theatre: Timberlake Wertenbaker and Martin Crimp translate Sophocles's Trachiniae. In F. Benocci & M. Sonzogni (Eds.), Translation, transnationalism, world literature: Essays in translation studies 2010-2014. (pp. 393-411). Novi Ligure, Italy: Joker.
Chapter in Book - Research
Halba, H., & Young, S. (2015, June). The i-Pod method: Verbatim theatre techniques from Dunedin, New Zealand. Verbal presentation at the Australasian Association for Theatre, Drama and Performance Studies (ADSA) Conference: Revisiting The Players Passion: The Science(s) of Acting in 2015, Sydney, Australia.
Conference Contribution - Verbal presentation and other Conference outputs
Young, S. (2015). Embodied technology in a specific verbatim theatre practice. Proceedings of the Bodies on Stage International Conference: Acting Confronted by Technologies. (pp. 87-88). Retrieved from http://effetsdepresence.uqam.ca/activites/colloque-2015.html#abstracts
Conference Contribution - Published proceedings: Abstract
Young, S. (2015). [Review of the book Then it was now again: Selected critical writings]. Australasian Drama Studies, 66, 296-301. [Book Review].
Journal - Research Other
Young, S. (2014). Verbatim or not? Combining fabrication with testimony in the dramaturgy of fact-based theatre. Proceedings of the International Federation for Theatre Research (FIRT/IFTR) World Congress: Theatre & Stratification. [USB Memory Stick], (pp. 663). [Abstract]
Conference Contribution - Published proceedings: Abstract
Diver, C. (writer, director, performer), Lawless, S. (writer), Young, S. (writer, director), Adams, C. (performer), Kewene, F. (performer), & Roberts, M. (designer) (2014, 19-29 June). The Keys are in the Margarine: A Verbatim Play About Dementia (19-29 June), Fortune Theatre Studio, Dunedin, New Zealand. [Performance].
Performance
Halba, H., Young, S., Diver, C., Newlands, E., O'Connor, S., & Still, D. (2014). Hush: A verbatim play about family violence. In H. Barnes & M.-H. Coetzee (Eds.), Applied drama/theatre as social intervention in conflict and post-conflict contexts (pp. 117-154). Newcastle upon Tyne, UK: Cambridge Scholars. [Play].
Creative Work
Halba, H., & Young, S. (2014). Theatre as an artistic intervention in post-trauma situations: Hush: A verbatim play about family violence. In H. Barnes & M.-H. Coetzee (Eds.), Applied drama/theatre as social intervention in conflict and post-conflict contexts. (pp. 103-116). Newcastle upon Tyne, UK: Cambridge Scholars.
Chapter in Book - Research
Young, S. (2013). 'Formless', 'pretentious', 'hideous and revolting': Non-Chekhov Russian and Soviet drama on the British stage. In R. Beasley & P. R. Bullock (Eds.), Russia in Britain, 1880-1940: From melodrama to modernism. (pp. 87-112). Oxford, UK: Oxford University Press. doi: 10.1093/acprof:oso/9780199660865.003.0006
Chapter in Book - Research
Young, S. (2013, July). A double re-routing: Complicité stages The Master and the Margarita. Verbal presentation at the International Federation for Theatre Research (FIRT/IFTR) Conference: Re-Routing Performance, Barcelona, Spain.
Conference Contribution - Verbal presentation and other Conference outputs
Young, S. (2013). [Review of the play The Master and the Margarita adapted by Simon McBurney, Edward Kemp]. Theatre Journal, 65(4), 572-574. doi: 10.1353/tj.2013.0124
Journal - Research Other
Halba, H., & Young, S. (2013). Making verbatim theatre: Processes of mediation in Hush: A verbatim play about family violence. In L. Kempf & T. Moguilevskaia (Eds.), Le théâtre neo-documentaire résurgence ou réinvention? (pp. 171-180). Paris, France: PUN: Editions Universitaires de Lorraine. [Full Paper]
Conference Contribution - Published proceedings: Full paper
Young, S., & Halba, H. (2012, July). Mediating real people and their stories in verbatim theatre. Verbal presentation at the International Federation for Theatre Research (FIRT/IFTR) Annual Conference: Mediating Performance, Santiago, Chile.
Conference Contribution - Verbal presentation and other Conference outputs
Young, S. (2012). [Review of the book Stanislavsky: A life in letters]. New Zealand Slavonic Journal, 46, 133-135. [Book Review].
Journal - Research Other
Young, S. (co-director), Halba, H. (co-director), & Roberts, M. (designer, lighting & sound operator) (2012, 1-3, 7-10 March). Be | Longing: A verbatim play, Allen Hall Theatre, Dunedin, New Zealand. [Performance].
Performance
Young, S. (co-director, co-writer), Halba, H. (co-director, co-writer), & Roberts, M. (designer, lighting & sound operator) (2012, 22-23 February, 1-3, 7-10 March). Be | Longing: A verbatim play, premiered at the New Performance Festival (22-23 February, 1-3, 7-10 March), Aotea Centre, Allen Hall Theatre, Auckland, Dunedin, New Zealand. [Performance].
Performance
Halba, H., O'Connor, S., & Young, S. (2012). Be | Longing: A verbatim play, premiered at the New Performance Festival, Auckland, New Zealand. Dunedin, New Zealand: Theatre Studies, University of Otago & Talking House. [Play].
Creative Work
Young, S. (2012). London Road [Review]. Theatre Journal, 64(1), 101-102. doi: 10.1353/tj.2012.0026
Journal - Research Other
Newlands, E. (performer, researcher & writer), O'Connor, S. (performer, researcher & writer), Halba, H. (performer, researcher & writer), Shaw Bennett, N. (performer), Young, S. (director, researcher, writer & stage manager), & Roberts, M. (designer & lighting operator) (2011, 28 February-5 March). Hush, Fortune Theatre Studio, Dunedin, New Zealand.
Performance
Young, S., & Halba, H. (2011, December). Remodelling reality: An approach to staging verbatim theatre. Verbal presentation at the Recycling Reality Conference: Documentary Theatre and Dramaturgy in East-Central Europe, Budapest, Hungary.
Conference Contribution - Verbal presentation and other Conference outputs
Young, S. (2011). Komisarjevsky's staging of non-Chekhov Russian drama in Britain. Proceedings of the Australia and New Zealand Slavists' Association (ANZSA) Conference: Translations/Transitions. Retrieved from http://www.lacl.canterbury.ac.nz/seminars_conf.shtml
Conference Contribution - Published proceedings: Abstract
Young, S., & Halba, H. (2011). Stories of trauma, stories of hope: Hush, a verbatim play about family violence. Proceedings of the 36th Australasian Universities Languages & Literature Association (AULLA) Congress. Retrieved from http://conference2011.aulla.com.au/pages/program.php
Conference Contribution - Published proceedings: Abstract
Young, S. (2010). Inside the enigma [Review of the book The possessed: Adventures with Russian books and the people who read them]. New Zealand Listener, (24-30 July), 39.
Journal - Professional & Other Non-Research Articles
Newlands, E. (performer, researcher & writer), O'Connor, S. (performer, researcher & writer), Halba, H. (performer, researcher & writer), Shaw Bennett, N. (performer), Young, S. (director, researcher, writer & stage manager), & Roberts, M. (designer & lighting operator) (2010, 22-27 November). Hush, Maidment Theatre, Auckland, New Zealand.
Performance
Shaw Bennett, N. (performer), Young, S. (director), & Roberts, M. (design) (2010, 25-27 February). My Name is Rachel Corrie, taken from the writings of Rachel Corrie, edited by Alan Rickman and Katharine Viner, Allen Hall Theatre, Dunedin, New Zealand.
Performance
Young, S. (2010, December). ‘Speaking through another's voice’ in the Modern British Theatre: Timberlake Wertenbaker and Martin Crimp translate Sophocles' Trachiniae. Verbal presentation at the International Literacy Translation Conference: Writing Past Each Other? Literary Translation and Community, Wellington, New Zealand.
Conference Contribution - Verbal presentation and other Conference outputs
Halba, H., & Young, S. (2010, September). Acting and embodiment: Rehearsal and performance strategies in 'Hush: A Documentary Play on Family Violence'. Keynote presentation at the Acting with Facts: Performing the Real on Stage and Screen: 1990-2010 Conference, Reading, UK.
Conference Contribution - Verbal presentation and other Conference outputs
Young, S. (2009). A blind spot: Chekhov's deepest horizons [Reprint from Journal of Dramatic Theory and Criticism, 2007, 21(2), 65-78]. In H. Bloom (Ed.), Anton Chekhov. (New ed.) (pp. 153-167). New York: Bloom's Literary Criticism.
Chapter in Book - Other
Young, S. (2009, June). “Avert your eyes and hold your noses”: Non-Chekhovian Russian and Soviet drama on the British stage, 1900-1940. Verbal presentation at the Russia in Britain, 1880-1940 Conference: Reception, Translation and the Modernist Cultural Agenda, London, UK.
Conference Contribution - Verbal presentation and other Conference outputs
Young, S. (translator), Halba, H. (performer), & Roberts, M. (lighting designer) (2009, 7-8 May). The Proposal, by Anton Chekhov, Allen Hall Theatre, Dunedin, New Zealand.
Performance
Newlands, E. (performer, researcher & writer), O'Connor, S. (performer, researcher & writer), Halba, H. (performer, researcher & writer), Shaw Bennett, N. (performer), Young, S. (director, researcher, writer & stage manager), & Roberts, M. (designer & lighting operator) (2009, 12-22 March). Hush, Mary Hopewell Theatre, College of Education, Dunedin, New Zealand.
Performance
Young, S., & Te Puea Hansen, M.-L. (2009). A dramatic hijacking: Arthur Millerising Haruru Mai at the Auckland Theatre Company. Australasian Drama Studies, 55, 30-43.
Journal - Research Article
Young, S. (2009). Making the 'unstageable' stageable: English rewritings of Chekhov's first play. Modern Drama, 52(3), 325-350. doi: 10.3138/md.52.3.325
Journal - Research Article
Young, S., & Halba, H. (2009). Breaking the silence: Hush: A documentary theatre play on family violence. In M. H. Serôdio & et al (Eds.), Proceedings of the International Federation of Theatre Research Conference: Silent Voices, Forbidden Love: Censorship and Performance. IFTR. Retrieved from http://firt2009lisboa.org/firt/poster/poster.html
Conference Contribution - Published proceedings: Abstract
Young, S. (2009). Playing with documentary theatre: Aalst and Taking care of baby. New Theatre Quarterly, 25(1), 72-87.
Journal - Research Article
Young, S. (2008). [Review of the plays The cherry orchard, Uncle Vanya, Three sisters, and The seagull]. Theatre Journal, 60(1), 129-132.
Journal - Research Other
Young, S. (2008, November). Staging the 'unstageable': British rewritings of Chekhov's first play. Verbal presentation at the University of Otago Russian Studies Research Cluster Symposium, Dunedin, New Zealand.
Conference Contribution - Verbal presentation and other Conference outputs
Young, S. (translator) (2007, 28 April-2 June). Uncle Vanya by Anton Chekhov, directed by Susan Wilson, Circa Theatre, Wellington, New Zealand.
Performance
Young, S. (2007). Geary, David (1963-). In G. H. Cody & E. Sprinchorn (Eds.), The Columbia Encyclopedia of Modern Drama (Vol. 1). (pp. 511-512). New York: Columbia University Press.
Chapter in Book - Research
Young, S. (2007, March-April). Making the 'unstageable' stageable: English versions of Checkhov's Platonov. Verbal presentation at the British Association for Slavonic and East European Studies Conference, Cambridge, UK.
Conference Contribution - Verbal presentation and other Conference outputs
Young, S. (2007). Renée (1929-). In G. H. Cody & E. Sprinchorn (Eds.), The Columbia Encyclopedia of Modern Drama (Vol. 2). (pp. 1131-1132). New York: Columbia University Press.
Chapter in Book - Research
Young, S. (2007). McGee, Greg (1950-). In G. H. Cody & E. Sprinchorn (Eds.), The Columbia Encyclopedia of Modern Drama (Vol. 2). (pp. 882-883). New York: Columbia University Press.
Chapter in Book - Research
Young, S. (2007). Hall, Roger (1939-). In G. H. Cody & E. Sprinchorn (Eds.), The Columbia Encyclopedia of Modern Drama (Vol. 1). (pp. 578). New York: Columbia University Press.
Chapter in Book - Research
Young, S. (2007). Thompson, Mervyn (1936-1992). In G. H. Cody & E. Sprinchorn (Eds.), The Columbia Encyclopedia of Modern Drama (Vol. 2). (pp. 1353). New York: Columbia University Press.
Chapter in Book - Research
Young, S. (2007). Lord, Robert (1945-1992). In G. H. Cody & E. Sprinchorn (Eds.), The Columbia Encyclopedia of Modern Drama (Vol. 1). (pp. 834). New York: Columbia University Press.
Chapter in Book - Research
Young, S. (2007). Mason, Bruce (1921-1982). In G. H. Cody & E. Sprinchorn (Eds.), The Columbia Encyclopedia of Modern Drama (Vol. 2). (pp. 875). New York: Columbia University Press.
Chapter in Book - Research
Young, S. (2007). Feminist drama. In G. H. Cody & E. Sprinchorn (Eds.), The Columbia Encyclopedia of Modern Drama (Vol. 2). (pp. 964). New York: Columbia University Press.
Chapter in Book - Research
Young, S. (2007). New Zealand: 1980-present. In G. H. Cody & E. Sprinchorn (Eds.), The Columbia Encyclopedia of Modern Drama (Vol. 2). (pp. 962-963). New York: Columbia University Press.
Chapter in Book - Research
Young, S. (2007). New Zealand: 1960-1980. In G. H. Cody & E. Sprinchorn (Eds.), The Columbia Encyclopedia of Modern Drama (Vol. 2). (pp. 961-962). New York: Columbia University Press.
Chapter in Book - Research
Young, S. (2007). New Zealand: 1870-1960. In G. H. Cody & E. Sprinchorn (Eds.), The Columbia Encyclopedia of Modern Drama (Vol. 2). (pp. 960-961). New York: Columbia University Press.
Chapter in Book - Research
Young, S. (2007). Masque(e)rades of masculinity: Cross-dressing women on the New Zealand stage. In M. Maufort & D. O’Donnell (Eds.), Performing Aotearoa: New Zealand theatre and drama in an age of transition. (pp. 163-181). Brussels, Belgium: P.I.E. Peter Lang.
Chapter in Book - Research
Young, S. (2007). A blind spot: Chekhov's deepest horizons. Journal of Dramatic Theory & Criticism, XXI(2), 65-78.
Journal - Research Article
Young, S. (2007). Playing (with) Chekhov in New Zealand: Vanya on Shortland St. Landfall, 213, 170-178.
Journal - Research Article
Young, S. (2006, August). The role of translation in shaping and attempting to re-shape the British Chekhov. Verbal presentation at the International Federation for Theatre Research 15th World Congress, Helsinki, Finland.
Conference Contribution - Verbal presentation and other Conference outputs
Young, S. (2006). ″A mist of loveliness″: The role of translation in shaping and attempting to reshape the British Chekhov. In D. Walton, H. Liu & S. Ferner (Eds.), Proceedings of the XIVth National Conference of the New Zealand Society of Translators and Interpreters. (pp. 28-42). Auckland, New Zealand: NZSTI. [Full Paper]
Conference Contribution - Published proceedings: Full paper
Young, S. (2006, November-December). A dramatic re-assemblage: Arthur Millerizing Haruru Mai at the Auckland Theatre Company. Verbal presentation at the Fifth Annual Symposium of the Cultural Transformations Research Network, Dunedin, New Zealand.
Conference Contribution - Verbal presentation and other Conference outputs
Young, S. (2006, September). The relationship between the writer and the director in the contemporary British theatre. Verbal presentation at the Australian Theatre Directors' Conference, Canberra, Australia. Retrieved from http://www.directorsconference.com/content/view/12/26/1/2/#young
Conference Contribution - Verbal presentation and other Conference outputs
Young, S. (2006, August). Shifting paradigms: Intercultural negotiations in the drama and theatre of Aotearoa New Zealand. Verbal presentation at the International Federation for Theatre Research 15th World Congress, Helsinki, Finland.
Conference Contribution - Verbal presentation and other Conference outputs
Young, S. (2006). [Review of Shakespeare and Chekhov in performance and reception: Theatrical events and their audiences]. Modern Drama, XLIX(I), 127-129.
Journal - Research Other
Young, S. (2006). [Review of The Pickle King, Krishnan's Dairy, The Candlestickmaker]. Theatre Journal, 58(3), 491-495.
Journal - Research Other
