Professor Henry Johnson

2023

Authored Book - Research

Johnson, H. (2023). Bic Runga's Drive. New York, NY: Bloomsbury Academic, 143p.

Journal - Research Article

Bicudo de Castro, V., Fleury, C., & Johnson, H. (2023). Micronational claims and sovereignty in the Minquiers and Écréhous. Small States & Territories Journal, 6(1), 35-48.

Journal - Research Other

Johnson, H. (2023). [Review of the book Islands: Searching for truth on the shoreline. Okinawan Journal of Island Studies, 4(2), 106-108. doi: 10.24564/0002019683

Conference Contribution - Published proceedings: Full paper

Johnson, H. (2023). Sounding identity: Heritage, music and Chinese performance in New Zealand. In C. Huishan (Ed.), Proceedings of the 17th Crossover Dialogues International Conference on Performing Arts Studies 2022. (pp. 329-348). Taipei, Taiwan: National Taiwan University of Arts. [Full Paper]

Conference Contribution - Published proceedings: Abstract

Johnson, H. (2023). Island languages in the Channel Islands: Innovation, resilience, and revitalization. Proceedings of the 17th International Small Island Cultures (ISIC) Conference: Island Innovation, Resilience, and Revitalization. (pp. 36). Retrieved from https://www.sicri.net/isic-2023

Performance

Johnson, H. (performer) (2023, 23 July). O-Taiko, performance at the Netherlands FIFA Fan Festival, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2023, 22 July). O-Taiko, performance at the FIFA Fan Festival, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2023, 30 July). O-Taiko, performance at the FIFA Last Mile, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2023, 28 October). O-Taiko, performance at the WXV 1 Women’s Rugby Tournament for the Dunedin City Council, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2023, 21 February). O-Taiko, performance at the University of Otago Inter-College Competition Sports Day, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2023, 7 October). O-Taiko, performance for the Queenstown Multicultural Festival, Queenstown, New Zealand. [Performance].

Johnson, H. (performer) (2023, 28 January). O-Taiko, performance for Chinese New Year, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2023, 11 January). O-Taiko, performance at the University of Otago Summer School opening event, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2023, 18 March). O-Taiko, performance at the Southland Multicultural Food Festival, Invercargill, New Zealand. [Performance].

Johnson, H. (performer) (2023, 15 September). O-Taiko, performance at Selwyn College, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2023, 19 September). O-Taiko, performance at the University of Otago Hanami Cherry Blossom event, Dunedin, New Zealand. [Performance].

Other Research Output

Johnson, H. (2023, March). The hidden history of Chinese music in New Zealand. Migration: Past and Present. University of the Third Age, Dunedin, New Zealand. [Research Presentation].

2022

Journal - Research Article

Johnson, H. (2022). Sounding the island: Representing Chikubu Island in Japanese traditional performing arts. Shima, 16(1), 285-303. doi: 10.21463/shima.128

Johnson, H. (2022). Chee Kung Tong and diasporic sound in New Zealand: The Wellington Chinese Masonic Society's collection of musical instruments. Galpin Society Journal, 75, 157-173, 192.

Johnson, H. (2022). Enoshima: Signifying island heritage across space and place. Okinawan Journal of Island Studies, 3(1), 3-20.

Journal - Research Other

Johnson, H. (2022). Sounding China through Western ears [Review of the book Listening to China: Sounds and the Sino-Western encounter]. Sound Studies, 8(2), 269-272. doi: 10.1080/20551940.2022.2054075

Johnson, H. (2022). [Review of the book Identity, language and belonging on Jersey: Migration and the Channel Islands. Okinawan Journal of Island Studies, 3(1), 191-193. [Book Review].

Conference Contribution - Published proceedings: Abstract

Johnson, H. (2022). The piano in a Chinese New Zealand diaspora setting: Musical biography and cultural identity. Proceedings of the 12th Asian Conference on Cultural Studies (ACCS) & the 12th Asian Conference on Asian Studies (ACAS). IAFOR. Retrieved from https://acas.iafor.org

Conference Contribution - Verbal presentation and other Conference outputs

Johnson, H. (2022, December). Sounding silk: Heritagization and Zithers along Japan's Maritime Silk Road. Invited presentation at the 28th International Council for Traditions of Music and Dance (ITCM) Colloquium: From Musical Bow to Zithers along the Silk Road, Shanghai, China.

Johnson, H. (2022, November). Themes and variations in Bic Runga's early songs. Verbal presentation at the International Association of Music Libraries, Archives and Document Centres (IAML) New Zealand Branch Annual Conference, Dunedin, New Zealand.

Johnson, H. (2022, September). Performing China in Greymouth in 1897: Identity and cultural representation. Verbal presentation at the Changing Arts, Changing China Research Symposium, Dunedin, New Zealand.

Johnson, H. (2022, June). Promontories, islands and military history. Verbal presentation at the 16th International Small Island Cultures (ISIC) Conference: Creativity, Ingenuity, and Practice, [Hybrid].

Johnson, H. (2022, May). Sounding identity: Heritage, music and Chinese performance in New Zealand. Verbal presentation at the 17th Crossover Dialogues International Conference on Performing Arts Studies, New Taipei City, Taiwan.

Johnson, H. (2022, February). Music and Performance at the Featherston Camp. Verbal presentation at the Art and creativity of Japanese people incarcerated in World War II in Australasia and the Pacific International Symposium, Christchurch, New Zealand.

Performance

Johnson, H. (performer) (2022, 5 November). O-Taiko, performance at the Ethnic Advantage Conference, sponsored by the Ministry for Ethnic Communities, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2022, 6 August). O-Taiko, performance for Hiroshima Day Memeorial, Museum Reserve, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2022, 29-30 July). O-Taiko, Taiko-4-Tonga: 24-hour charity performance for Tongan earthquake/tsunami relief, First Church, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2022, 12 January). O-Taiko, performance for the opening of Summer School, University of Otago, Dunedin, New Zealand. [Performance].

2021

Edited Book - Research

Hibino, K., Ralph, B., & Johnson, H. (Eds.). (2021). Music in the making of modern Japan: Essays on reception, transformation and cultural flows. Cham, Switzerland: Palgrave Macmillan, 215p. doi: 10.1007/978-3-030-73827-3

Chapter in Book - Research

Bendrups, D., Burns, R. G. H., & Johnson, H. (2021). Rama and the worm: A performance-based approach to applied ethnomusicology. In H. Schippers, W.-Y. Lin & B. Zhang (Eds.), Applied ethnomusicology: Practices, policies and challenges. (pp. 167-176). Beijing, China: Central Conservatory of Music Press.

Johnson, H. (2021). Western musical elements in Japanese koto music: Affective media in sonic, visual and behavioural context. In K. Hibino, B. Ralph & H. Johnson (Eds.), Music in the making of modern Japan: Essays on reception, transformation and cultural flows. (pp. 39-58). Cham, Switzerland: Palgrave Macmillan. doi: 10.1007/978-3-030-73827-3_3

Hibino, K., Ralph, B., & Johnson, H. (2021). Introduction. In K. Hibino, B. Ralph & H. Johnson (Eds.), Music in the making of modern Japan: Essays on reception, transformation and cultural flows. (pp. 1-9). Cham, Switzerland: Palgrave Macmillan. doi: 10.1007/978-3-030-73827-3_1

Journal - Research Article

Johnson, H. (2021). Performing jurisdictional politics in the Bailiwick of Guernsey: A study of anthems and stamps. Transformations, 35. Retrieved from https://www.transformationsjournal.org

Johnson, H. (2021). Chinese toms in the making of the drum kit: Localization and exoticism. Journal of Popular Music Education, 5(2), 227-242. doi: 10.1386/jpme_00059_1

Johnson, H. (2021). Piffling: Differential geography, islandness and a fictional Channel Island. Coolabah, 31, 29-47. doi: 10.1344/co2021311-92

Johnson, H. (2021). Island narratives in the making of Japan: The Kojiki in geocultural context. Island Studies Journal, 16(2), 363-380. doi: 10.24043/isj.164

Johnson, H. (2021). Picturing sound: Musical instruments, Chee Kung Tong and photography in New Zealand in the 1920s. New Zealand Journal of Asian Studies, 23(1), 21-36.

Booth, A., & Johnson, H. (2021). Diwali in Dunedin: A case study of festivalisation and intervention in Indian cultural performance in New Zealand. New Zealand Journal of Asian Studies, 23(1), 1-20.

Journal - Research Other

Johnson, H. (2021). A history of sound, music, and performance in the Great War [Review of the book Sounds of war: Music in the British armed forces during the Great War]. Sound Studies, 7(1), 135-137. doi: 10.1080/20551940.2020.1867395

Johnson, H. (2021). [Review of the book Composing Japanese musical modernity]. Asian Studies Review, 45(1), 185-186. doi: 10.1080/10357823.2020.1738027

Johnson, H. (2021). [Review of the book Resonances of chindon-ya: Sounding space and sociality in contemporary Japan]. Sound Studies, 7(1), 133-135. doi: 10.1080/20551940.2020.1735233

Journal - Professional & Other Non-Research Articles

Johnson, H. M. (2021). Müzik Aletlerinin Bir Etnomüzikolojisi: Form, İşlev ve Anlam [An ethnomusicology of musical instruments: Form, function and meaning]. MSGSÜ Sosyal Bilimler Dergisi, 2(24), 767-776.

Conference Contribution - Published proceedings: Full paper

Johnson, H. (2021). Fan So and early Chinese musicians in Aotearoa New Zealand: Musical creativity in an era of colonialism, migration and discrimination. Proceedings of the Asian Conference on Arts & Humanities. (pp. 121-127). Nagoya, Japan: International Academic Forum (IAFOR). doi: 10.22492/issn.2186-229X.2021.10

Johnson, H. (2021). Won Kee: A historico-biographical study of creativity, inter-cultural intervention, and discrimination in a nineteenth-century goldmining setting in Aotearoa New Zealand. Proceedings of the 11th Asian Conference on Asian Studies (ACAS). (pp. 97-104). doi: 10.22492/issn.2187-4735.2021.9

Johnson, H. (2021). Chinese tom-toms and jazz: The cultural assemblage of the early drum kit. In K. Kӓrki (Ed.), Turns and Revolutions in Popular Music: Proceedings of the XX Biennial Conference of the International Association for the Study of Popular Music (IASPM). (pp. 68-70). International Institute for Popular Culture. Retrieved from https://iipc.utu.fi/iaspm2019

Conference Contribution - Published proceedings: Abstract

Johnson, H. (2021). Sounding Canton: Chinese music and identity construction in Aotearoa in the early twentieth century. Proceedings of the 24th Biennial New Zealand Asian Studies Society International Conference (NZASIA): Asia: Change, Disruptions and Resilience. (pp. 14). Retrieved from https://www.nzasia.org.nz/conferences.html

Performance

Johnson, H. (performer) (2021, 13 January). O-Taiko, performance for the opening of Summer School, University of Otago, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2021, 5 June). O-Taiko, performance at the Fire & Steam Winter Festival, Harbour Street, Oamaru, New Zealand. [Performance].

Johnson, H. (performer) (2021, 3 July). O-Taiko, performance at Around the World in 80 Tales: Winter Tales, Dunedin Public Library, Dunedin, New Zealand. [Performance].

Other Research Output

Johnson, H. (2021, July). Picturing sound: Musical instruments, Chinese and photography in New Zealand in the 1920s. School of Performing Arts, University of Otago, Dunedin, New Zealand. [Department Seminar].

Johnson, H. (2021, May). Chinese performance and inter-community relations in a 19th-century New Zealand gold-mining setting. History Programme Seminar, University of Otago, Dunedin, New Zealand. [Department Seminar].

2020

Edited Book - Research

Anderson, V., & Johnson, H. (Eds.). (2020). Migration, education and translation: Cross-disciplinary perspectives on human mobility and cultural encounters in education settings. Abingdon, UK: Routledge, 229p. doi: 10.4324/9780429291159

Chapter in Book - Research

Johnson, H. (2020). "With a little help from my friends": Translation, education, and linguistic activism in a context of migration. In V. Anderson & H. Johnson (Eds.), Migration, education and translation: Cross-disciplinary perspectives on human mobility and cultural encounters in education settings. (pp. 89-102). Abingdon, UK: Routledge. doi: 10.4324/9780429291159

Anderson, V., & Johnson, H. (2020). Introduction. In V. Anderson & H. Johnson (Eds.), Migration, education and translation: Cross-disciplinary perspectives on human mobility and cultural encounters in education settings. (pp. 1-9). Abingdon, UK: Routledge. doi: 10.4324/9780429291159

Johnson, H. (2020). Invercargill's orchestral sounds: Historical and contemporary perspectives. In S. Bodkin-Allen (Ed.), Making music at the bottom of the world in Southland, Aotearoa/New Zealand. (pp. 7-24). Newcastle upon Tyne, UK: Cambridge Scholars.

Journal - Research Article

Johnson, H. (2020). Beyond the mainland: Okinawa, palimpsestic geography and octogenarian island idols. Popular Music & Society, 43(4), 438-449. doi: 10.1080/03007766.2020.1730653

Johnson, H. (2020). Islands of design: Reshaping land, sea and space. Area, 52, 23-29. doi: 10.1111/area.12477

Journal - Research Other

Johnson, H. (2020). [Review of the book Searches for tradition: Essays on New Zealand music, past & present. Sites, 17(2), 146-148. [Book Review].

Conference Contribution - Published proceedings: Abstract

Johnson, H. (2020). Chinese music, difference and inter-community relations in a 19th-century New Zealand gold-mining setting. Proceedings of the 10th Asian Conference on Cultural Studies (ACCS) & the 10th Asian Conference on Asian Studies (ACAS). (pp. 31). Retrieved from https://accs.iafor.org

Performance

Johnson, H. (performer) (2020, 20 November). O-Taiko, performance at Parnell Partners Group, NZ High Country Lake June Marquee, Queenstown, New Zealand. [Performance].

Johnson, H. (performer) (2020, 29 February). O-Taiko, performance at Natsu Matsuri: Japanese Summer Festival, Queenstown Memorial Centre, Queenstown, New Zealand. [Performance].

Johnson, H. (performer) (2020, 26 June). O-Taiko, performance at the Kaikorai Primary School Street Party, Kaikorai Primary School, Dunedin, New Zealand. [Performance].

Johnson, H. M. (performer) (2020, 13 January). O-Taiko, Languages & Cultures programme for Hands-on Otago, University of Otago, Dunedin, New Zealand. [Performance].

Johnson, H. M. (performer) (2020, 6 February). O-Taiko, performance for Waitangi Day celebrations, Te Rūnanga o Ōtākou Marae, Dunedin, New Zealand. [Performance].

Johnson, H. M. (performer) (2020, 8 January). O-Taiko, performance for the opening of Summer School, University of Otago, Dunedin, New Zealand. [Performance].

2019

Chapter in Book - Research

Johnson, H. (2019). Multiculturalism in No. 2: Representing New Zealand in screen and sound. In A. Zalipour (Ed.), Migrant and diasporic film and filmmaking in New Zealand. (pp. 89-104). Singapore: Springer. doi: 10.1007/978-981-13-1379-0_5

Johnson, H. (2019). Artistic activism, cultural diplomacy and Aotearoa New Zealand. In J. Beattie, R. Bullen & M. Galikowski (Eds.), China in Australasia: Cultural diplomacy and Chinese arts since the Cold War. (pp. 107-122). Abingdon, UK: Routledge.

Chapter in Book - Other

Johnson, H. (2019). Sustainability. In J. Sturman (Ed.), The SAGE international encyclopedia of music and culture. (pp. 2105-2106). Thousand Oaks, CA: SAGE Publications. doi: 10.4135/9781483317731.n699

Johnson, H. (2019). Merriam's model. In J. Sturman (Ed.), The SAGE international encyclopedia of music and culture. (pp. 1434). Thousand Oaks, CA: SAGE Publications. doi: 10.4135/9781483317731.n469

Johnson, H. (2019). Immigrant and refugee studies. In J. Sturman (Ed.), The SAGE international encyclopedia of music and culture. (pp. 1151-1153). Thousand Oaks, CA: SAGE Publications. doi: 10.4135/9781483317731.n369

Johnson, H. (2019). Humour. In J. Sturman (Ed.), The SAGE international encyclopedia of music and culture. (pp. 1094-1095). Thousand Oaks, CA: SAGE Publications. doi: 10.4135/9781483317731.n348

Johnson, H. (2019). Aotearoa: Modern and contemporary performance practice. In J. Sturman (Ed.), The SAGE international encyclopedia of music and culture. (pp. 159-160). Thousand Oaks, CA: SAGE Publications. doi: 10.4135/9781483317731.n50

Johnson, H. (2019). Aotearoa: History, culture, and geography of music. In J. Sturman (Ed.), The SAGE international encyclopedia of music and culture. (pp. 156-158). Thousand Oaks, CA: SAGE Publications. doi: 10.4135/9781483317731.n49

Journal - Research Article

Johnson, H. (2019). 'Island drum': Heritage and transformation in Amami, Japan. Galpin Society Journal, LXXII, 158-159, 193-203.

Journal - Research Other

Johnson, H. (2019). [Review of the book Environment and society in the Japanese islands: From prehistory to the present]. Island Studies Journal, 14(2), 265-266. [Book Review].

Conference Contribution - Published proceedings: Abstract

Johnson, H. (2019). Reporting sound: Chinese music, inter-community relations, and public education in 19th- and early 20th-century Otago, Aotearoa New Zealand. Proceedings of the 23rd Biennial International Conference of the New Zealand Asian Studies Society (NZASIA). (pp. 25). Retrieved from http://www.nzasia.org.nz

Johnson, H. (2019). Transborder flows and movements of Chinese music performance in colonial New Zealand: Social action and confluence in a nineteenth-century gold mining context. Proceedings of the 45th International Council for Traditional Music (ICTM) World Conference. (pp. 332-333). Retrieved from https://ictmusic.org/past-world-conferences

Conference Contribution - Verbal presentation and other Conference outputs

Johnson, H. (2019, January). Transformative iconography and representative notations in 19th- and 20th- century Japanese culture. Verbal presentation at the Transformative Culture and Textuality Research Symposium, Dunedin, New Zealand.

Alter, A., Johnson, H., Collinson, I., & Keogh, B. (2019, June). Cameo appearances: Challenging normativity through the symbolic force of the abnormal. Verbal presentation at the XX Biennial Conference of the International Association for the Study of Popular Music (IASPM): Turns and Revolutions in Popular Music, Canberra, Australia.

Performance

Johnson, H. (performer) (2019, 12 May). O-Taiko, performance at the Dunedin Asian Day, Otago Girls' High School, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2019, 30 March). O-Taiko, performance at the Race Relations Day Multicultural Concert, Oamaru Opera House, Oamaru, New Zealand. [Performance].

Johnson, H. (performer) (2019, 31 May). O-Taiko, performance at the Trust Power Fire & Steam Winter Festival, Oamaru, New Zealand. [Performance].

Johnson, H. (performer) (2019, 20 June). O-Taiko, performance at the Mid-Winter Carnival, The Octagon, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2019, 13 October). O-Taiko, performance at the Vogel Street Party, Vogel Street, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2019, 6 August). O-Taiko, performance at Hiroshima Peace Vigil organized by the National Centre for Peace and Conflict Studies, Museum Reserve, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2019, 2 June). O-Taiko, performance at 150 Years: A Celebration of Otago in Words and Music, Dunedin Town Hall, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2019, 21 September). O-Taiko, performance for the Fleetwood Mac support activity, Dunedin Train Station, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2019, 3 November). O-Taiko, performance at the Grants Braes School Fair, Grants Braes School, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2019, 13 September). O-Taiko, performance at the Otago Language Centre and Foundation Year Food Festival, Forsyth Barr Stadium, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2019, 26 October). O-Taiko, performance for Diwali, The Octagon, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2019, 14 September). O-Taiko, performance at the University of Otago Hanami Cherry Blossom event, Dunedin, New Zealand. [Performance].

Johnson, H. M. (performer) (2019, 5 February). O-Taiko, performance for the Chinese New Year, Chinese Gardens, Dunedin, New Zealand. [Performance].

Johnson, H. M. (performer) (2019, 15 February). O-Taiko, performance at A Night to Remember, hosted by the Otago Medical Research Foundation, Dunedin Town Hall, Dunedin, New Zealand. [Performance].

Johnson, H. M. (performer) (2019, 23 February). O-Taiko, performance at the Natsu Matsuri Japanese Summer Festival, Queenstown Memorial Centre, Queenstown, New Zealand. [Performance].

Other Research Output

Johnson, H. (2019, September). Beyond the mainland: Okinawa, palimpsestic geography and octogenerian island idols. School of Performing Arts, University of Otago, Dunedin, New Zealand. [Department Seminar].

Johnson, H. (2019, September). Chinese music performance in colonial New Zealand. Global Migrations Public Lecture Series, Toitū Otago Settlers Museum, Dunedin, New Zealand. [Public Seminar].

2018

Chapter in Book - Research

Johnson, H. (2018). The politics of popular music heritage. In S. Baker, C. Strong, L. Istvandity & Z. Cantillon (Eds.), The Routledge companion to popular music history and heritage. (pp. 134-143). Abingdon, UK: Routledge.

Johnson, H. (2018). Context, community and social capital in the governance of a New Zealand orchestra. In T. K. Ramnarine (Ed.), Global perspectives on orchestras: Collective creativity and social agency. (pp. 44-57). Oxford Scholarship Online. doi: 10.1093/oso/9780199352227.003.0003

Fleury, C., & Johnson, H. (2018). Tourism and resilience on Jersey: Culture, environment, and sea. In J. M. Cheer & A. A. Lew (Eds.), Tourism, resilience and sustainability: Adapting to social, political and economic change. (pp. 85-102). Abingdon, UK: Routledge.

Journal - Research Other

Johnson, H. (2018). [Review of the book Making Aboriginal men and music in central Australia]. Perfect Beat, 19(1), 89-91. doi: 10.1558/prbt.37462

Johnson, H. (2018). [Review of the recording Japon: Teruhisa Fukuda, maître de shakuhachi. Offrande musicale/Japan: Teruhisa Fukuda, shakuhachi master. Musical offering]. Yearbook for Traditional Music, 231-232. doi: 10.5921/yeartradmusi.50.2018.0231

Johnson, H. (2018). [Review of the book Tokyo vernacular: Common spaces, local histories, found objects]. International Journal of Heritage Studies, 24(9), 1014-1015. doi: 10.1080/13527258.2018.1440620

Conference Contribution - Published proceedings: Full paper

Johnson, H. (2018). Japan in New Zealand: Taiko, authenticity, and identity in transcultural context. In N. Guo & T. Shogimen (Eds.), Proceedings of the Overseas Symposium in Otago: Japanese Studies Down Under: History, Politics, Literature and Art. (pp. 203-210). Kyoto, Japan: International Research Center for Japanese Studies. Retrieved from http://publications.nichibun.ac.jp/en/item/symp/2018-03-30/pub

Conference Contribution - Verbal presentation and other Conference outputs

Johnson, H. (2018, June). Spacing islands: Jersey and the ebb and flows of space and place. Verbal presentation at the 14th International Small Island Cultures (ISIC) Conference: New Directions in Island Studies, Tatihou Island, France.

Johnson, H. (2018, October). Western musical elements in Japanese Koto music from the 19th to 21st centuries: Sonic, visual and behavioral spheres in a context of cultural change. Verbal presentation at the CAPS Project: Influences of Western Music as Affective Media on the Asia-PacificRegion: Academic Meeting, Tokyo, Japan.

Johnson, H. (2018, February). Migration and the changing face of Jersey's sonic heritage. Verbal presentation at the Global Migrations Conference, Dunedin, New Zealaqnd.

Performance

Johnson, H. (performer) (2018, 6, 7 October). O-Taiko, performance at Marlborough's Japanese Sister City celebration, Marlborough Boys College and Queen Charlotte College, Blenheim, New Zealand and Picton, New Zealand. [Performance].

Johnson, H. (performer) (2018, 27 November). O-Taiko, performance at the Great Bottle Drive, The Octagon, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2018, 8 December). O-Taiko, performance for the Refugee Welcome, Araiteuru Marae, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2018, 15 September). O-Taiko, performance at Sangam Confluence by Natyaloka, Kavanagh College, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2018, 11 August). O-Taiko, performance at the Global Beat Festival, Union Bar, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2018, 18 May). O-Taiko, performance at the Clutha District Settlement Support Cultural Feast, Cross Recreation Centre, Balclutha, New Zealand. [Performance].

Johnson, H. (performer) (2018, 7 May). O-Taiko, performances at the Tertiary Open Day, Marama Hall and the Union Lawn, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2018, 16 February). O-Taiko, performance for Chinese New Year, The Octagon, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2018, 1 June). O-Taiko, performance for Fire and Steam, Harbour Street, Oamaru, New Zealand. [Performance].

Johnson, H. (performer) (2018, 6 August). O-Taiko, Remarkables Primary School, Queenstown, New Zealand. [Performance].

Johnson, H. (performer) (2018, 29 August). O-Taiko, Anderson's Bay School, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2018, 25 August). O-Taiko, performance for Frazer Murdoch, The Octagon, Dunedin, New Zealand. [Performance].

Johnson, H. M. (performer) (2018, 10 January). O-Taiko, performance for the opening of Summer School, University of Otago, Dunedin, New Zealand. [Performance].

Film/Video/CD Rom

Johnson, H. (2018). Jean p’tit Jean qui couche d’en haut. Field recording released in Davy, Y., Guillorel, É., Lagrange, É., Scales, R., & Boutiller, R. Chanson & musiques traditionnelles des îles anglo-normandes [Traditional music & songs of the Channel Islands], Track 17. Saint-Martin de Tallevende, France: Association La Loure.

Other Research Output

Johnson, H. (November, 2018). Chinese creative practices in the making of New Zealand. Dunedin Chinese Garden 10-Year Anniversary Scholars' Celebration Seminar Series, Toitu Otago Settlers Museum, Dunedin, New Zealand. [Research Presentation].

2017

Chapter in Book - Research

Bendrups, D., & Johnson, H. (2017). Ethnomusicology in Australia and New Zealand: A trans-Tasman identity? In K. Gillespie, S. Treloyn & D. Niles (Eds.), A distinctive voice in the Antipodes: Essays in honour of Stephen A. Wild. (pp. 455-470). Canberra, Australia: Australian National University Press.

Fleury, C., & Johnson, H. (2017). The Minquiers and Écréhouse, Channel Islands. In G. Baldacchino (Ed.), Solution protocols to festering island disputes: 'Win-win' solutions for the Diaoyu/Senkaku Islands. (pp. 103-107). Abingdon, UK: Routledge. [Contribution].

Journal - Research Article

Johnson, H., & Kuwahara, S. (2017). North meets South: Eisā and the wrapping of identity on Okinoerabu Island, Japan. Shima, 11(2), 38-55. doi: 10.21463/shima.11.2.06

Johnson, H. (2017). Triangulations: Musicalized drama, folklore and identity construction in Nakae Yūji's A Midsummer's Okinawan Dream. Perfect Beat, 18(1), 7-28. doi: 10.1558/prbt.30972

Journal - Research Other

Johnson, H. (2017). [Review of the book The revolution will not be televised: Protest music after Fukushima]. Journal of Japanese Studies, 43(2), 471-475. doi: 10.1353/jjs.2017.0060

Johnson, H. (2017). [Review of the book Hearing the future: The music and magic of the Sanguma band]. Island Studies Journal, 12(1), 263-264. [Book Review].

Conference Contribution - Published proceedings: Abstract

Johnson, H. (2017). Japanese island narratives: The Kojiki in geo-cultural context. Proceedings of the New Zealand Asian Studies Society (NZASIA) International Conference. (pp. 11). Retrieved from http://www.otago.ac.nz/nzasia-2017/index.html

Conference Contribution - Verbal presentation and other Conference outputs

Johnson, H. (2017, June). Japanese island narratives: The Kojiki and Nihongi in geo-cultural context. Verbal presentation at the International Small Islands Cultures Annual Conference: Stories, Ballads and Island Narrative, St John's, Canada.

Performance

Johnson, H. (performer) (2017, 5 May). O-Taiko, performance at the Japanese Cultural Week, Queenstown Primary School, Queenstown, New Zealand. [Performance].

Johnson, H. (performer) (2017, 2 June). O-Taiko, performance at the Oamaru Steam Punk New Zealand Festival Weekend, Harbour Street, Victorian Precinct, Oamaru, New Zealand. [Performance].

Johnson, H. (performer) (2017, 17 July). O-Taiko, performance at the Lexus Launch, Millbrook Resort, Arrowtown, New Zealand. [Performance].

Johnson, H. (performer) (2017, 21 October). O-Taiko, performance for Diwali, The Octagon, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2017). Rama and the Worm, produced by Dan Bendrups, with support from UNESCO and La Trobe University. Retrieved from https://www.youtube.com/watch?v=AafNmmMlrvQ&feature=youtu.be

Johnson, H. M. (performer) (2017, 11 January). O-Taiko, performance for the opening of Summer School, University of Otago, Dunedin, New Zealand. [Performance].

Artefact/Object/Craftwork

Johnson, H. (2017). 'Ruff Justice', for Bergerac's Island: Jersey in the 1980s Exhibition, Jersey Museum, Jersey [Photograph]. [Artifact/Object/Craftwork].

Other Research Output

Johnson, H. (2017, May). Triangulations: Musicalized drama, folklore and identity construction in Nakae Yūji's A Midsummer's Okinawan Dream. Department of Music, Theatre & Performing Arts, University of Otago, Dunedin, New Zealand. [Department Seminar].

2016

Edited Book - Research

Chapman, I., & Johnson, H. (Eds.). (2016). Global glam and popular music: Style and spectacle from the 1970s to the 2000s. New York, NY: Routledge, 300p.

Chapter in Book - Research

Johnson, H. (2016). New Zealand cinema, national identity and Don McGlashan. In G. Gil-Curiel (Ed.), Film music in 'minor' national cinemas. (pp. 171-190). New York, NY: Bloomsbury.

Johnson, H., & Kawamoto, A. (2016). "Visual-kei": Glamour in Japanese pop music. In I. Chapman & H. Johnson (Eds.), Global glam and popular music: Style and spectacle from the 1970s to the 2000s. (pp. 199-213). Abingdon, UK: Routledge.

Chapman, I., & Johnson, H. (2016). Introduction: Glam rock in the global imagination. In I. Chapman & H. Johnson (Eds.), Global glam and popular music: Style and spectacle from the 1970s to the 2000s. (pp. 1-10). Abingdon, UK: Routledge.

Journal - Research Article

Johnson, H., & Wilson, O. (2016). Music video and online social media: A case study of the discourse around Japanese imagery in the New Zealand indie scene. Sites, 13(2), 163-186. doi: 10.11157/sites-vol13iss2id319

Johnson, H. (2016). Encountering urbanization on Jersey: Development, sustainability, and spatiality in a small island setting. Urban Island Studies, 2. Retrieved from http://www.urbanislandstudies.org/

Johnson, H. (2016). Amami park and island tourism: Sea, land and islandness at a site of simulation. Tourism & Hospitality Research, 16(1), 88-99. doi: 10.1177/1467358415581444

Journal - Research Other

Anderson, V., & Johnson, H. (2016). Guest editorial: Special issue on "Asia and education". New Zealand Journal of Asian Studies, 18(2), 1-2. [Editorial].

Johnson, H. (2016). [Review of the book Intimate distance: Andean music in Japan]. Asian Ethnology, 75(2), 493-495. [Book Review].

Journal - Professional & Other Non-Research Articles

Johnson, H. (2016). Island studies, island life. Les Nouvelles de St Martin, 16, 28-29.

Conference Contribution - Published proceedings: Abstract

Johnson, H., & Kuwahara, S. (2016). North meets south: Sub-national cultural flows, island identities and Eisā on Okinoerabujima, Japan. Proceedings of the 12th International Small Islands Cultures Conference (ISIC 12). (pp. 9). Retrieved from http://sicri-network.org/ISIC12/

Conference Contribution - Verbal presentation and other Conference outputs

Johnson, H. (2016, November). Japan in New Zealand: Taiko and identity in transcultural context. Verbal presentation at the 23rd Nichibunken International Symposium: Japanese Studies Down Under: History, Politics, Literature and Art, Dunedin, New Zealand.

Johnson, H. (2016, June). Chijin: Drumming out heritage and identity in the Amami soundscape. Verbal presentation at the Association for Asian Studies (AAS) in Asia Conference: Asia in Motion: Horizons of Hope, Kyoto, Japan.

Johnson, H. (2016, April). Behind bars: Liminal, ritual, and epistemic practices in the performance menagerie. Verbal presentation at the Ritual and Cultural Performance Hui and Symposium, Dunedin, New Zealand.

Performance

Johnson, H. (performer) (2016, 25 February). O-Taiko, performance at the Commerce Mix and Mingle, University of Otago, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2016, 8 February). O-Taiko, performance at the Chinese New Year celebration, Chinese Gardens, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2016, 22 April). O-Taiko, performance at the NZEALS International Leadership Conference, Dunedin Centre , Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2016, 22 February). O-Taiko, performance at the University of Otago Convocation Ceremony, Forsyth Barr Stadium, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2016, 7 May). O-Taiko, performance at the opening of the Yayoi Kusama Obliteration Room exhibition, Dunedin Public Art Gallery, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2016, 27 February). O-Taiko, performance at the Justice of the Peace 88th Conference Dinner, Glenroy Auditorium, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2016, 18 September). O-Taiko, performance at the Onam Party, Wakari School, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2016, 25 September). O-Taiko, Spring Celebration, Logan Park High School, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2016, 10 September). O-Taiko, performance for World Suicide Prevention Day, Glenroy Auditorium, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2016, 9 May). O-Taiko, performance at Tertiary Info Day, University of Otago, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2016, 13 February). O-Taiko, performance at the Timaru Farmer's Market, The Piazza, Timaru, New Zealand. [Performance].

Other Research Output

Johnson, H. & Goh, S. (2016, 23 September). O-taiko drum ensemble spring concert. The Oarsome Morning Show, Otago Access Radio. [Radio Broadcast].

Johnson, H. (2016, July). Amami drumscapes and Chijin culture: Form, function and meaning. Kagoshima University Research Center for the Pacific Islands (KURCPI), Kagoshima, Japan. [Research Presentation].

Other - Edited Journal

Anderson, V., & Johnson, H. (Eds.). (2016). New Zealand Journal of Asian Studies, 18(2) [Special issue: Asia and education]. [Guest Editors].

2015

Chapter in Book - Research

Johnson, H. (2015). Language revitalisation, sonic activism and cultural sustainability: Voicing linguistic heritage on Jersey. In E. Auclair & G. Fairclough (Eds.), Theory and practice in heritage and sustainability: Between past and future. (pp. 117-131). Abingdon, UK: Routledge.

Johnson, H. (2015). A tale of two Guernseys: Tourism branding and island hopping in an archipelagic context. In G. Baldacchino (Ed.), Archipelago tourism: Policies and practices. (pp. 121-136). Farnham, UK: Ashgate.

Johnson, H. (2015). Under the Kiwi gaze: Public Asian festivals and multicultural Aotearoa New Zealand. In G. Ghosh & J. Leckie (Eds.), Asians and the new multiculturalism in Aotearoa New Zealand. (pp. 119-155). Dunedin, New Zealand: Otago University Press.

Journal - Research Article

Johnson, H. (2015). Asian festivalscapes: The festivalization of Asia in the making of Aotearoa/New Zealand. New Zealand Journal of Asian Studies, 17(2), 17-39.

Johnson, H., & Kuwahara, S. (2015). Sakurajima: Maintaining an island essence. Shima, 10(1), 48-66. doi: 10.21463/shima.10.1.07

Johnson, H. (2015). Picturing sound: An interview with screen composer Graeme Perkins. Screen Sound Journal, 5, 64-75.

Johnson, H. (2015). Anthem for Jersey: Music, media and politics in an island setting. MEDIANZ, 15(1), 96-118. doi: 10.11157/medianz-vol15iss1id132

Fleury, C., & Johnson, H. (2015). The minquiers and Écréhous in spatial context: Contemporary issues and cross perspectives on border islands, reefs and rocks. Island Studies Journal, 10(2), 163-180.

Johnson, H. (2015). Musical ownership and pop-folk on Jersey: Sustaining tradition through intervention, technology and creative practice. Journal of World Popular Music, 2(1), 19-39. doi: 10.1558/jwpm.v2i1.27169

Johnson, H. (2015). The Sark/Brecqhou dyad: Jurisdictional geographies and contested histories. Shima, 9(1), 89-108.

Wilson, G. N., Johnson, H., & Sallabank, J. (2015). 'I'm not dead yet': A comparative study of indigenous language revitalization in the Isle of Man, Jersey and Guernsey. Current Issues in Language Planning, 16(3), 259-278. doi: 10.1080/14664208.2014.972535

Johnson, H., & Kuwahara, S. (2015). Drum travel: Ensemble drumming traditions on Kikaijima—cultures, histories, islands. Asian Music, 46(1), 110-145. doi: 10.1353/amu.2015.0003

Journal - Research Other

Johnson, H. (2015). [Review of the book Javaphilia: American love affairs with Javanese music and dance]. New Zealand Journal of Asian Studies, 17, 147-149. [Book Review].

Johnson, H. (2015). [Review of the book Japanese singers of tales: Ten centuries of performed narrative]. New Zealand Journal of Asian Studies, 17, 155-156. [Book Review].

Johnson, H. (2015). [Review of the book Collaborative ethnomusicology: New approaches to music research between indigenous and non-indigenous Australians]. Sites, 12(2), 157-160. [Book Review].

Johnson, H. (2015). [Review of the book Made in Japan: Studies in popular music]. Journal of World Popular Music, 2(2), 307-311. doi: 10.1558/jwpm.v2i2.27938

Johnson, H. (2015). [Review of the book Ainu spirits singing: The living world of Chiri Yuki's Ainu Shin'yōshū]. New Zealand Journal of Asian Studies, 17(1), 141-143. [Book Review].

Conference Contribution - Edited volume of conference proceedings

Cattermole, J., Johnson, H., & Wilson, O. (Eds.). (2015). Proceedings of the International Association for the Study of Popular Music (IASPM) Australia/New Zealand Annual Conference: Into the Mix: People, Places, Processes. Dunedin, New Zealand: IASPM Australia/New Zealand. 86p.

Conference Contribution - Verbal presentation and other Conference outputs

Johnson, H. (2015, December). Cultural nationalism in Japanese music education: Changing perceptions of a traditional Japan. Verbal presentation at the Asian Migrations Research Theme Conference: Asia and Education, Dunedin, New Zealand.

Johnson, H., & Fleury, C. (2015, June). The Minquiers and Écréhous in archipelagic and aquapelagic contexts: Contemporary issues and cross perspectives on border islands, reefs and rocks. Verbal presentation at the 11th International Small Islands Conference (ISIC): Globalization, Identities and Island Cultures, Gozo Island, Malta.

Johnson, H. (2015, August). Gamelan in Australasia. Verbal presentation at the Selebrasi! 20 Years of Gamelan in Otago: 1995-2015 Seminar, Dunedin, New Zealand.

Johnson, H. (2015, May). Eisā, identity, and the politics of place: A report on recent field research in Japan. Verbal presentation at the Department of Music & Theatre Studies Research Symposium, Dunedin, New Zealand.

Performance

Johnson, H. (Performer) (2015, 7 January). O-Taiko, performance for the opening of Summer School, University of Otago, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2015, 6 June). O-Taiko, performance at the FIFA Under 20 World Cup tournament, Forsyth Barr Stadium, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2015, 1 May). O-Taiko, performance and workshop at the Aspire After-School Programme, University of Otago, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2015, 30 May). O-Taiko, Dunedin Railway Station, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2015, 13 September). O-Taiko, performance at the Raising the Roof: Fundraising concert for Nepal, Flagstaff Community Church, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2015, 11-12 September). O-Taiko, performance at the Indian Students Association cultural night, Teachers' College Auditorium, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2015, 20 September). O-Taiko, performance for Kotahitanga Manaaki Te Kawa: World Peace Day, Forsyth Barr Stadium, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2015, 2 August). O-Taiko, drumming workshop and performance, Mary Hopewell Theatre, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2015, 3 February). O-Taiko, performance for the Japan Electron Optics Laboratory (JEOL) 50th Anniversary of JEOL Australasia Conference, The Savoy, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2015, 20 February). O-Taiko, performance for the BCom Mix & Mingle, University of Otago, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2015, 3 March). O-Taiko, performance for the delegation from Hirosaki University, University of Otago, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2015, 16 February). O-Taiko, performance for the University of Otago Convocation Ceremony and Otago Variety Show, Forsyth Barr Stadium, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2015, 17 February). O-Taiko, performance for the Otago University Students' Association (O.U.S.A.) Toga Party, Forsyth Barr Stadium, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2015, 18 April ). O-Taiko, drumming workshop for the Japanese Culture and Language Club (JCAL), University of Otago, Dunedin, New Zealand. [Performance].

Design

Johnson, H. (2015). Island Studies Journal 10(2) [Journal cover photograph]. [Design].

Other Research Output

Johnson, H. (2015, March). Voicing linguistic heritage on Jersey: Popular music, language revitalization and intervention. Miyazaki University, Miyazaki, Japan. [Research Presentation].

Johnson, H. (2015, April). The Sark/Brecqhou dyad: Jurisdictional geographies and contested histories. Kagoshima University Research Center for the Pacific Islands, Kagoshima, Japan. [Research Presentation].

2014

Authored Book - Research

Johnson, H. (2014). The shakuhachi: Roots and routes. Leiden, The Netherlands: Brill, 136p.

Chapter in Book - Research

Johnson, H. (2014). 'Shake, rattle and roll': Responses to 3/11: Constructing community through music and the music industry. In R. Starrs (Ed.), When the tsunami came to shore: Culture and disaster in Japan. (pp. 139-165). Leiden, The Netherlands: Brill.

Hughes, D. W., & Johnson, H. (2014). Kokyū. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 3). (2nd ed.) (pp. 192-193). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Komabue. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 3). (2nd ed.) (pp. 195). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Adriaansz, W., & Johnson, H. (2014). Koto. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 3). (2nd ed.) (pp. 207-209). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Kutu. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 3). (2nd ed.) (pp. 234-235). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Miyagi Michio. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 3). (2nd ed.) (pp. 483). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Hughes, D. W., & Johnson, H. (2014). Mukkuri. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 3). (2nd ed.) (pp. 525-526). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Nigenkin. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 3). (2nd ed.) (pp. 598-599). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Okedōdaiko. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 3). (2nd ed.) (pp. 653). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Ōkurauro. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 3). (2nd ed.) (pp. 654). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). U. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 5). (2nd ed.) (pp. 127). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Uchiwadaiko. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 5). (2nd ed.) (pp. 128). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Waniguchi. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 5). (2nd ed.) (pp. 284). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Yaguradaiko. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 5). (2nd ed.) (pp. 353). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Yamadagoto. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 5). (2nd ed.) (pp. 354). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Yanagawa shamisen. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 5). (2nd ed.) (pp. 356). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Ninaidaiko. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 3). (2nd ed.) (pp. 599-600). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Nijūgen. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 3). (2nd ed.) (pp. 599). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Hughes, D. W., & Johnson, H. (2014). Kane. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 3). (2nd ed.) (pp. 108). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Kankara sanshin. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 3). (2nd ed.) (pp. 109-110). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Keirōko. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 3). (2nd ed.) (pp. 127). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Kin. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 3). (2nd ed.) (pp. 164). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Rokushin. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 4). (2nd ed.) (pp. 327). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Sanjūgen. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 4). (2nd ed.) (pp. 376). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Sanrere. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 4). (2nd ed.) (pp. 377). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Hughes, D. W., & Johnson, H. (2014). Shakujō. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 4). (2nd ed.) (pp. 486). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Malm, W. P., & Johnson, H. (2014). Shamisen. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 4). (2nd ed.) (pp. 486-488). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Shiragigoto. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 4). (2nd ed.) (pp. 502). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Shōko. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 4). (2nd ed.) (pp. 505). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Sumagoto. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 4). (2nd ed.) (pp. 651). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Suzudaiko. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 4). (2nd ed.) (pp. 659-660). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Hughes, D. W., & Johnson, H. (2014). Tsugaru shamisen. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 5). (2nd ed.) (pp. 98). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Tangoto. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 4). (2nd ed.) (pp. 711). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Hughes, D. W., & Johnson, H. (2014). Chijin. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 1). (2nd ed.) (pp. 514). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Chikusō. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 1). (2nd ed.) (pp. 515). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Chindon. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 1). (2nd ed.) (pp. 517-518). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Dadaiko. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 2). (2nd ed.) (pp. 1). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Daibyōshi. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 2). (2nd ed.) (pp. 5). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Gottan. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 2). (2nd ed.) (pp. 458). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Hachijūgen. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 2). (2nd ed.) (pp. 522). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Hiradaiko. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 2). (2nd ed.) (pp. 671). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Horagai. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 2). (2nd ed.) (pp. 693). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Ichigo ichie. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 3). (2nd ed.) (pp. 2-3). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Ikutagoto. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 3). (2nd ed.) (pp. 13). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Jūshichigen. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 3). (2nd ed.) (pp. 88). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Kagurabue. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 3). (2nd ed.) (pp. 97). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Reikin. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 4). (2nd ed.) (pp. 293). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Gakusō. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 2). (2nd ed.) (pp. 373). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Gorosu. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 2). (2nd ed.) (pp. 457). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Anmabue. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 1). (2nd ed.) (pp. 104). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Atarigane. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 1). (2nd ed.) (pp. 138-139). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Azusayumi. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 1). (2nd ed.) (pp. 157). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Batsu. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 1). (2nd ed.) (pp. 278). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Bonshō. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 1). (2nd ed.) (pp. 373). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Charumera. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 1). (2nd ed.) (pp. 508). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Hughes, D. W., & Johnson, H. (2014). Dora. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 2). (2nd ed.) (pp. 75). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Edaiko. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 2). (2nd ed.) (pp. 132). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Ekiro. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 2). (2nd ed.) (pp. 140). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Fuke-shakuhachi. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 2). (2nd ed.) (pp. 361). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Furitsuzumi. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 2). (2nd ed.) (pp. 363). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Futozao. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 2). (2nd ed.) (pp. 364). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Fusegane. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 2). (2nd ed.) (pp. 364). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Gagaku shakuhachi. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 2). (2nd ed.) (pp. 369). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Johnson, H. (2014). Gakudaiko. In L. Libin (Ed.), The Grove dictionary of musical instruments (Vol. 2). (2nd ed.) (pp. 372-373). New York: Oxford University Press. [Encyclopaedia/Dictionary Entry].

Chapter in Book - Other

Johnson, H. (2014). Dāntè jiābùlĭ ĕr luō sài dì yŭ rìbĕn" 'Lán sè shù yīn' hé "hăi zhī zhòu" zhōng de yuèqì [Translation of Dante Gabriel Rossetti and Japan: The musical instrument depicted in The blue bower and A sea spell]. In L. Mi, L. Qin & L. Yong (Eds.), Yìshù zhōng de yīnyuè. (pp. 97-110). Shanghai, China: Shanghai Conservatory of Music Press.

Journal - Research Article

Johnson, H. (2014). Sark and Brecqhou: Space, politics and power. Shima, 8(1), 9-33.

Johnson, H. (2014). Jack Body: Crafting the Asian soundscape in New Zealand music. New Zealand Journal of Asian Studies, 16(2), 219-236.

Journal - Research Other

Johnson, H. (2014). [Review of the book Music, modernity and locality in prewar Japan: Osaka and beyond]. New Zealand Journal of Asian Studies, 16(1), 133-136. [Book Review].

Johnson, H. (2014). [Review of the book More than Bollywood: Studies in Indian Popular Music]. New Zealand Journal of Asian Studies, 16(1), 129-131. [Book Review].

Johnson, H. (2014). [Review of the book Music-making in the Faroes: The experience of music-making in the Faroes and making Metal Faroese]. Island Studies Journal, 9(1), 176-178. [Book Review].

Edmond, J., & Johnson, H. (2014). Introduction: "Asia in New Zealand Lives". New Zealand Journal of Asian Studies, 16(2), 1-4.

Johnson, H. (2014). [Review of the book The encyclopaedia of music in Ireland]. Ethnomusicology Forum, 23(3), 445-451. doi: 10.1080/17411912.2014.959540

Johnson, H. (2014). [Review of the book Songs from the edge of Japan: Music-making in Yaeyama and Okinawa]. Journal of Japanese Studies, 40(2), 474-478. doi: 10.1353/jjs.2014.0085

Johnson, H. (2014). [Review of the book Wind bands and cultural identity in Japanese Schools]. Music Education Research, 16(1), 121-123. doi: 10.1080/14613808.2013.872944

Conference Contribution - Published proceedings: Full paper

Johnson, H. (2014). Voicing linguistic heritage on Jersey: Popular music, language revitalization and intervention. In J. O'Regan & T. Wren (Eds.), Proceedings of the International Association for the Study of Popular Music Australia/New Zealand (IASPM-ANZ) Conference: Popular Music, Communities, Places, Ecologies. (pp. 67-74). Brisbane, Australia: IASPM-ANZ. [Full Paper]

Conference Contribution - Verbal presentation and other Conference outputs

Johnson, H. (2014, June). Norman-French languages of the Channel Islands: Heritage, language networks and island communities. Verbal presentation at the 10th International Small Islands Conference (ISIC): Small Islands Identities and Environments: Promoting a Critical Research Agenda, Fernando de Noronha, Brazil.

Johnson, H. (2014, April). Anthem for Jersey: The cultural politics of island identity in a European setting. Verbal presentation at the Music / Media / Politics Symposium, Dunedin, New Zealand.

Johnson, H. (2014, October). Sound practices in Aotearoa secondary music education. Keynote presentation at the Hirosaki University International Symposium: Proposing a New Music Education View Through Non-European Sound Practices, Hirosaki, Japan.

Johnson, H. (2014, December). Film sound mix: Understanding themes and juxtapositions in No.2. Verbal presentation at the International Association for the Study of Popular Music (IASPM) Australia/New Zealand Annual Conference: Into the Mix: People, Places, Processes, Dunedin, New Zealand.

Performance

Johnson, H. (performer) (2014, 26 September). O-Taiko, performance and workshop at the Aspire After-School Programme, University of Otago, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2014, 20 September). O-Taiko, drumming workshop for the Japanese Culture and Language Club (JCAL), University of Otago, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2014, 12 July). O-Taiko, performance at the Dunedin International Food Festival, University of Otago, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2014, 18 February). O-Taiko, performance for the Otago University Students' Association (O.U.S.A.) Toga Party, Forsyth Barr Stadium, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2014, 6 April ). O-Taiko, Japanese drumming workshop and performance, Allen Hall Theatre, Dunedin, New Zealand. [Performance].

Cattermole, J. (bonang penerus), Susilo, J. (director, kendhang, gender penerus), & Johnson, H. (koto) (2014, 9 July). Department of Music Showcase Series: Puspawarna University of Otago Gamelan Group, Marama Hall, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2014, 7 January). O-Taiko, at the Summer School opening, University of Otago, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2014, 23 November). O-Taiko, at the Dunedin Pink Party, Forsyth Barr Stadium, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2014, 22 August). O-Taiko, supporting International Language Week, King's High School, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2014, 16 August). O-Taiko, at the Dundead Festival, Dunedin Town Hall, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2014, 13 April). O-Taiko, at the Regal Royal Fun Day, Forsyth Barr Stadium, Dunedin, New Zealand. [Performance].

Other Research Output

Johnson, H. (2014, May). Voicing linguistic heritage: Language revitalisation, intervention and song. New Zealand School of Music Forum, Wellington, New Zealand. [Invited Presentation].

Other - Edited Journal

Edmond, J., & Johnson, H. (Eds.). (2014). New Zealand Journal of Asian Studies, 16(2) [Special issue: Asia in New Zealand Lives]. [Guest Editors].

2013

Chapter in Book - Research

Johnson, H. (2013). Popularizing the Koto: Kagrra, material culture and image. In O. Wilson & S. Attfield (Eds.), Shifting sounds: Musical flow. (pp. 88-95). Dunedin, New Zealand: IASPM Australia/New Zealand.

Journal - Research Article

Johnson, H. (2013). Neo-traditional ensemble drumming in the Amami Islands: Mapping new performance traditions. South Pacific Studies, 34(1), 13-39.

Brunt, S. D., & Johnson, H. (2013). 'Click, play and save': The iGamelan as a tool for music-culture sustainability. Musicology Australia, 35(2), 221-236. doi: 10.1080/08145857.2013.844497

Johnson, H., & Kuwahara, S. (2013). Locating Shima in island drumming: Amami Ōshima and its archipelagic drum groups. Shima, 7(1), 14-38.

Johnson, H. (2013). Old, new, borrowed ... : Hybridity in the Okinawan guitarscape. Ethnomusicology Forum, 22(1), 89-110. doi: 10.1080/17411912.2013.768023

Fleury, C., & Johnson, H. (2013). The phenomenon of cultural revitalization in Jersey: A case of symbolic counterbalance to globalization [Le phénomène de revitalisation culturelle à Jersey: Un exemple d'accompagnement symbolique à la mondialisation]. Annales de Géographie, 122(690), 200-219. doi: 10.3917/ag.690.0200

Journal - Research Other

Johnson, H. (2013). Contemporary approaches to transcultural music research in Australia and New Zealand. Musicology Australia, 35(1), 1-2. [Editorial].

Conference Contribution - Published proceedings: Full paper

Johnson, H. (2013). Mediation and mutineers in the Pacific: Place-making and music at Norfolk Island's Cyclorama. In G. Stahl & A. Gyde (Eds.), Proceedings of the International Association for the Study of Popular Music (IASPM) Conference: Popular Music Worlds, Popular Music Histories. (pp. 193-203). IASPM. doi: 10.5429/2225-0301.2009.18

Conference Contribution - Published proceedings: Abstract

Johnson, H. (2013). Voicing linguistic heritage on Jersey: Popular music, language revitalization and intervention. Proceedings of the International Association for the Study of Popular Music Australia/New Zealand (IASPM-ANZ) Conference: Popular Music, Communities, Places, Ecologies. Retrieved from http://iaspm.org.au/iaspm-anz-2013-brisbane-program/

Conference Contribution - Edited volume of conference proceedings

Johnson, H., & Sparling, H. (Eds.). (2013). Proceedings of the 8th International Small Island Cultures Conference: Travelling in Time: Islands of the Past, Islands of the Future. Lismore, Australia: SICRI. 43p.

Conference Contribution - Verbal presentation and other Conference outputs

Ding, M., Summerhayes, G., Voci, P., & Johnson, H. (2013, March). Asian migration. Panel discussion at the Asian Migrations Research Theme Symposium, Dunedin, New Zealand.

Johnson, H. (2013, April). Voicing linguistic heritage on Jersey: Revitalization, intervention and song. Verbal presentation at the Sense of Place International Conference: Cultural Sustainability and Regional Development, Rome, Italy.

Johnson, H. (2013, June). Popularizing Japan: Transforming tradition in the global popular music imaginary. Verbal presentation at the 17th Biennial International Association for the Study of Popular Music (IASPM) Conference: Bridge Over Troubled Waters: Challenging Orthodoxies, Gijón, Spain.

Johnson, H. (2013, December). Ownership of pop-folk on the island of Jersey: Intervention, technology and creative practice. Invited presentation at the Global Musicians Colloquium, Sydney, Australia.

Johnson, H. (2013, October). Neo-traditional drumming in the Amami Islands, Japan. Verbal presentation at the Department of Music & Theatre Studies Research Symposium, Dunedin, New Zealand.

Performance

Johnson, H. (performer) (2013, 19 February). O-Taiko, performance for the Otago University Students' Association (O.U.S.A.) Toga Party, Forsyth Barr Stadium, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2013, 7 January). O-Taiko, performance at the Summer School opening, University of Otago, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2013, 27 July). O-Taiko, collaboration with Pipeworkz at the Southern Showdown, Lions Foundation Arena, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2013, 6 September). O-Taiko, performance at the Foundation Studies International Food Festival, Forsyth Barr Stadium, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2013, 13 July). O-Taiko, performance at the Dunedin International Food Festival, Otago Museum Reserve, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2013, 9 November). O-Taiko, performance at the Circulation Festival, Whare Flat, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2013, 16 November). O-Taiko, drumming workshop and performance, Mary-Hopewell Theatre, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2013, 10 February). O-Taiko, performance at the Chinese New Year celebrations, Dunedin Chinese Gardens, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2013, 9 March). O-Taiko, performance at Race Relations Day, Dunedin North Intermediate School, Dunedin, New Zealand. [Performance].

Johnson, H. (performer) (2013, 1 June). O-Taiko, fundraising performance at the Farmers Market, Dunedin Railway Station, Dunedin, New Zealand. [Performance].

Other - Edited Journal

Johnson, H. (Ed.). (2013). Musicology Australia, 35(1) [Special issue: Contemporary Approaches to Transcultural Music Research in Australia and New Zealand]. [Guest Editor].

2012

Authored Book - Research

Gunji, S., & Johnson, H. (2012). A dictionary of traditional Japanese musical instruments: From prehistory to the Edo period. Tokyo, Japan: Eideru Kenkyūjo, 349p.

Chapter in Book - Research

Johnson, H. (2012). Black butter: Nièr beurre. In A. Baldacchino & G. Baldacchino (Eds.), A taste of islands: 60 recipes and stories from our world of islands. (pp. 45-47). Charlottetown, Canada: Island Studies Press.

Johnson, H. (2012). A modernist traditionalist: Miyagi Michio, transculturalism, and the making of a music tradition. In R. Starrs (Ed.), Rethinking Japanese modernism. (pp. 246-269). Leiden, The Netherlands: Global Oriental.

Journal - Research Article

Milosavljevic, D., & Johnson, H. (2012). 'He who pays the piper calls the tune': The role of organisations in constructing, developing and maintaining Scottish Highland bagpipe culture in Otago, New Zealand. Sites, 9(2), 39-70. doi: 10.11157/sites-vol9iss2id216

Johnson, H. (2012). From rock to reel: An interview with screen composer Neville Copland. Screen Sound Journal, 3, 107-120.

Johnson, H. (2012). “The Group from the West”: Song, endangered language and sonic activism on Guernsey. Journal of Marine & Island Cultures, 1(2), 99-112. doi: 10.1016/j.imic.2012.11.006

Johnson, H. (2012). 'Genuine Jersey': Branding and authenticity in a small island culture. Island Studies Journal, 7(2), 235-258.

Johnson, H. (2012). Drumming in the transcultural imagination: Taiko, Japan and community music making in Aotearoa/New Zealand. International Journal of Community Music, 5(1), 11-26. doi: 10.1386/ijcm.5.1.11_1

Journal - Research Other

Johnson, H. (2012). Writing pop: Contemporary approaches to pop(ular) music studies [Review of the books Pop music, pop culture and Popular music: Topics, trends & trajectories]. Cultural Studies Review, 18(3), 417-424. [Book Review].

Johnson, H. (2012). [Review of the book Bablylon East: Performing Dancehall, Roots Reggae, and Rastafari in Japan]. Asian Studies Review, 36(1), 129-131. [Book Review].

Conference Contribution - Published proceedings: Abstract

Johnson, H. (2012). Voicing islandness: Guernésiais, discourse and music-making on Guernsey. British Forum for Ethnomusicology Annual Conference. (pp. 32). Retrieved from http://www.bfe.org.uk/conferencearchive.html

Conference Contribution - Verbal presentation and other Conference outputs

Johnson, H. (2012, July). Brief commentary on a field trip to Iwojima, Kagoshima-ken, Japan; and some comparisons with New Zealand. Verbal presentation at the Kagoshima University Research Center for the Pacific Islands International Symposium, Kagoshima, Japan.

Johnson, H. (2012, December). In the mirror of the long white cloud: Reflections on Japanese and New Zealand connections in the creative and performing arts. Invited presentation at the Resilience: Japan and New Zealand Moving Forward Conference, Auckland, New Zealand.

Johnson, H. (2012, December). The Koto and popular music(s): Recentering Japanese musical flows. Verbal presentation at the International Association for the Study of Popular Music (IASPM) Australia/New Zealand Annual Conference: Shifting Sounds: Musical Flow, Hobart, Australia.

Wilson, G., Sallabank, J., & Johnson, H. (2012, June). Cultural and linguistic adaptation and development in small island jurisdictions: A comparative study of Jersey, Guernsey and the Isle of Man. Verbal presentation at the Eighth International Small Islands Cultures (ISIC) Conference: Traveling in Time: Islands of the Past, Islands of the Future, Cape Breton, Canada.

Other Research Output

Johnson, H. (2012, July). Language revitalization on Jersey, Channel Islands. Research Center for the Pacific Islands, Kagoshima University, Kagoshima, Japan. [Research Presentation].

2011

Edited Book - Research

Edmond, J., Johnson, H., & Leckie, J. (Eds.). (2011). Recentring Asia: Histories, encounters, identities. Leiden, The Netherlands: Global Oriental, 346p.

Chapter in Book - Research

Johnson, H. (2011). Jersey: Jèrriais, song, and language revitalization. In G. Baldacchino (Ed.), Island songs: A global repertoire. (pp. 103-118). Lanham, MD: Scarecrow Press.

Brunt, S. D., & Johnson, H. (2011). Southern gold bars: The gamelan community in Dunedin. In D. Bendrups & G. Downes (Eds.), Dunedin soundings: Place and performance. (pp. 57-66). Dunedin, New Zealand: Otago University Press.

Johnson, H. (2011). Musical moves and transnational grooves: Education, transplantation and Japanese Taiko drumming at the International Pacific College, New Zealand. In J. Edmond, H. Johnson & J. Leckie (Eds.), Recentring Asia: Histories, encounters, identities. (pp. 310-333). Leiden, The Netherlands: Global Oriental.

Edmond, J., Johnson, H., & Leckie, J. (2011). Introduction. In J. Edmond, H. Johnson & J. Leckie (Eds.), Recentring Asia: Histories, encounters, identities. (pp. 1-10). Leiden, The Netherlands: Global Oriental.

Bendrups, D., & Johnson, H. (2011). Migrant music and cultural identity. In G. Keam & T. Mitchell (Eds.), Home, land and sea: Situating music in Aotearoa New Zealand. (pp. 73-88). Auckland, New Zealand: Pearson.

Johnson, H. (2011). Drumming up Japan: Localizing taiko in New Zealand. In P. Voci & J. Leckie (Eds.), Localizing Asia in Aotearoa. (pp. 134-149). Wellington, New Zealand: Dunmore.

Journal - Research Article

Johnson, H. (2011). ‘Sounding Japan’: Traditional musical instruments, cultural nationalism and educational reform. Perfect Beat, 12(1), 11-32. doi: 10.1558/prbt.v12i1.11

Journal - Research Other

Johnson, H. (2011). [Review of the book The gei of geisha: Music, identity and meaning]. Ethnomusicology, 55(1), 135-140. Retrieved from http://www.jstor.org/stable/10.5406/ethnomusicology.55.1.0135

Conference Contribution - Published proceedings: Full paper

Johnson, H. (2011). Mediatising Taiko in contemporary technoscapes. In J. Cattermole, S. Homan & G. Smith (Eds.), Instruments of Change: Proceedings of the International Association for the Study of Popular Music (IASPM) Australia-New Zealand 2010 Conference. (pp. 57-62). Melbourne, Australia: International Association for the Study of Popular Music. [Full Paper]

Conference Contribution - Published proceedings: Abstract

Johnson, H. (2011). Orchestrations: Context, community and social capital in orchestral governance. Proceedings of the Arts & Humanities Research Council (AHRC) Research Centre for Musical Performance as Creative Practice (CMPCP) Workshops: Global Perspectives on the ‘Orchestra’: Workshop 3. Retrieved from http://www.cmpcp.ac.uk/gpotoworkshop3.html

Conference Contribution - Verbal presentation and other Conference outputs

Johnson, H. (2011, July). "The group from the west": Music, modernity and endangered language on Guernsey. Verbal presentation at the International Council for Traditional Music (ICTM) World Conference, St John's, Canada.

Johnson, H. (2011, June). “Genuine Jersey”: Tourism and authenticity in small island cultures. Verbal presentation at the 7th International Small Island Cultures Conference, Airlie Beach, Australia.

Johnson, H. (2011, April). Island talk, island song: Representation and mediation of the Norman-French folk music of the Channel Islands. Verbal presentation at the British Forum for Ethnomusicology Conference: Mediation, Writing & Performance, Penryn, UK.

Brunt, S., & Johnson, H. (2011, March). 'Click, play and save': Considering the iGamelan as a tool for music-culture sustainability. Verbal presentation at the Sustainability and Ethnomusicology Symposium, Brisbane, Australia.

Johnson, H. (2011, February). Drumming the transcultural imagination: Taiko, Japan and multicultural Aotearoa. Verbal presentation at the Asia-New Zealand Research Cluster Symposium: Interrogating multiculturalism in Aotearoa/New Zealand: An Asian Studies Perspective, Dunedin, New Zealand.

Other Research Output

Johnson, H. & Brunt. S. (2011, May). iMusic. Learning with Technology Series, Higher Education Development Unit, University of Otago. Dunedin, New Zealand. [Department Seminar].

2010

Authored Book - Research

Johnson, H. (2010). The shamisen: Tradition and diversity. Leiden, The Netherlands: Brill, 145p.

Edited Book - Research

Moore, E., Xin, L., Johnson, H., & Patterson, R. (Eds.). (2010). China stopover Beijing: A cross-curricular resource in music, art, English and social studies. Dunedin, New Zealand: Otago University Press, 64p.

Prentice, C., Devadas, V., & Johnson, H. (Eds.). (2010). Cultural transformations: Perspectives on translocation in a global age. Amsterdam: Rodopi, 347p.

Johnson, H. (Ed.). (2010). Many voices: Music and national identity in Aotearoa/New Zealand. Newcastle upon Tyne, UK: Cambridge Scholars, 180p.

Chapter in Book - Research

Johnson, H. (2010). Lighting up Aotearoa: Presenting Diwali to a multicultural nation. In S. Bandyopadhyay (Ed.), India in New Zealand: Local identities, global relations. (pp. 149-166). Dunedin, New Zealand: Otago University Press.

Prentice, C., Devadas, V., & Johnson, H. (2010). Introduction. In C. Prentice, V. Devadas & H. Johnson (Eds.), Cultural transformations: Perspectives on translocation in a global age. (pp. xi-xxxv). Amsterdam: Rodopi.

Johnson, H. (2010). Constructing an 'other' from your 'own': Localizing, nationalizing and globalizing Nēnēzu (Nenes). In C. Prentice, V. Devadas & H. Johnson (Eds.), Cultural transformations: Perspectives on translocation in a global age. (pp. 179-205). Amsterdam: Rodopi.

Johnson, H. (2010). Introduction. In H. Johnson (Ed.), Many voices: Music and national identity in Aotearoa/New Zealand. (pp. 1-18). Newcastle upon Tyne, UK: Cambridge Scholars.

Johnson, H. (2010). Drumming up Japan: What does it mean to be a Taiko player in New Zealand? In H. Johnson (Ed.), Many voices: Music and national identity in Aotearoa/New Zealand. (pp. 50-58). Newcastle upon Tyne, UK: Cambridge Scholars.

Journal - Research Article

Johnson, H. (2010). Brushing up on mutineers: Music with art at Fletcher's Mutiny Cyclorama, Norfolk Island. Music in Art, XXXV(1-2), 119-132.

Johnson, H. (2010). Documenting sound: An interview with screen composer Trevor Coleman. Screen Sound Journal, 1, 67-77.

Conference Contribution - Published proceedings: Full paper

Johnson, H. (2010). Chordophones, aerophones and iPhones: The value of interactive mobile applications in the mediatization of music performance: Gadgets or gimmicks? In S. Brunt & K. Zemke (Eds.), What's it Worth? 'Value' and Popular Music: Selected Papers from the 2009 International Association for the Study of Popular Music (IASPM) Australia New Zealand Conference. (pp. 38-42). Dunedin, New Zealand: IASPM-ANZ. [Full Paper]

Johnson, H. (2010). Branding Jèrri: Art, image and identity in contexts that celebrate Jersey's Norman heritage. In A. Grydehøj (Ed.), Proceedings of the Sixth International Small Island Cultures Conference. (pp. 13-24). Retrieved from http://sicri-network.org/archives/isic6/

Conference Contribution - Verbal presentation and other Conference outputs

Johnson, H. (2010, November). Mediatizing Taiko in contemporary technoscapes. Verbal presentation at the International Association for the Study of Popular Music: Australia & New Zealand Chapter (IASPM-ANZ) Annual Conference, Melbourne, Australia.

Johnson, H. (2010, November). Taiko in New Zealand: Performing Japan in the transcultural imagination. Verbal presentation at the Society for Ethnomusicology 55th Annual Meeting: Social Ecologies, Los Angeles, CA.

Johnson, H. (2010, May). Music education and cultural nationalism in Japan. Verbal presentation at the Department of Music & Theatre Studies Research Symposium, Dunedin, New Zealand.

Other Research Output

Johnson, H. (2010, May). Performing Japan in transcultural imagination: Taiko in New Zealand. Music Forum Research Seminar at the New Zealand School of Music. Wellington, New Zealand. [Public Seminar].

2009

Chapter in Book - Research

Johnson, H. (2009). Popularizing and localizing Tsugaru Shamisen. In J. N. Westerhoven (Ed.), Voices from the Snow: Tsugaru in legend, literature, and fact. (pp. 77-102). Hirosaki, Japan: Hirosaki University Press.

Johnson, H. (2009). Voice-scapes: Transl(oc)ating the performed voice in ethnomusicology. In A. Chan & A. Noble (Eds.), Sounds in translation: Intersections of music, technology and society. (pp. 169-184). Canberra, Australia: ANU E Press.

Journal - Research Article

Johnson, H. (2009). Animating and educating Japan: Nitaboh, music, and cultural nationalism. Animation Journal, 17, 52-71.

Westerhoven, J., Johnson, H., & Rausch, A. (2009). Past, present, and future of Tsugaru Shamisen: An interview with Matsuki Hiroyasu and Nishikawa Yōko. Chiikugaku, 7, 1-34.

Journal - Research Other

Johnson, H. (2009). [Review of the recording In that bright world: Music for Javanese gamelan]. World of Music, 51(3), 201-202.

Conference Contribution - Published proceedings: Abstract

Johnson, H. (2009). Sounding Japan: Cultural nationalism and the revitalization of traditional Japanese musical instruments. Proceedings of the Society for Ethnocmusicology 54th Annual Conference: Borderless Ethnomusicologies. Retrieved from http://www.indiana.edu/~semhome/2009/abstract.shtml

Johnson, H. (2009). Drumming up Japan: What does it mean to be a Taiko drummer in New Zealand. Proceedings of the New Zealand Music and National Identity Symposium. University of Otago. Retrieved from http://www.otago.ac.nz/music/conference/abstracts.html

Johnson, H. (2009). A modernist traditionalist: Miyagi Michio and the making of a (trans)cultural music tradition. Proceedings of the Otago Conference on Japanese Modernism. (pp. 8-9). Retrieved from http://www.otago.ac.nz/japanese/news/index.html

Conference Contribution - Verbal presentation and other Conference outputs

Johnson, H. (2009, November). Drumming up home while away: Taiko and the globalization of Japanese identity. Verbal presentation at the New Zealand Musicological Society Annual Conference: Music and Migration, Christchurch, New Zealand.

Johnson, H. (2009, November). Chordophones, aerophones and iPhones: The value of interactive mobile applications in the mediatization of music performance. Verbal presentation at the International Association for the Study of Popular Music: Australia & New Zealand Branch (IASPM-ANZ) Annual Conference, Auckland, New Zealand.

Johnson, H. (2009, October). Drumming up home while away: Taiko, Japanese Identity and the Globalization of Japanese Identity. Invited presentation at the Globalization and National Identity in Asia Conference, Wellington, New Zealand.

Johnson, H. (2009, September). Drumming up identity: Taiko, cultural bridges and New Zealand. Verbal presentation at the Musicological Society of Australia (MSA) 32nd National Conference, Newcastle, Australia.

Johnson, H. (2009, January). Drumming up Japan: What does it mean to be a Taiko drummer in New Zealand? Verbal presentation at the Localising Asia in Aotearoa/NZ Symposium, Dunedin, New Zealand.

Johnson, H. (2009, July). Mediation and mutineers in the Pacific: Place-making at Norfolk Island's Cyclorama. Verbal presentation at the 15th Biennial International Association for the Study of Popular Music (IASPM) Conference, Liverpool, UK.

Johnson, H. (2009, July). Migrating music and transnationalism: Education, transplantation and Japanese Taiko drumming at the International Pacific College, New Zealand. Verbal presentation at the Migrating Music: Media, Politics and Style International Conference, London.

Johnson, H. (2009, June). Heritage, arts and industrial islands: A case-study of Cockatoo Island, Sydney. Verbal presentation at the 5th International Small Island Cultures Conference, Sado Island, Japan.

Other Research Output

Johnson, H. (2009, August). Musical democracy: World music encounters. University of Otago, Dunedin, New Zealand. [Inaugural Professorial Lecture].

Other - Edited Journal

Johnson, H. (Ed.). (2009). New Zealand Journal of Asian Studies, 11(1). [Journal Editor].

2008

Edited Book - Research

Johnson, H., & Jaffe, J. C. (Eds.). (2008). Performing Japan: Contemporary expressions of cultural identity. Folkestone, UK: Global Oriental, 323p.

Chapter in Book - Research

Johnson, H. (2008). Recontextualising Eisa: Transformations in religious, competition, festival and tourism contexts. In H. Johnson & C. Jerry Jaffe (Eds.), Performing Japan: Contemporary expressions of cultural identity. (pp. 196-220). Folkestone, UK: Global Oriental.

Chapter in Book - Other

Johnson, H. (2008). Popularizing and localizing Tsugaru Shamisen. In J. M. Westerhoven (Ed.), Voices from the snow: Tsugaru in legend, literature, and fact. (pp. 67-86). Hirosaki: Yamato Insatu. [Contribution].

Journal - Research Article

Johnson, H. (2008). Why taiko? Understanding taiko performance at New Zealand's first taiko festival. Sites, 5(2), 111-134.

Johnson, H. (2008). Localising Jersey through song: Jèrriais, heritage and island identity in a festival context. Shima, 2(2), 73-98.

Johnson, H. (2008). Partnerships, multicultural music education, and New Zealand's Asian communities. Sound Ideas, 7, 19-26.

Johnson, H. (2008). Composing Asia in New Zealand: Gamelan and creativity. New Zealand Journal of Asian Studies, 10(1), 54-84.

Journal - Research Other

Johnson, H. (2008). [Review of the book Oceanic music encounters: The print resource and the human resource]. Journal of the Polynesian Society, 117(3), 308-309.

Journal - Professional & Other Non-Research Articles

Johnson, H., Patterson, R., & Moore, E. (2008). Life and music in Malaysia: ″The Malaysian Stopover″. Sound Arts, 4(1), 17-19.

Conference Contribution - Published proceedings: Full paper

Johnson, H. (2008). Constructing islandness on Jersey: A study of language, song and La Fête Nouormande. Proceedings of the 3rd International Small Island Cultures Conference. (pp. 55-63). Retrieved from http://sicri-network.org/archives/isic3/

Johnson, H. (2008). Popularising Tsugaru Shamisen: A neo-traditional style of Japanese music. In I. Collinson (Ed.), Whose Popular Music? Industry, Performers, Fans: Selected Proceedings from the 2006 International Association for the Study of Popular Music Australia/New Zealand (IASPM-ANZ) Conference. (pp. 58-64). Sydney, Australia: IASPM-ANZ and Perfect Beat. [Full Paper]

Johnson, H. (2008). Tsugaru Shamisen and film: Music on the margins of tradition, popular music and culture. In D. Bendrups (Ed.), Music on the Edge: Selected papers from the 2007 International Association for the Study of Popular Music Australia/New Zealand Conference. (pp. 88-93). Dunedin, New Zealand: IASPM Australia/New Zealand. [Full Paper]

Johnson, H. (2008). Island anthems: Jersey, identity, and the Island Games. In J. Cattermole (Ed.), Refereed Papers from the 4th International Small Island Cultures Conference. (pp. 11-16). Sydney, Australia: Small Island Cultures Research Initiative. [Full Paper]

Conference Contribution - Verbal presentation and other Conference outputs

Johnson, H. (2008, December). Innovation and authenticity in Taiko performance in New Zealand. Verbal presentation at the Musicological Society of Australia 31st National Conference, Melbourne, Australia.

Johnson, H. (2008, June). Brushing up on mutineers: Re-thinking music in art at Norfolk Island's Cyclorama. Verbal presentation at the New Directions in Music Iconography Conference, Dunedin, New Zealand.

Johnson, H., & Moore, E. (2008, September). Exploring playing from the Chinese and Malaysian stopover resources. Verbal presentation at the Strike Your Note Conference, Dunedin, New Zealand.

Johnson, H. (2008, June). Sporting anthems, island anthems: The Island Games and the construction of island identity. Verbal presentation at the 4th International Conference on Small Island Cultures, Turku, Finland.

Johnson, H. (2008, April). Cultural policy in Jersey. Verbal presentation at the European Island and Regional Cultures in the Late 20th and Early 21st Century Conference, Sydney, Australia.

Johnson, H. (2008, April). Anthem for Jersey: The cultural politics of island identity in a European setting. Verbal presentation at the European Island and Regional Cultures in the Late 20th and Early 21st Century Conference, Sydney, Australia.

Other Research Output

Johnson, H. (2008, 25 February) Zap Mama. Radio New Zealand Concert FM, Upbeat. [Radio Broadcast].

Johnson, H. (2008, 4 February) Chinese music. Radio New Zealand Concert FM, Upbeat. [Radio Broadcast].

Johnson, H. (2008, 31 March) Magéne. Radio New Zealand Concert FM, Upbeat. [Radio Broadcast].

Other - Edited Journal

Johnson, H. (Ed.). (2008). New Zealand Journal of Asian Studies, 10(2). [Journal Editor].

Johnson, H. (Ed.). (2008). New Zealand Journal of Asian Studies, 10(1). [Journal Editor].

2007

Chapter in Book - Research

Johnson, H. M. (2007). Local music of peripheral regions: Dunedin and Tsugaru. In N. Guo (Ed.), Shūenchiiki no jiko ninshiki: Tsugaru to Otago no chishijin wo chūshin ni [Tsugaru and Otago: Periphery in Intellectuals' Consciousness]. (pp. 173-186). Japan: Hirosaki University Press.

Johnson, H., & Figgins, G. (2007). Diwali downunder: Transforming and performing Indian tradition in Aotearoa/New Zealand. In A. K. Sahoo & B. Maharaj (Eds.), Sociology of Diaspora: A Reader (Vol. 2). (pp. 913-937). Jaipur, India: Rawat.

Journal - Research Article

Johnson, H. (2007). Dialogue and the construction of knowledge in e-learning: Exploring students' perceptions of their learning while using Blackboard's asynchronous discussion board. European Journal of Open, Distance & E-Learning, (I). Retrieved from http://www.eurodl.org/materials/contrib/2007/Henry_Johnson.htm

Bendrups, D., & Johnson, H. (2007). Gore Gold Guitars: The place of country in New Zealand. Perfect Beat, 8(3), 52-67.

Johnson, H. (2007). 'Happy Diwali!' Performance, multicultural soundscapes and intervention in Aotearoa/New Zealand. Ethnomusicology Forum, 16(1), 71-94.

Journal - Professional & Other Non-Research Articles

Johnson, H. (2007). Introduction. Perfect Beat, 8(3), 1.

Conference Contribution - Published proceedings: Full paper

Johnson, H. (2007). Constructing an other from your own: Localising, nationalising and globalising Nênêzu (Nenes). In I. Collinson & M. Evans (Eds.), Sounds and Selves: Selected Proceedings from the 2005 International Association for the Study of Popular Music Australia/New Zealand Conference. (pp. 64-69). IASPM ANZ branch and Perfect Beat. [Full Paper]

Conference Contribution - Verbal presentation and other Conference outputs

Johnson, H. (2007, May). Localising, nationalising and globalising Japanese/Okinawan popular music: The case of Nênêzu. Invited presentation at the Culture of Japan's Southern Islands Project Launch, Sydney, Australia.

Johnson, H. (2007, June-July). Sourcing tradition in a new context: Constructing islandness through language and music. Verbal presentation at the 3rd International Conference on Small Island Cultures, Charlottetown, PEI, Canada.

Johnson, H. (2007, February). 'Happy Diwali!' :Performance, multicultural soundscapes and intervention in Aotearoa/New Zealand. Verbal presentation at the Asian Studies Institute Workshop, Wellington, New Zealand.

Johnson, H. (2007, November). Tsugaru Shamisen and film: Music on the margins of tradition, popular music and culture. Verbal presentation at the 17th New Zealand Asian Studies Society International Conference, Dunedin, New Zealand.

Johnson, H. M. (2007, November-December). Tsugaru Shamisen and film: Music on the margins of tradition, popular music and culture. Verbal presentation at the International Association for the Study of Popular Music: Australia/New Zealand Branch Annual Conference: Music on the Edge, Dunedin, New Zealand.

Other Research Output

Johnson, H. (2007, 17 December) Shakuhachi. Radio New Zealand Concert FM, Upbeat. [Radio Broadcast].

Johnson, H. (2007, 26 February) Music and place on national peripheries: Tsugaru shamisen. Radio New Zealand Concert FM, Upbeat. [Radio Broadcast].

Johnson, H. (2007, 13 August) Music and place on national peripheries: Prince Edward Island. Radio New Zealand Concert FM, Upbeat. [Radio Broadcast].

Johnson, H. (2007, 10 September) Music and place on national peripheries: Japanese salsa. Radio New Zealand Concert FM, Upbeat. [Radio Broadcast].

Johnson, H. (2007, 27 March) Review of Southern Pride performance. Radio New Zealand Concert FM, Upbeat. [Radio Broadcast].

Johnson, H. (2007, 26 March) Music and place on national peripheries: Okinawa. Radio New Zealand Concert FM, Upbeat. [Radio Broadcast].

Johnson, H. (2007, 21 May) Music and place on national peripheries: Norfolk Island. Radio New Zealand Concert FM, Upbeat. [Radio Broadcast].

Johnson, H. (2007, 12 November) Gagaku. Radio New Zealand Concert FM, Upbeat. [Radio Broadcast].

Other - Edited Journal

Johnson, H. (Ed.). (2007). New Zealand Journal of Asian Studies, 9(2). [Journal Editor].

Johnson, H. (Ed.). (2007). Perfect Beat, 8(3) [Guest Editor]. [Journal Editor].

Johnson, H. (Ed.). (2007). New Zealand Journal of Asian Studies, 9(1). [Journal Editor].

2006

Edited Book - Research

Johnson, H., Moore, E., & Patterson, R. (Eds.). (2006). Malaysian stopover: A classroom resource in Music, Art, English and Social Studies. Dunedin, New Zealand: Otago University Press, 48p.

Johnson, H., & Moloughney, B. (Eds.). (2006). Asia in the making of New Zealand. Auckland University Press, 294p.

Chapter in Book - Research

Johnson, H., & Moloughney, B. (2006). Introduction: Asia and the making of multicultural New Zealand. In H. Johnson & B. Moloughney (Eds.), Asia in the making of New Zealand. (pp. 1-10). Auckland University Press.

Johnson, H. (2006). Striking accord! Gamelan, education, and Indonesian cultural flows in Aotearoa/New Zealand. In H. Johnson & B. Moloughney (Eds.), Asia in the making of New Zealand. (pp. 185-203). Auckland, New Zealand: Auckland University Press.

Journal - Research Article

Johnson, H. (2006). Tsugaru Shamisen: From region to nation (and beyond) and back again. Asian Music, 37(1), 75-100.

Journal - Research Other

Johnson, H. (2006). [Review of the CD Sakura: A musical celebration of the cherry blossoms]. Asia Pacific Journal of Anthropology, 7(2), 189-191.

Journal - Professional & Other Non-Research Articles

Beattie, J., & Johnson, H. (2006). Report on the Asia in New Zealand Research Cluster, University of Otago. Journal of New Zealand Studies in Japan, 13, 72-102.

Conference Contribution - Published proceedings: Full paper

Johnson, H. (2006). Performing Okinawa: Eisâ, identity construction and the recontextualisation of traditional performing arts. In H. Johnson (Ed.), Refereed Papers from the 2nd International Small Island Cultures Conference. (pp. 68-75). Macquarie University, Australia: Small Islands Cultures Research Initiative. [Full Paper]

Conference Contribution - Edited volume of conference proceedings

Johnson, H. (Ed.). (2006). Refereed Papers from the 2nd International Small Island Cultures Conference. Macquarie University, Australia: Small Islands Cultures Research Initiative. 161p.

Conference Contribution - Verbal presentation and other Conference outputs

Johnson, H. (2006, June). Popularising Tsugaru Shamisen. Verbal presentation at the International Association for the Study of Popular Music Australia/New Zealand Branch Conference, Sydney, Australia.

Johnson, H. (2006, September). Holistic organology: Interconnecting instruments, players and music. Invited presentation at the Shanghai Conservatory of Music Conference, Shanghai, China.

Johnson, H. (2006, November). (Per)Forming Chinese cultural identity at a New Zealand secondary school: A case-study of the lion dance. Verbal presentation at the 51st Annual Meeting of the Society for Ethnomusicology, Honolulu, Hawaii.

Other Research Output

Johnson, H. (2006, March). The koto: A traditional instrument in contemporary Japan. Yasuda Women's University study visit to the University of Otago. Dunedin, New Zealand. [Research Presentation].

Other - Edited Journal

Johnson, H. (Ed.). (2006). New Zealand Journal of Asian Studies, 8(2). [Journal Editor].

Johnson, H. (Ed.). (2006). New Zealand Journal of Asian Studies, 8(1). [Journal Editor].

2005

Authored Book - Research

Guo, N., Hasegawa, S., Johnson, H., Kawanishi, H., Kitahara, K., & Rausch, A. (2005). Tsugaru: Regional identity on Japan's northern periphery. Dunedin, New Zealand: University of Otago Press, 149p.

Chapter in Book - Research

Johnson, H. M. (2005). Koto. In A. R. Newland (Ed.), The Hotei Encyclopedia of Japanese woodblock prints: Volume 2. (pp. 463). Amsterdam: Hotei Publishing.

Guo, N., Johnson, H., Kitahara, K., & Rausch, A. (2005). Introduction. In Tsugaru: Regional identity on Japan's northern periphery. (pp. 11-22). Dunedin, New Zealand: University of Otago Press.

Johnson, H. (2005). Transforming and inventing koto notations: Constructing tradition and identity from the Meiji era. In E. Palmer (Ed.), Asian futures, Asian traditions. (pp. 362-376). Kent, UK: Global Oriental.

Johnson, H. (2005). Performing identity, past and present: Chinese cultural performance, new year celebrations, and the heritage industry. In C. Ferrall, P. Millar & K. Smith (Eds.), East by south: China in the Australasian imagination. (pp. 217-242). Wellington, New Zealand: Victoria University Press.

Johnson, H. M. (2005). Ringu Rinkusu no ongaku to Ogasawara no shizen. In N. Guo & G. McCormack (Eds.), Ogasawara shotô: Ajia taiheiyô kara mita kankyô bunka. (pp. 95-101). Tokyo: Heibonsha.

Johnson, H. (2005). Tsugaru shamisen: Regional, national and international cultural flows. In Tsugaru: Regional identity on Japan's northern periphery. (pp. 87-98). Dunedin, New Zealand: University of Otago Press.

Journal - Research Article

Johnson, H. M. (2005). Dante Gabriel Rossetti and Japan: The musical intrument depicted in The blue bower and A sea spell. Music in Art, 30(1-2), 145-153.

Johnson, H. M., & Westerhoven, J. (2005). Introduction for the article Life with the Tsugaru shamisen: An interview with Yamada Chisato (1931-2004). Ethnomusicology OnLine, 9. Retrieved from http://www.research.umbe.edu/eol/9/yamada/index.html (Reprinted from Chiikugaku, pp.1-27, by S. Takefusa & J. Westerhoven, 2005)

Johnson, H. (2005). Dancing with lions: (Per)forming Chinese cultural identity at a New Zealand secondary school. New Zealand Journal of Asian Studies, 7(2), 171-186.

Johnson, H., & Westerhoven, J. (2005). Introduction for the article Life with the Tsugaru shamisen: An interview with Yamada Chisato (1931-2004). Chiikugaku, 3, 1-27.

Johnson, H., & Figgins, G. (2005). Diwali downunder: Transforming and performing Indian tradition in Aotearoa/New Zealand. New Zealand Journal of Media Studies, 9(1), 25-35.

Johnson, H., & McDonald, J. (2005). Developing an interactive resource for use in a tertiary world music course: A case study of playing an African drum online. Professional Studies Review, 1(2), 13-27.

Journal - Professional & Other Non-Research Articles

Johnson, H. (2005). Review of the audio recording Beyond by Agatsuma. Asian Music, 36(1), 130-132.

Conference Contribution - Published proceedings: Full paper

Johnson, H. (2005). Maintaining and creating heritage: Music and language on Jersey. In M. Evans (Ed.), Proceedings of the 1st International Conference on Small Island Cultures. NSW, Australia: SICRI. Retrieved from http://www.sicri.org/sicri05/abstract05pages/Johnson.htm

Conference Contribution - Verbal presentation and other Conference outputs

Johnson, H. (2005, February). Maintaining and creating heritage: Music and language on Jersey. Verbal presentation at the 1st International Small Island Cultures Conference, Kagoshima, Japan.

Johnson, H. (2005, February). Striking accord! Gamelan, education and Indonesian cultural flows in Aotearoa/New Zealand. Verbal presentation at the Asia in New Zealand Research Symposium, Dunedin, New Zealand.

Johnson, H. (2005, August). Diwali downunder: Transforming and performing Indian tradition in Aotearoa/New Zealand. Verbal presentation at the 38th World Conference of the International Council for Traditional Music, Sheffield, UK.

Johnson, H. (2005, November). Performing Okinawa: Identity construction and the recontextualization of traditional performing arts. Verbal presentation at the Society for Ethnomusicology 50th Annual Conference, Atlanta, Georgia.

Johnson, H. (2005, December). Constructing an other from your own: Localising, nationalising and globalising Nênêzu. Verbal presentation at the International Association for the Study of Popular Music Australian-New Zealand Annual Conference, Wellington, New Zealand.

Johnson, H. (2005, September). Transl(oc)ating sound: Ethnomusicological reflections on travelling musics [Keynote address]. Verbal presentation at the Sound in translation: A Conference of the School of Music, Australian National University, Canberra, Australia.

Johnson, H. (2005, September). Researching Indonesian music. Verbal presentation at the Informal Meeting of the Faculty of Asian Studies, Australian National University, Canberra, Australia.

Johnson, H. (2005, September). Dialogue and the construction of knowledge in e-learning: Exploring students' perceptions of their learning while using Blackboard's asynchronous Discussion Board. Verbal presentation at the Research Seminar of the Higher Education Development Centre, University of Otago, Dunedin, New Zealand.

Johnson, H. (2005, October). Performing Okinawa: Eisâ, identity constructioin and the recontextualisation of traditional performing arts. Verbal presentation at the Research Seminar of the Department of Anthropology, University of Otago, Dunedin, New Zealand.

Johnson, H. (2005). Performing Japan: Contemporary expressions of cultural identity in the visual and performing arts - Eisâ and Okinawa. Verbal presentation at the Research Seminar of Performing Arts Studies, University of Otago, Dunedin, New Zealand.

Other - Edited Journal

Wild, S., & Johnson, H. (Eds.). (2005). Yearbook for traditional music, Volume 37, published by the International Council for Traditional Music. [Journal Editors].

2004

Authored Book - Research

Johnson, H. (2004). The koto: A traditional instrument in contemporary Japan. Amsterdam: Hotei, 199p.

Chapter in Book - Research

Kitahara, K., Guo, N., Rausch, A., & Johnson, H. (2004). Introduction: Tsugaru. In K. Kitahara & N. Guo (Eds.), Tsugaru no rekishi to bunka o shiru (Understand the history and culture of the Tsugaru region: The formation of Tsugaru identity). (pp. 123-137). Tokyo: Iwata Shoin.

Johnson, H. (2004). Tsugaru shamisen: Chihô to kokka, soshite kokusaiteki kûkan o iki kau mono to shite. In K. Kitahara & N. Guo (Eds.), Tsugaru no rekishi to bunka o shiru (Understand the history and culture of the Tsugaru region: The formation of Tsugaru identity). (pp. 81-102). Tokyo: Iwata Shoin.

Johnson, H. (2004). The koto, traditional music, and an idealized Japan: Cultural nationalism in music performance and education. In R. Starrs (Ed.), Japanese cultural nationalism: At home and in the Asia Pacific. (pp. 132-164). Folkestone: Global Oriental.

Journal - Research Article

Johnson, H. (2004). Voicescapes: The (en)chanting voice & its performance soundscapes. Soundscape, 5(2), 26-29.

Johnson, H. (2004). To and from an island periphery: Tradition, travel and transforming identity in the music of Ogasawara, Japan. World of Music, 46(2), 79-98.

Johnson, H. (2004). The Koto and a culture of difference: Musical instruments and performance identity in Japan. Journal of Chinese Ritual, Theatre & Folklore, 144, 225-261.

Journal - Professional & Other Non-Research Articles

Johnson, H. (2004). Preface. Journal of Chinese Ritual, Theatre & Folklore, 144, 1-3.

Johnson, H. (2004). Introduction. Journal of Chinese Ritual, Theatre & Folklore, 144, 7-37.

Johnson, H. (2004). [Review of Our nation: A Korean punk rock community]. New Zealand Journal of Asian Studies, 6(1), 215-217.

Johnson, H. (2004). [Review of Yakuza: Japan's criminal underworld]. New Zealand Journal of Asian Studies, 6(1), 207-209.

Conference Contribution - Published proceedings: Full paper

Johnson, H. (2004). Tsugaru shamisen: From region to nation (and beyond) and back again. Proceedings of the Music and Locality Conference: Towards a Local Discourse in Music. [CD-ROM] Music Books New Zealand. [Full Paper]

Johnson, H. (2004). Japanese roots and global routes: The place of Okinawan music in the ″world music″ industry within and across cultural borders. Musicology and Globalization: Proceedings of the International Congress in Shizuoka 2002. (pp. 507-511). Tokyo: The Musicological Society of Japan. [Full Paper]

Conference Contribution - Verbal presentation and other Conference outputs

Johnson, H. M. (2004, July). Japanese musicology: National, ethnic or international. Invited presentation at the International Musicological Society Symposium, Melbourne, Australia.

Johnson, H. M. (2004, July). To and from an island periphery: Tradition, travel and transforming identity in the music of Ogasawara, Japan. Verbal presentation at the Symposium of the International Musicology Society, Melbourne, Australia.

Johnson, H. M. (2004, November). Diwali in an Aotearoa/New Zealand context: Transforming Indian tradition. Verbal presentation at the New Zealand Musicological Society Conference, Dunedin, New Zealand.

Johnson, H. M. (2004, November). To and from an island periphery: Tradition, travel and transforming identity in the music of Ogasawara, Japan. Verbal presentation at the 3rd Cultural Transformations Symposium, Dunedin, New Zealand.

Other Research Output

Johnson, H. M. (2004) Diwali in an Aotearoa/New Zealand context: Transforming Indian tradition. Performing Arts Studies Symposium Dunedin: University of Otago. [Public Seminar].

Johnson, H. M. (2004) To and from an island periphery: Tradition, travel and transforming identity in the music of Ogasawara, Japan Department of Music Research Symposium, University of Otago, Dunedin, New Zealand. [Department Seminar].

Other - Edited Journal

Johnson, H. M. (Ed.). (2004). Musical instruments, material culture, and meaning: Toward an ethno-organology [Special Issue]. Journal of Chinese Ritual, Theatre and Folklore, 144. [Journal Editor].

2003

Journal - Research Article

Johnson, H. M. (2003). Traditions old and new: Continuity, change, and innovation in Japanese koto-related zithers. Journal of the American Musical Instrument Society, XXIX, 181-229.

Journal - Research Other

Johnson, H. M. (2003). [Review of the book Identity and resistance in Okinawa]. New Zealand Journal of Asian Studies, 5(2), 201-204.

Johnson, H. M. (2003). [Review of the book Inside GHQ: The Allied occupation of Japan and its legacy]. New Zealand Journal of Asian Studies, 5(2), 211-213.

Johnson, H. M. (2003). [Review of the book The city as subject: Seki Hajime and the reinvention of modern Osaka]. New Zealand Journal of Asian Studies, 5(1), 216-218.

Johnson, H. M. (2003). [Review of the publication The Garland encyclopedia of world music, volume 7: East Asia: China, Japan, and Korea]. Notes, 59(3), 657-659.

Conference Contribution - Verbal presentation and other Conference outputs

Johnson, H. M. (2003). Indigenous musics of Aotearoa/New Zealand: An exploration of early observations, attitudes, and perspectives in the historical narratives of ethnimusicological scholarship. Verbal presentation at the Japanese Society of Music Education, Kobe, Japan.

Johnson, H. M. (2003, November). Performing identity in Otago's contemporary chinese past. Verbal presentation at the 15th New Zealand Asian Studies Society, International Conference, Auckland, New Zealand.

Johnson, H. M. (2003, November). Tsugaru shamisen: From region to nation (and beyond) and back again. Verbal presentation at the Joint Conference of the New Zealand Musicological Society and Musicological Society of Australia, Wellington, New Zealand.

Johnson, H. M. (2003, December). Diwali down under: Transforming Indian tradition in Aotearoa/New Zealand. Verbal presentation at the Cultural Transformations Research Group International Symposium: Transforming traditions - Cultures on the move, Dunedin, New Zealand.

Software

McDonald, J., Johnson, H. M., Haig, C., Pierre, J., Magee, W., Crawford, M. D., van der Vyver, R., Bretherton, R., & Laba, M. (2003). Interactive Djembe (Version http://www.edmedia.otago.ac.nz/ascilite) [Computer Software]. Dunedin, New Zealand: Educational Media, Higher Education Development Centre, University of Otago. Retrieved from http://www.edmedia.otago.ac.nz/ascilite

Performance

Johnson, H. M. (director and instrumentalist) (2003, August). Recital with University of Otago Gamelan. Works by Lou Harrison; traditional., Otago Museum.

Exhibition

Heath, T., Laird, N., Hawkhead, J., McGuire, M., Heath, S., East, A., Johnson, H. M., … Kartis, D. (2003). Queen car: Images and sounds from Queen Street, Toronto, exhibited as part of the Ado Exhibition.

Other Research Output

Johnson, H. M. (2003) Music indigenisations in Aotearoa/New Zealand. Music Indigenisations Research Group. (pp.1-7) Nara, Japan. [Public Seminar].

Johnson, H. M. (2003) Performing sound: The role of audio in a performing arts degree, shared agendas. Performing Arts Studies Symposium Dunedin: New Zealand. [Public Seminar].

Johnson, H. M. (2003) Tsugaru Shamisen: From region to nation (and beyond) and back again. Department of Music Research Symposium Dunedin, New Zealand. [Department Seminar].

2002

Journal - Research Article

Johnson, H. M. (2002). Sound, environment, and the politics of place: A study of the popular music of Ring Links and their reflections of nature in Ogasawara, Japan. Perfect Beat, 6(1), 1-17.

Johnson, H. M. (2002). Balinese music, tourism and globalisation: Inventing traditions within and across cultures. New Zealand Journal of Asian Studies, 4(2), 8-32.

Johnson, H. M. (2002). Invented Traditions of Koto Notation from the Meiji Period. Asian Musicology, 2, 69-88.

Journal - Research Other

Johnson, H. M. (2002). [Review of the book A Snake in the Shrine: Journeys with Nobby Through Middle Japan]. New Zealand Journal of Asian Studies, 4. [Book Review].

Johnson, H. M. (2002). [Review of the book Ayako Kano, Acting Like a Woman in Modern Japan: Theater, Gender, and Nationalism]. New Zealand Journal of Asian Studies, 4. [Book Review].

Johnson, H. M. (2002). [Review of the book Japan's Comfort Women: Sexual Slavery and Prostitution During World War II and the US Occupation]. New Zealand Journal of Asian Studies, 4. [Book Review].

Johnson, H. M. (2002). [Review of the book Keila Diehl, Echoes from Dharamsala: Music in the Life of a Tibetan Refugee Community]. New Zealand Journal of Asian Studies, 4. [Book Review].

Journal - Professional & Other Non-Research Articles

Johnson, H. M. (2002). The world of music in postgraduate research. New Zealand Education Review, 7(34), 9.

Performance

Johnson, H. M. (2002, 23-24 August). "Alice in Gamelan". University of Otago Gamelan.

2001

Chapter in Book - Research

Johnson, H. M. (2001). Nationalisms and globalization in Okinawan popular music: Nēnēzu and their place in world music contexts. In R. Starrs (Ed.), Asian Nationalism in an Age of Globalisation. (pp. 359-373). Surrey, UK: Curzon Press.

Journal - Research Other

Johnson, H. M. (2001). [Review of the book Enduring Identities]. New Zealand Journal of Asian Studies, 3. [Book Review].

Johnson, H. M. (2001). [Review of the book L'Aspect mélodique de la musique de syamisen]. World of Music, 43. [Book Review].

Johnson, H. (2001). [Review of the book Kiyomoto-bushi: Narrative music of the kabuki theatre]. Notes, 58(1), 118-120. doi: 10.1353/not.2001.0149

Journal - Professional & Other Non-Research Articles

Johnson, H. M. (2001). Insider/outsider displays: Traditional Japanese musical instruments and their presentation in Japanese museums and archives. Museological Review, 7, 18-29.

Performance

Johnson, H. M. (2001, 18 & 19 August). Recital with University of Otago Gamelan. Works by Lou Harrison; traditional.

Johnson, H. M. (2001, 31 March & 1 April). Recital with University of Otago Gamelan. Traditional works.

2000

Journal - Research Article

Johnson, H. M. (2000). Indigenous musics of Aotearoa/New Zealand: An exploration of early observations, attitudes, and perspectives in the historical narratives of ethnomusicological scholarship. British Review of New Zealand Studies, 12, 113-130.

1999

Journal - Research Article

Johnson, H. M. (1999). The Sounds of Myūjikku: An Exploration of Concepts and Classifications in Japanese Sound Aesthetics. Journal of Musicological Research, 18(4), 291-306.

Johnson, H. M. (1999). Japanese collections of traditional Japanese musical instruments: Presentation and representation. Musicology Australia, 22, 46-62.

Performance

Johnson, H. M. (1999, 16 August). Recital with University of Otago Gamelan. Works by Harold Anderson, traditional.

1998

Journal - Research Article

Johnson, H. M. (1998). Museums of Traditional Japanese Musical Instruments: An Introduction to Three Collections, Their Contexts, and Classifications. TAASA Review, 8(2), 10-12.

Journal - Professional & Other Non-Research Articles

Johnson, H. M. (1998). An Introduction to the Pitches and Intervals of the Otago Gamelan and Examples of Notation Systems. Crescendo, 51, 10-19.

Johnson, H. M. (1998). Javanese and Japanese Musical Instruments at Otago. Sound Ideas, 1(3), 30-31.

Performance

Johnson, H. M. (1998, 3 October). Recital with Joko Susilo and the University of Otago Gamelan. Rama..

Working Paper; Discussion Paper; Technical Report

Johnson, H. M. (1998). Preliminary examination of the pitches and intervals of the Otago gamelan: Difficulties encountered and questions raised [Monograph Series]. Lebanon, NH: American Gamelan Institute. 26p.

1997

Journal - Research Article

Johnson, H. M. (1997). The Koto: Musical Instrument, Material Culture, and Meaning. Journal of the American Musical Instrument Society, 23, 56-93.

Johnson, H. M. (1997). A koto by any other name: exploring Japanese systems of musical instrument classification. Asian Music, XXVIII(1), 43-59.

Performance

Johnson, H. M. (1997, 18 August). University of Otago Gamelan. Works by Lou Harrison and Traditional.

Johnson, H. M. (1997, 13 August). Shofu Kai. Works by Miyagi Michio.

Johnson, H. M. (1997, 9 August). Shofu Kai. Works by Miyagi Michio.

Johnson, H. M. (1997, 7 August). Shofu Kai. Works by Miyagi Michio.

1996

Journal - Research Article

Johnson, H. M. (1996). Koto manufacture: the instrument, construction process, and aesthetic considerations. Galpin Society Journal, 49, 38-64.

Johnson, H. M. (1996). A survey of present-day Japanese concepts and classifications of musical instruments. Musicology Australia, 19, 16-39.

Journal - Research Other

Johnson, H. M. (1996). [Review of the recording Lee Yang-Hee Kayagum Collection]. Musicology Australia, 19(1), 83-84. doi: 10.1080/08145857.1996.10416551

Performance

Johnson, H. M., Hashimoto, M., Heffernan, M., Knight, Z., & Ohya, T. (1996). Japan Festival.

Johnson, H. M., Cheesman, S. M. M., Susila, J., Pohatu, T., & Halba, H. M. (1996). Waiora.

1995

Journal - Research Article

Johnson, H. M. (1995). Organology and the Performer: Understanding Instruments in Context. New Zealand Musicological Society Research Chronicle, 5, 22-26.

Johnson, H. M. (1995). An ethnomusicology of musical instruments: form, function and meaning. Journal of the Anthropological Society of Oxford, 26(3), 257-269.

Johnson, H. M. (1995). H)gaku kenkyn ni okeru bunseki-teki apur)chi no riten to mondaiten: ichi gaikokujin no shiten kara [The advantages and disadvantages of researching traditional Japanese music from a critical perspective: The views of one non-Japanese]. Kenkyu Kiyo / Harmonia, 25, 71-80.

Performance

Johnson, H. M., & Halba, H. M. (1995). Wayang Kulit: Traditional Indonesian Puppetry.

1994

Journal - Research Other

Johnson, H. M. (1994). [Review of the books Ethnomusicology: An introduction and British Journal of Ethnomusicology (Vol. 1), 1992]. Journal of the Anthropological Society of Oxford, 25(1), 129-130. [Book Review].

Journal - Professional & Other Non-Research Articles

Johnson, H. M. (1994). British Journal of Ethnomusicology. Vol.1 (1992). Journal of the Anthropological Society of Oxford, 129-130.

1991

Conference Contribution - Published proceedings: Full paper

Johnson, H. M. (1991). Is there a symbolism of the Koto. In Y. Tokumaru (Ed.), Tradition and its Future in Music: Report of SIMS 1990 Osaka. (pp. 275-280). Osaka: Mita Press. [Full Paper]